Tag Archives: humor

Spanking L. E. Modesitt Jr.

magii of cyadorI’m just going to say at the outset, I love L. E. Modesitt Jr. and his work.  But my very FAVORITE series of books has a huge failing–the MAPS SUCK!  In Fall of Angels,  The Chaos Balance, Magii of Cyador and Scion of Cyador, and all of which take place BEFORE the world of Recluce is dramatically altered, the main characters are traveling all over the continent to places that DON’T EXIST on the maps provided in the front of the books! (I’d add another exclamation point or two, but it would look like I’m hyperventilating.) (Gasp.)

798px-Diego-homem-black-sea-ancient-map-1559However, I do understand how such a thing happens.  Being an indie, I am responsible for providing some sort of mappy-thing in the front of my own books and that is where it actually gets a bit dicey.

The thing is–maps, unless they are drawn by satellite GPS, are inherently WRONG in regard to actual distances and such. All they can do is provide a general idea of where the cartographer thought things were.

map of Waldeyn 2014As a tool, I draw my own maps, when I am writing the tale so I will have some idea of where the heck they are going, but I am not a cartographer. All maps drawn by me are only a picture of where one town might lay in relationship to another, a general idea of things.

Being an avid map checker, it frustrates me when there is no way to see what the author is talking about when he takes his characters from one place to another. I’m not asking for accuracy here, just a general scribble on the back of a napkin would be awesome–some indication of the direction and the lay of the land, such as mountains, forests and harbors.

BUT FOR THE LOVE OF TOLSTOY DON’T PUT MAPS IN THE FRONT OF THE BOOK THAT HAVE NO RELATIONSHIP TO THE TALE.

Cyador's HeirsL.E. Modesitt Jr. has a new Cyador book coming out in May, Cyador’s Heirs,  and I have already preordered it. I can hardly wait–it’s almost like waiting for Harry Potter!  Oh, mighty publishing giant who prints these wondrous creations PLEASE — make the bloody maps pertain to the actual book! Don’t make me stop this car!

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Hyphen help us–

hyphenated wordsYou thought hell was getting that manuscript written and ready for submission. You thought the rest was going to be easy.

Oh, no, my friend.

True hell is discovered in the editing process of your manuscript. This is when you realize that (among other failings) your knowledge of  how hyphenated words really work is somewhat lacking.

Oh sure, everyone agrees that a compound word is a combination of two or more words that function as a single unit of meaning. Most of us even know that there are two types of compounds: those written as single words, with no hyphenation and which are called “closed compounds”– such as the word “bedspread,”  AND  the “hyphenated compounds,” such as “jack-in-the-box” and “self-worth.”

But there is a third group, and they are the bane of my life–those mysterious, ephemeral denizens of the deepest corner of writer’s hell, called open compounds. These seemingly innocent instruments of torture are written as separate words–the nouns “school bus” and “decision making,” for example.

But how do I tell if  it’s one word, two words or a hyphenated word?  

1. Do not use a hyphen unless it serves a purpose. If a compound adjective cannot be misread or, as with many psychological terms, its meaning is established, a hyphen is not necessary.

For example:

covert learning techniques, health care reform, day treatment program, sex role differences, grade point average

2. Do use one in a temporary compound that is used as an adjective before a nounuse a hyphen if the term can be misread or if the term expresses a single thought:

For example:

“the children resided in two parent homes” means that two homes served as residences, whereas if the children resided in “two-parent homes,” they each would live in a household headed by two parents.  In that case, a properly placed hyphen helps the reader understand the intended meaning.

IMG7663. We also use hyphens for compound words that fall into these catagories:

a. the base word is capitalized: pro-African

b. numbers: post-1910, twenty-two

c. an abbreviation: pre-ABNA manuscript

d. more than one word: non-achievement-oriented students

d. All “self-” compounds whether they are adjectives or nouns such as self-report, self-esteem,  self-paced.

4. We hyphenate words that could be misunderstood when there are diverse meanings if they’re unhyphenated:

re-pair (to pair again) as opposed to repair (to mend)

re-form  (to form again) as opposed to reform (to improve)

5. We hyphenate words in which the prefix ends and the base word begins with the same vowel:

metaanalysis, antiintellectual

But really, unless you are a technical writer, how often are we going to use these terms? Hence, the confusion when we DO use them.

