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A few ideas for a Zen #writing life

We may all write novels or short stories or poetry, but every writer is different. We each have our own approach to getting our work on paper.

I’m like everyone else. I have difficulty thinking creatively when life is too stressful. However, blog posts are more like technical writing, which is how I keep my writing mind working.

Over the years, I have developed a few tools for my writer’s toolbox. These are exercises that jar things loose, help me feel like writing when my well of creative energy is running low.

When the blender of life kicks into gear here at Casa del Jasperson, my ability to write goes out the window.

Nowadays, I stop forcing it.

I’m an indie and my deadlines are self-imposed. My timelines aren’t as finite as a writer who is under contract. I write every day no matter what, but rather than beating myself up over something I can’t deal with, I work on a different project. It might be a blog post or a short story. Sometimes, I take on an editing job.

I can always come back to the novel when inspiration returns.

Sometimes a project begins well but despite that great beginning, it goes unfinished.

Maybe I have run out of ideas for that story, which led to me loosing enthusiasm. No matter what the intended length is, an unfinished project is something I can work on later.

As an indie, my goals are for me, not for anyone else. I choose to embrace a Zen writing life

One manuscript has sat unfinished for several years for a variety of reasons. The story was stalled at the halfway point, and I had only a vague idea of how it must end. This year I managed to write a synopsis of the final half of the story arc and that has become invaluable as an outline. Writing is now moving ahead as I had hoped.

Despite how much I love the stories that fall out of my head, my work doesn’t appeal to readers of action adventure. My stories are internal. The characters and the arc of their personal journeys are the central elements of their stories. While I love the action and the setting, those elements are only the frame within which the characters live and grow.

In the old days, I didn’t understand that. I marketed it to the wrong audience. Readers of action and adventure aren’t interested in slower-paced work. Even worse, I rushed to publish my work when it wasn’t ready.

So, the first hard-earned snippet of wisdom I have to share today is this: Write your stories for yourself and don’t stop trying. We have to know our target market. One important thing I have come to accept is this: my work is written for a niche market of those few readers who seek out the kind of work that I do. I write what I want to read, and I am an odd duck when it comes to literature. So, I am writing for a smaller subset of readers and that will have to guide how I market my books.

The second piece of wisdom is a little more challenging but is a continuation of the first point: Write something new every day, even if it is only one line. Do it whether you are inspired or not because it is exercise. Just like yoga or martial arts, your aptitude for writing grows in strength and skill when you exercise it daily. Writing a blog post is my daily exercise. If you only have ten minutes free, use them to write whatever enters your head, stream-of-consciousness.

The third thought is a fun thing: learn the meaning of a new word every day. You don’t have to use every word you know, but it never hurts to learn new things. Authors should have broad vocabularies. Today’s word was bumptious which means offensively self-assertive.

The fourth thing: is don’t worry about self-editing when you are laying down the first draft. I know it’s a cliché, but it is also a truism. Let the words fall out of your head, passive phrasing and all, because the important thing is to finish the story.

The fifth thing to remember is thisevery author begins as someone who wants to write but feels like an imposterThe authors who succeed in finishing a poem, a short story, or a novel are those who are brave enough to just do it. They find the time to sit down and put their ideas on paper. And ninety times out of a hundred, they still feel like an imposter.

Finally, authors must overcome roadblocks in their personal life. My husband has late-stage Parkinson’s which makes life a little too interesting at times. Writing enables me to make sense of the twists and turns of our human experience.

It helps me process life’s complications in a non-threatening way.

In real life, nothing is certain. Adversity happens. Dealing with troubles forges strength and if you are a person blessed with empathy, it creates an understanding of other people’s challenges.

I am blessed. I can write whatever I am in the mood for. Having the time and opportunity to write is a luxury, one I didn’t have as a younger person raising children and holding down two jobs. I have a group of fellow writers that I can depend on for good advice, and for support when life is hard.

I don’t write to win awards, and I don’t earn a lot from my work. but I love what I do and don’t feel guilty about any arbitrary goals I don’t achieve.

I can relax and enjoy the act of creating something from idea to completion, but in my own time and at my own pace.

In this new year, I hope you find the time and inspiration to write whatever your dreams lead you to. I hope you have success at whatever your creative mind dreams up.

And I hope you have a Zen creative experience.

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A few of the many things I wish I had known about #writing

I have always thought of myself as a writer. During the 1970s and into the early 1990s, my pen and ink ramblings were poems and random scenes that contained ideas that later evolved into full-fledged short stories.

My typewriter sat beside the hamster cage in the corner of the kitchen (a poor placement choice). While my kids did homework, I pecked away at short stories.

Eventually, I acquired a secondhand computer and began writing a novel. Five years and 225,000 words later, I had a rambling mess on my hands that would never be finished.

