Character, Objective, and Risk #amwriting

Sometimes I lose the plot. I know that character plus objective plus risk equals a story, but sometimes I can’t figure out the risk part.

Or the objective.

StoryMemeLIRF10052021This happens even when I have an outline. I will get to a place where I don’t know what to write, and the characters stand around doing nothing. I repeat the same old crisis with slight variations, which is tedious.

It’s a medieval fantasy, and manticores are quite prominent in medieval heraldry.

Unfortunately, my imagination is stuck on manticores but even in fantasy they’re a rare beast. My hero just killed the last one so I’m unsure what to do now. Readers don’t like it when you milk a plot twist over and over, no matter how you change the scenery around it.

I hate this job.

So let’s look at the plot outline again. I’m all about giving your characters agency, but sometimes it takes divine intervention to get the plot moving again.

Sir Percival stands at my elbow, looking over my shoulder. “Ahem.” He stares at me. “You there. Are you the person plotting this book?”

My characters no longer surprise me when they intrude, but being polite when I am disturbed is impossible. “What do you want?” I prefer it when my heroes don’t feel compelled to harass me.

Bodleian_Library-MS_Bodl_764-fol_025r-manticoreHe says, “I rescued Lady Adeline, and the manticore is dead. Did you notice?”

“Yes. I wrote that scene, and if I do say so myself, you were magnificent.” One problem with heroes is their obsessive desire for obscene amounts of praise. Sir Percival is a prime example of that.

“Thank you,” he replies, attempting to appear modest and failing. “Well, the thing is, Lady Adeline has thrown herself into wedding preparations.”

“I know,” I reply. “I’m designing the dress.”

“Well, you’ve been doing that for the last twenty pages, but who’s counting. Anyway, I’ve been booted outside because no one needs the groom until the big day. I need something to do.”

I never noticed it before, but Percy isn’t handsome when he scowls. Is there some way I can make him look like an adult? I don’t like beards, but he needs something to disguise his serious lack of a chin.

Sir Percy taps his foot. “You know, you’re really good at telling folks how to plot a book, but you suck at it yourself. We’re 25,000 words into your novel, and you’ve already wasted the big scene.”

What? This man who owes his very existence to my creative genius is picking a fight with me? He’s in for it now. “What are you talking about? I have numerous quests just waiting to leap off the page and occupy your idle hands.” See? I can give a dirty look too, and I don’t whine about it.

He just stares. “Well?”

I despise sarcastic heroes.

He whines, “If you intend this to be a novel, you have at least 50,000 or so words left. I have nothing to do.'”

The idiot has a point. I mistimed the big finale, so now I need a new objective for him, something entailing risk.


No, I did that in Billy Ninefingers.

I know! Carnivorous fairies … but no. I did that in Billy Ninefingers too.

This could take a while. I gaze at Sir Percival the Prim, wondering what I was thinking when I made a whiney inbred nobleman like him the star of this charade. “I can’t work with you staring over my shoulder. Find something to do for a few minutes.”

Of course, he flounces off to the living room. I should have given him a few more social graces.

clicker“Look, why don’t you sit here and watch TV for a while?” I park him in front of the TV and give him the clicker.

He looks first at me and then at the clicker. “What is this?”

Sighing, I show him how to turn the TV on and help him find something he’ll enjoy.

That takes an hour. Nine hundred channels and nothing interests him. Eventually we settle on old Star Trek reruns.

Finally, I am back at the keyboard and scraping the bottom of the barrel for a few more terrifying plot twists, hoping to keep this bad boy busy. The trouble is, all I can think of is manticores, but he’s already killed the only one that was left in the world.

Besides, readers hate it when authors milk plot twists.

Of course, my knight in shiny armor has acquired a certain amount of skill in manticore murdering, but how can you build a career out of that?


I look up, only to see Duchess Letitia, his future stepmother-in-law standing at my elbow. “Yes?”

Book- onstruction-sign copy“I’m sorry to bother you, but we desperately need a certain magical ingredient for my special anti-aging cream.” She looks at me expectantly. “My stepdaughter’s wedding is a big deal. But the outline says Percival and Adeline will assume the throne upon their marriage. It’s canon now, so I’m done, kicked to the curb in the prime of my life.” She dabs the corner of her squinty eyes with a silken handkerchief. “You set this story in an era where women have few career options. I simply must have my beauty cream, or I won’t be able to snare a new hubby.”

She has a point. “And that ingredient is…?” I hope it’s not a complicated thing because now I have two bored characters nagging the hell out of me.

A sharklike smile crosses her features. “Manticore’s milk.”

How odd. Another thing I never realized until this moment is how evil Adeline’s stepmother looks when she smiles like that. I love this woman.

She says, “I’m sure Sir Percival can get some since he’s just sitting around watching a magic box filled with other people having adventures.”

Duchess Letitia’s malicious smirk offers me no end of possibilities. I consider this for a moment. I could rewrite the original battle scene and subtract the dead manticore part.

He could get killed milking the manticore.

Or perhaps only mutilated.

Lady Adeline would have to rescue herself and then him. But what the hell. He’s a hero, right? Bad days at the office come with the territory. I walk to the living room, finding him sitting with his dirty boots on my coffee table.

This means war. Oh, yes. I promise, there will be mutilation in his future. Rather than deleting his character from the story and starting anew, this jackass will live. Percy the Prim and Proper will beg me to kill him off.

You know, manticores are an endangered species.

Lady Adeline won’t approve of his attempting to murder the last one so there will be trouble in paradise. The noble idiot will have misadventure after misadventure until my new coffee table is paid for.

“Percy, I have a task for you! Take this bucket and get some manticore’s milk. It’s a matter of life and death.”

He looks up. “I will in a minute, but I must see how this story ends. Captain Kirk might die if Spock can’t get the medicine!”

That’s another good plot twist. Note to self: have Duchess Letitia supervise stocking the medical supplies in Percy’s kit.

The duchess was wrong about one crucial thing. Nothing is actually canon until the book is published. I think the duchess deserves a much larger role in this story.

Excalibur London_Film_Museum_ via Wikipedia

Excalibur London Film Museum via Wikipedia

So does my new hero, Lady Adeline.

A lady hero who needs armor and a sword.

And a horse.

A horse that’s a unicorn.

I love this job.


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7 responses to “Character, Objective, and Risk #amwriting

  1. Johanna Flynn

    I absolutely loved this blog! I’ve got a main character watching the last remaining soap opera. 🙂 Maybe she and Letitia could have lunch.

    Liked by 1 person

  2. I love this. It’s so true, too. The first time one of my characters did something unexpected, I thought I was losing it. Then I read so many posts about how people’s characters take over, and sometimes demand a greater role. That happened in my current WIP. I gave him his wish. He’s been more than helpful since.
    Sometimes the characters know best.

    Liked by 1 person