Getting it write online dot com says, “One way to decide if a hyphen is necessary is to see if the phrase might be ambiguous without it. For example, “large-print paper” might be unclear written as “large print paper” because the reader might combine “print” and “paper” as a single idea rather than combining “large” and “print.” Another such example is “English-language learners.” Without the hyphen, a reader might think we are talking about English people who are learning any language rather than people who are learners of the English language.”

Write most words formed with prefixes and suffixes as one word with NO hyphen.

Prefixes: Afterglow, extracurricular, multiphase, socioeconomic

Sufixes: Arachnophobia, wavelike, angiogram

dictionaryxHooray for Merriam-Webster! One can also look the word up in an online dictionary, to see the various different ways it can be combined. Just go to:

http://www.merriam-webster.com

Now the real point of all this is that no matter how much I know when I am editing for another author, I always manage to screw up my own work amazingly well–it’s like my finger has a twitch that absolutely MUST add a hyphen! (Or a semi-colon, but that’s another post.)

Curses on the hyphen!

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Words as Swords

shakespeare-word-cloudGrammar is such a pain. We all speak naturally in a dialect that is indicative of where we live, and there are certain peculiarities that will emerge in our scribbles.

*doh*

I was raised by a set of parents who adored words.  Long words, short words, rhyming words– my siblings and I learned words at a young age and we know how to use them and in what context.

Of course, many of the words I was taught were unique to my family, apparently, but words were important and they were celebrated.

the_last_good_knight_cover-createspace.jpgPeriodically Dad would “lose his words” and what came out of his mouth at that point we were not to repeat….

I have this wealth of words in my head, and yet when I get to cruising on a tale, I inadvertently use the same words rather frequently, as if my head is stuck in a rut.

Words have power. Words can build nations and words can tear them down. “When, in the course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth the separate and equal station to which the laws of nature and of nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.”

51VAA93NY4LWilliam Shakespeare adored words too, and is credited with inventing over 1700 of the words we use today. He did this by changing nouns into verbs, and connecting words together that had never been used before. Some of these words include ‘bedroom’ and ‘courtship.’

Words can win a persons love, and words can destroy a relationship forever. “Where love is great, the littlest doubts are fear….”

To have the chance to wallow in words all day long, and get paid for it is more than amazing, it is what I always dreamed of. I live for words, to write them, to read them — to play with them. I get to quote Shakespeare! “Cry ‘havoc,’ and let slip the dogs of war….”

Long words, short words, life is built around words.

“Without the which we are pictures, or mere beasts…..”

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Fantasy–It’s a Mystery

MSClipArt MP900390083.JPG RF PDMy favorite books to read are, of course, fantasy. But I love mysteries too, and guess what? The best fantasy books involve a deep mystery.

In the best fantasy tales, at the outset quests are undertaken to achieve a goal against terrible odds, and the basis of that goal could be an object with a mysterious history, or it could be to kill a despot with immense power, the source of which is–a mystery.

And then, once the heroes are made aware of the whereabouts of the object (or person) they seek, the mystery deepens. Obstructions appear in their path, things that both block and enlighten them as they overcome them. With each small victory they learn something new, some random thing that might ultimately be the final clue to removing the source of power from the evil dude’s grasp, thus ending his reign of terror.

480px-Schmalz_galahadDuring the process of this, the heroes grow as people. Where they were comfortable in their secure, middle-class existence, or naive but worldly street-urchins, the experience of solving the mystery and enduring the hardships to arrive at the final scene changes them, some for the better, and some–maybe not.

This also happens in a great murder mystery, or a gripping political thriller.  In writing classes and groups this is called the story arc, but in my opinion, it’s just the basis of good story.  For authors just starting out, StoryStarter.com has a great page.

Along the way, the questers may encounter things that don’t appear in the real world we currently live in, and for me that’s part of the fun.

I grew up in a very rural area, surrounded by deep woods. We left Seattle and moved there when I was nine. Beyond the perimeter of our property lay terrifying things–bears, wildcats–things a nine-year old city-girl has no idea of how to deal with.

Dragon_rearing_up_to_reach_medieval_knight_on_ledgeDaily, my sister and I walked up a 1/4 mile long dirt driveway through the forest to the school bus. A large hill was in the center, and for the first year I lived there, I hated the place more than anything. I hated the school, I hated the bus, I hated my parents for destroying my life.