I didn’t know what to do with it. I couldn’t figure out how to end it, and it was filled with grammar and punctuation errors. I had no idea how to make it look professional, as I had never heard of “industry standards.” My enthusiasm exceeded my knowledge and ability, and I didn’t know how to rectify the problem.

In 1990, a book that would change my life was featured in the Science Fiction Book Club catalog: “How to Write Science Fiction and Fantasy” by Orson Scott Card. The day that book arrived in my mailbox was the day I embarked on my quest to learn everything I could about the craft of writing.

I’m still learning. Since acquiring that book, I have amassed a library on the craft. Some are brilliant, while others are not, but I always learn something.

Diving into the deep end of writing contests and seeking a publisher can be both scary and wonderful. Every experience, good and bad, educates you just a little more. What follows are a few things I wish I had known in 2010 when I was directed to the (now defunct) organization that was NaNoWriMo. and began this journey in earnest.

One: Make a style sheet (also known as a storyboard or bible) as you go.

Build a glossary of words and spellings unique to your story and be sure to list names. I use an Excel spreadsheet, but you can use any tool you like to help you stay consistent with your spelling.

And even though I work at developing a thorough glossary, my editor will find many words to add to it.

Two: Nothing hurts worse than completely losing an entire manuscript. Develop a logical, consistent system for naming your files. Save your document regularly and back up your files to an external thumb drive or to the cloud.

Save each version of your manuscript in its own master file, and give each subfile a different name so you can go back and retrieve bits you may need later. I use a system like this:

  • The master file might be titled: Lauras_Story
  • The subfile might be L_S_V5.docx

That stands for Laura’s Story version five. I work out of Word, so the extension is automatically a docx. Each master file will contain many subfiles before a story or book is published.

Three: Find a local group of writers to meet with and talk about the craft.

Authors need to network with other authors because we need to discuss the craft with someone whose eyes don’t glaze over.

I found a fantastic local group by attending write-ins for NaNoWriMo. The Tuesday Morning Rebel Writers have my back, and I have theirs. Since the pandemic, and with several of our members now on the opposite side of Washington State, we meet weekly via Zoom. We are a group of authors who write in a wide variety of genres.

Yes, we help each other bring new books into the world through beta reading and critiquing. But more than that, we are good, close friends who support each other through life’s twists and turns.

Four: Never stop educating yourself. It requires dedication and a small investment of money, but you can do it.

Learn how to say what you mean with your unique voice and style. A college education may be out of reach, but you can buy books on grammar, style, substance, and writing craft.

Learn about structure and pacing from successful authors. Spend the money to attend conventions and seminars. You will learn so much about the craft of writing, the genre you write in, and the publishing industry as a whole. These are things you can only learn from other authors.

Five: Don’t even consider signing with the slick-talking publisher that contacts you out of the blue.

In 2010, I made my word count and became a firm believer in the principle that was behind the founding concept of NaNoWriMo. If you sit down and write at least 1,667 words every day, you will complete the first draft of your novel in 30 days. If you have a community of like-minded authors to encourage you, you are more likely to succeed. That is what NaNoWriMo was originally intended to be, as Chris Baty envisioned.

I didn’t know that while a novel might have the complete story arc, it isn’t finished.

Here is where experience can be a painful teacher. The year that followed was filled with serious mistakes and naïve bungling.

Legitimate publishers NEVER contact you. You must submit your work to them, and they prefer to work with agented authors. I didn’t know this. I placed my book in the hands of someone who was not qualified to publish. 2011 was filled with low points, ending with a devastating falling out with my publisher. Fortunately, I retained the rights to my work.

Authors are perfect targets for predators. Be smart. Ask yourself how a publisher could possibly want work they haven’t seen? And why should you pay them for “editing” or any other aspect of publishing? And how did they get your email address?

Make use of SFWA’s Writer Beware site. Predator publishers profit from our deep desire to be published. They will charge you for services they don’t provide and publish your work in its raw, unedited form, and you will never see a dime.

Six: even though you’re writing that novel, keep writing short stories, too.

Short stories and micro-fiction are a training ground, a way to hone your skills. Submitting your work to magazines, anthologies, and contests is the best way to get it published. Each story that gets published increases your visibility, and you develop a reputation as a reliable author. I suggest building a backlog of work ranging from 100 to 5,000 words in length. Keep them ready to submit whenever magazines, anthologies, or contests announce a call for submissions.

Remember, every scene and vignette that rolls through your head can be made into something you can use.

Get the Submittable App and start submitting your work, and don’t let rejections stop you. Keep sending that work to new places because someone will want it.

Seven: Never Stop Reading. I say this all the time. Read widely and in all genres. Read critically and apply what you learn about writing, both good and bad, to your work.

These are a few of the many things that I wish I had known when I first started writing professionally but didn’t.

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