Sometimes our father would have to drive us to school, if bears were in the horse pasture that bordered our property. We would drive past, and he would point out the wonders and explain that with a mother bear and her cub in the horse pasture, we had to be very careful that morning. “They’re rare, and we’re fortunate to be able to see them once in a while. It’s just the mother will see you as a danger to her cub, so no bus for you today.”

All I knew was the woods were full of danger, and my parents apparently didn’t care, because they made me walk through them daily. I did walk through them and gradually, as summer vacation loomed, I began to see the possibilities of living in a lake-house, where there was no restriction on how many days you swam.

That first summer I discovered waterskiing, and my whole point of view about living all year round in a vacation-house was changed. Over the first few months I learned to love the deep woods around us, and to know and recognize the birds and animals who grudgingly endured our noisy, selfish presence.

This personal journey from ignorance to understanding the characters go through while solving the underlying mystery is one of the most important elements of a story. It is hard to know how a character will react to a given situation, and that is the best part of writing them.

DR 3 Prism Ross M KitsonRoss Kitson’s epic Darkness Rising series is one of my favorites, because the circumstances force the characters to  evolve in unexpected ways. Jeffrey Getzin’s fabulous Prince of Bryonae and his novellas featuring D’Arbignal are also good examples of how circumstances shape characters.

I highly recommend both these indie authors, if you are looking for high quality indie fantasy.

A Lesson for the Cyclops Jeffrey Getzin

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Name that Kid

fist_names_generatorA Facebook friend of mine whose given name is ‘Tad’ remarked that he had never liked his name, that he had always felt more like a Christopher. I can totally relate!  I was stuck with a not-too-goofy first name, Connie, which I never really liked,  but my middle name…. To this day I can’t spell it with out concentrating really hard: Lieuettice.

In a way I understand my mother’s dilemma. Good names are hard to think up! My friend, Irene, is always hammering at me to give my characters names that don’t all start with the same letters…which I wish I had thought about earlier on in the Tower of Bones series (doh).

_72982736_vikings courtesy of BBCSo lately I’ve had to resort to my handy  list of Saxon Names. Or my list of Popular Viking Baby Names.   “Come here, BRÖKK, my fine, strapping hero…put on this armor and at least look like you want to go out and wrestle a dragon….you and DAGFINNR can pillage the village when you’re done.”

Runes001So, my dilemma in my current work in progress is that two of the female characters have names that begin with the same letter. When I began writing the series, I didn’t realize the second character would become so important in the story–and now, three books into the series, I CAN’T CHANGE HER NAME!  (bangs head on desk.)

But, instead of sitting here, wailing “Why, why why?” I suppose I should just get on with writing the story.

Note to self:  Always name your character names that begin with different letters–there are twenty-six letters in the English alphabet, for the love of Tolstoy…and if we get into the Elder Futhark we can use all those lovely runes….

names

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Midnight Blues

science of relationships dot comTwo days ago I woke at 3:30 a.m. with the plot of a short-story in my head. People often ask me where I get the idea for some of the more obscure things I write, and I tell them I literally dream them up. They think I am kidding, but it’s true. Some of my best stories have arrived in the middle of the night–the real trick is to get up, go to the computer and write it down.

After all these years I have learned to do just that.

My husband is used to me getting out of bed and going to work at all hours of the night. How do you sleep when your head is a television? My imagination is killing me, and since I have my main bursts of energy during the strangest times of night, I get a lot done before noon. Anything after that could be a wash-out as I might be napping in an upright position,  a corpse at the keyboard.

dont-tell-people-your-dreams-show-themWhat I do is give the tale a working title, one that will be changed to a better title later.  I write down the basic plot as I remember it, and the characters.

If I had any names in the idea I woke up with, I write them down, otherwise I give them temporary names. I give the environment it’s name and write down the feelings I had of the dream environment.

Then I note every thing else I can remember about it–sounds, tastes, smells–anything that might make the story more real.

Fitzgerald's Fortune Cast of Characters and plot summary pg 1&2In the final outline, most of these things will be boiled down, changed to make a cohesive tale, as  my dreams tend to be quite random.

This is not to say that all my dreams are worth writing about–that is absolutely not the case, although they are often hilarious and sometimes confusing.

Some of my dreams are frightening, and make me go “hmmm….”

The point is, inspiration comes to us from the most random of places. Unfortunately, some of the best story ideas have come to me while driving, and that is a real stinker–there I am on the interstate, and the best plot idea I’ve ever had is fighting for my attention, demanding to be written down–which is definitely not an option at that point!

I am no longer allowed to drive with my laptop propped on the steering wheel, go figure. I have gotten off the highway and sat in a gas-station parking lot, jotting down the idea, on whatever is available. Once it is written down, I can go on my way, and concentrate on driving with no distractions.

270px-Rosetta_StoneUnfortunately, I seldom use my handwriting skills any more–the ease of communicating via the keyboard has eroded that  all-important penmanship I once received high grades for.  Four months later, when cleaning out the car, I will perhaps find a napkin covered in indecipherable chicken-scratches.

If I don’t toss it with the rest of the litter, which is the smart option, I will take it to my office (the infamous Room of Shame) and go over it with a magnifying glass, like Jean-François Champollion trying to decipher the Rosetta Stone.

Nine time out of ten I give up, frustrated; one more glorious idea gone forever, shot to hell in the world of the ephemeral.

Why is there  never a translator of obscure texts around when you need one?

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Ode to Writer’s Block

Ode to Writers Block 

What beauty is this, that lies sleeping near my heart?

‘Tis word—and word should tumble from my pen,

Not lie locked within the chamber dark and inky.

Where hides the key to free thee from thy prison?

Oh, lovely word, spring forth from the trap that is my mind,

Set thee down upon this paper, word.

Let me hold thee, and from thee let me form the dreams,

The hopes and fantasies that fill my eyes and blind me to all but thee,

Oh word! Fill my paper with thy bounteous delight,

As you fill my head with longing,  and my wastebasket with scrap.

©2014 Connie J. Jasperson, All Rights Reserved

Arts and the Muses by Pierre Puvis de Chavannes, 1884-1889

Arts and the Muses by Pierre Puvis de Chavannes, 1884-1889

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Philosophy and Crafting a Tale

buddha-225x300The Buddha once said, “We are what we think. All that we are arises with our thoughts. With our thoughts, we make the world.”  I believe this to be true, and try to live my life accordingly. I am a basically happy person.

I think a certain amount of my personal philosophy finds its way into my writing. It’s only human nature to want to make the world to fit your idea of what is good and beautiful. In my worlds, good people always find themselves in bad situations, but through the drama, heartache and violence, what I hope to express is the beauty of life, the emotions that are experienced when joys are contrasted against sorrows.

If you have never felt hunger, you can never understand what it is to have plenty. In the same context, if you have never known sorrow, how can you know joy? The contrasts of life are the flavors, the textures that give it meaning.

The LOTR advance posterBuddha also said, “There has to be evil so that good can prove its purity above it.”  This is a fundamental truth for all writers of traditional fantasy fiction when devising plots, one that J.R.R.Tolkien understood quite clearly. After all, what would have been the point of Frodo and Sam going to the depths of Mordor, suffering the hardships they endured if not to destroy the One Ring and negate the power of Sauron? And why would they do this, if Sauron was not the embodiment of evil?

sam-frodo-frontdoorIn the Lord of the Rings trilogy, we have one of the most enduring works of modern fiction. It is an epic quest where through it all, we have joy and contentment sharply contrasted with deprivation and loss, drawing us in and inspiring the deepest emotions. This use of contrast is why Tolkien’s work is the foundation upon which modern epic fantasy is built.

If I can create a tale in which the reader experiences the full gamut of human emotion, I will have done my job.  The longer I am at this craft, the more I see that the rest of my life will be a training ground, teaching me new things, and widening my writing horizons everyday. With each thing I have written over the years, my work has evolved. Because the universe follows certain fundamental laws and nothing is static, my work and that of all dedicated craftsman-authors will continue to evolve.

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Telling the Tale

tales from teh dreamtime - proofsI am so excited–Tales from the Dreamtime has made it into print, and is halfway through the process for being made into an Audible Book through Amazon’s ACX services.  We should have a finished product before the end of February. The narrator is a wonderful reader, Craig Allen, and the way he reads my work is perfect–he instinctively understood what I was thinking when I wrote it.

There is a sense of having “made the grade” in hearing your work read as an Audible book, and a feeling of wonder. Did I really write that? Wow! It’s actually kind of good! 

James_Jefferys_-_Self-Portrait_-_Google_Art_Project Public DomainI’m quite pleased with how well the novella translates to being read aloud. My reader has had very few questions, and that is entirely due to it’s having been professionally edited. Irene Roth Luvaul was the editor on that book, and she is awesome, as are all the gals at Eagle Eye Editors. I actually have three manuscripts in editing with them right now–Tower of Bones is finally getting the Eagle Eye Treatment, which it should have had in the beginning. This is how you learn.

The original editing on Tower of Bones was a labor of love by my friends. It is a great example of a typical indie production, and while it’s not unreadable in its current state, it has too many words. The story has potential for greatness, and Maria Johnson at Eagle Eye is bringing that out. I have developed a leaner style of writing since that book was written, and Maria is cutting the fluff.

Also at Eagle Eye, Huw the Bard has been under the knife–the fabulous Carlie Cullen, who edited Forbidden Road is putting the polish on Huw. With this kind of continuity, I will be able to develop my author name into real brand, with as good a product as I can possibly offer.

Found on FaceBookWhen the good ladies at Eagle Eye are done with me, all my books will be as high quality as any published by a large publisher. This is what I have been working toward, getting my work as professional as is possible. Sometime being an indie means you were flung into the deep end of the pool, but eventually you do learn a few things.

My raw manuscripts are not really very literate.  Oh, I do the best I can, but like all authors I tend to use certain phrases too often, adore clichés, and of course, there are those pesky typos that require correction. Also, in the course of my writing frenzy I stick a comma in anywhere I pause, apparently. (snorfle.)

150px-250px-FFX-2_boxBUT the real story today–grandma is gonna kick back and play her game, all day, and no, I don’t need any fresh air , thank you. The most awesome thing ever–Square Enix  re-released Final Fantasy X, this time for the PS3, and it has been remastered. Not only that, they have created a sequel to it, Final Fantasy X-2, and released them together in a package that has been getting rave reviews.The direct sequel to Final Fantasy X, the game’s story follows the character Yuna from Final Fantasy X as she seeks to resolve political conflicts in the fictional world of Spira before it leads to war. This will be the next purchase from Amazon, since Grandma LOVES gaming as much as she loves reading.

But right now, Grandma is replaying Final Fantasy XII, so she has to go now. I will never stop playing this game–I love the characters so much. The story line is deep and rich, and the personalities of the characters are multidimensional.

Don’t touch that controller, that’s mine.

225px-Ff12cast

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Joan Hazel, Burdens of a Saint

Cover BOAS3Today we’re talking with Joan Hazel, a lovely person and an author-friend whom I met through our former publisher. She is one of the founding members of our mutual publishing group, Myrddin Publishing. Over the last two years I’ve become quite good friends with her.

She is  a talented author, whose new novel, Burdens of a Saint, was released yesterday. I had been lucky enough to be a beta reader for her on the early manuscript and really loved the characters of Janet Beesinger, and Saint.

But first, the Blurb:

 Your life will change today…

When Janet Beesinger writes  the words in red on her calendar, she has no idea what they mean. But, as a psychic, she knows when the universe gifts you with personal information, you listen.  How was she to know the Universe meant an irritating and sexy shape-shifter who would challenge everything about her life?

Saint Wolfe can feel the gravity of his arrangement with the goddess Hel closing in around him, forcing him to confront his past and the betrayal of the woman he was to marry. Needing to make peace with his past, he returns to New Orleans in search of forgiveness, only to be confronted by his own immortality. His only hope for atonement lies in the hands of a woman claiming to be a psychic. Will she be able to help Saint find salvation before his debt to Hel comes due?

And now–the interview:

Me: Where did you get your original idea for a fantasy-romance involving a society of shape-shifters from?

Joan Hazel PicJoan: Would you believe they walked out of the bushes while I was mowing the yard and said “here we are, now tell our story”? It sounds strange, but that sort of what happened. I was doing yard work and thought what would happen if you found out you inherited a mansion and the surrounding lands, and while you were tending the yard four hot guys walked out of the woods and you found out it was your responsibility to take care of them? And, by the way, they are all shape shifters.

Me: I like that. I think we often find our inspiration in the most mundane places. When you are mowing the lawn, your mind is free to move about the airplane, so to speak.

What is your personal connection with Norse Mythology? 

Joan: I have always had an attraction to Norse Mythology and Vikings. It may come from my Germanic roots or it may come from a past life. LOL. Even when I sang opera I specialized in Wagner which is deeply steeped in Norse Mythology.

I just always felt the Norse gods were more connected to the common man more so than the Greek or Roman.

Me: I agree. I’ve always felt the Norse gods were too closely involved in human affairs for our own good, lol!  (Loki, please make mischief elsewhere, thank you….)

So I understand you use Dragon Naturally Speaking software. What is the evolution of your manuscript—how do you take it from the first draft to the completed stage? Is there some point where you switch to a standard word-processing program?

Joan: This is why it takes me so long! I do use Dragon, but only after I have written the manuscript in longhand. For me there is something magical about the brain-hand connection when it comes to weaving these stories.

After I have the written manuscript, I then input through Dragon into a Microsoft Document, then go into that and work formatting, etc.  The hardest part for me in using Dragon is the fact so many of my characters have unusual names. So far I have been unable to get the software to recognize names like Apple-y and Aegir.

Me: Wow–that seems time consuming. I don’t have that sort of patience.

Like me, you’re an indie author. What is the most difficult part of this process for you?

Joan: The most difficult part of the process for me is finding the time to write while juggling everything else. It seems that quite frequently I will be in “the zone” chugging away when the  my hubby yells at me from the other room or the dogs try and get my attention. Plus, my muses  have an irksome way of popping up at those times that I can do nothing about it, like when I am  driving or taking a shower. I have tried using a recorder, but listening to the sound of my own  voice irritates me.

Me: I know! I am always embarrassed by the sound of my own voice. And distractions are something we can all relate to.

What is your next project in this series and who will be the main character?

Joan: That is a great question. There are two books left in the series; one for Fergus Wolfe, who is the alpha of Delta Pack and the other, is for Ghost Thorolfur. The two are kind of battling it out to see who goes next. Originally, I had planned for Ghost to be next, but now I am not so sure.

Me: They are both intriguing characters, and I really can’t decide which one I am more curious about! You also write romance novels.  Do you have any other books in the works?

Joan: How much time do we have? There are probably 10 books jumping around in my head at the moment. There are two in particular that I have begun work on. One is a medieval fantasy set in an imaginary kingdom in Scotland. The other is a western set in post-Civil War Texas.

Me: You know me! I am all about the medieval fantasy!  What advice would you give an author who may be struggling with the decision of whether or not to go indie?

Joan: In my opinion going the indie publishing route is one of the best things a writer can do, especially if your storyline doesn’t quite fit into the mainstream (i.e. commando shape-shifters created for the goddess Freyja).

I like being an indie author and having the creative control over my babies. There are days you will want to bang your head against a wall and days you will want to jump for joy.

My word of caution, don’t go into it blindly. I learned a great deal about the business of being a writer, and believe me, it is a business. You can find a lot of information on the internet and there are small, indie publishing companies that will help you publish. Keep in mind, even if you signed with a large house, unless you are J.K. Rowling or Nora Roberts, marketing, branding, organizing book signings, or anything else for that matter is left completely to you.

Me: Joan, that is good advice. I would add that a quick glance through the list at Preditors & Editors will give a new author some idea of small publishers they may not want to go with.  

But thank you so much for stopping by, and for answering a few of my questions. I have really enjoyed it.

Joan: Connie, thanks for letting me stop by and share my thoughts. It has been fun.

———————————————————————————–

Just so you know, Joan is an awesome person! To find out more about Joan and her books check out her website, and these other fine social media:

Website: http://www.joanhazel.com

Blog: http://joan-hazel.blogspot.com/

Twitter: @guardianwriter

Facebook: https://www.facebook.com/pages/Joan-Hazel/362411800440684?ref=hl

Cover BOAS3

BURDENS OF A SAINT

available at Amazon.com

Available in print and for the Kindle

Joan Hazel has found success at virtually everything she has ever put her mind to doing.

A native of Corinth, Miss., she is an accomplished actress and vocalist who has performed with theater and opera companies across the eastern United States. She has also dabbled success-fully in theater as a director and vocal director for numerous award-winning productions.

She completed a double major in music and business from Delta State University and went on from there to earn a Master’s Degree from East Carolina University with another double major, in music performance and pedagogy.

She has spent time as a vocal and piano teacher at both Troy University and Enterprise State Community College. As a teacher she is much sought after for her skills and often works privately with students in her home. In 2010 she was a guest instructor at the International Music Theater Festival held in Venice, Fla.

In her spare time, she plays with a cast of characters who live in her head. She has written four novels that range from historical fiction to reality-based crime fiction to science fiction/fantasy.

Hazel is passionate about the protection of animals and supports a variety of animal conservation efforts.

She currently resides in DeLand, Fla., with her husband, Ricky, and their two dogs.

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