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How participating in writing challenges shaped me #writing

From 2010 to 2023, I participated in an annual writing rumble called National Novel Writing Month, or NaNoWriMo. It was an annual creative writing challenge held in November each year. It began in 1999 in San Francisco with a group of twenty-one writers challenging each other to write a 50,000-word novel in thirty days. Over the years, it grew into a multinational event, an annual convergence of writers from all over the world.

For the first eight years of my participation, it was fun. During my ten years as a municipal liaison (ML) for that now-defunct organization, I discovered that there is no one way to begin and complete a novel or any other writing project that fits everyone.

However, some of us get more done when we have a deadline, even a self-imposed one.

The joy went out of NaNoWriMo once the national leadership changed, for reasons well documented on YouTube. Both my Co-ML and I became disgusted with its overtly corporate direction and walked away a year before the organization fell apart.

But November happens every year, and it’s still a great month to get that novel out of your head and onto paper.

I got involved in that annual challenge when a young writer in the Philippines, whom I met through a gaming website, mentioned he planned to participate. I had never heard of it, but since I had started and sort of completed several rambling, incoherent novels, I was intrigued.

I wasn’t sure I could do this crazy thing. But when I broke down the numbers, I saw that all I had to do was write 1,667 words daily. That was something I could do if I dedicated three hours an evening to it. I told my husband, and he said to go for it, even though I didn’t know what to write about.

Everyone who knows me will tell you that fear of failure has never stopped me from ruining my life. So, I googled the national website and signed up. I chose the handle dragon_fangirl. Through the website, I discovered that my town had a large group of participants in various stages of their careers, some who’d never written a thing, and others with several books published.

I started going to their “write-ins,” meetings at coffee shops and libraries where we got together and wrote furiously for one or two hours as a group. We commiserated and discussed our progress, and in the process I found a cadre of friends who became the core of my writing group. I am still writing with them.

During that first year, I rose at 6:30 a.m. on November 1, 2010, filled with trepidation. I opened a new document, gave it the title of “NaNoWriMo novel,” and saved it,

Then I stared at my laptop, with no idea where to begin or even what I wanted to write.

I had been working on an urban fantasy for several years, but I wanted to do something new. An idea had been lurking in the back of my mind for a Don Quixote-style character. But I also wanted to write sword-and-sorcery.

I read Miguel de Cervantes’ Don Quixote as a teenager (at my father’s behest) and borrowed (stole) the heartily misogynistic adventures of Fafhrd and the Gray Mouser from Dad’s nightstand, along with any other lurid and unsuitable novels that happened to be lying around.

I loved any kind of fantasy, from sword and sorcery to Arthurian mashups to epic high fantasy. The first words I wrote for that year’s novel were: There was a cabin in the woods.

It was a banal beginning, but it gave my idea a jumping-off point. I just began telling the story as it fell out of my mind. Surprisingly, I discovered my word count averaged 2,500 to 3,000 words daily. By day fifteen, I knew I would have no trouble getting to 50,000, and by November 21st, I had passed the 50,000-word mark.

At the 68,000-word point, I had completed my rollicking tale of snark and medieval derring-do. It was utterly unpublishable, but I didn’t know that until after an unfortunate experience with a predatory publisher.

The one thought that comforted me during that rough beginning was the fact that I had written the basics of a story I would have sought out at the bookstore.

After that fiasco, I turned to other writing projects for several years. I had written the storyline for an anime-based RPG that was never published because of a lack of funding and the tech crash. I still had the rights to my story and maps, so I wrote it as a novel, had it edited by my current editor, and published it. Three more novels set in that world followed.

Then my friends suggested I could rewrite the novel that my first publisher had ruined and republish it. After my wounds had healed from the bad publishing experience, I took the novel apart and separated the three main character threads. Over the next ten years, those threads became three books: Huw the Bard, Billy Ninefingers, and Julian Lackland.

All three novels are set in that original alternate medieval world, and center around the same group of characters. Much of what was originally written could be reused.

I learned how to lay down a first draft through participating in my local NaNoWriMo group. The wonderful people I met during those years helped me gain the tools I needed to turn a first draft into a properly finished book.

If you have the idea for a novel and want to get it out of your head while you are enthused about it, I suggest you write at least 1,670 words every day. At the end of thirty days, you will have written slightly more than 50,000 words.

This takes me about 2 hours of stream-of-consciousness writing, as long as I don’t go back to correct misspelled words. I do have an outline to follow, which has grown into a storyboard. This plan of action helps me know what should come next.

Many excellent writing challenges have emerged since NaNoWriMo’s downfall.

If you are looking for something to spur you into action this November, check out:

Novel November™ by ProWritingAid: The Free Writing Challenge

Reedsy Studio Writing Challenges

Pathfinders Writing Collective

AutoCrit Novel 90 Writing Challenge

And SO many more. Just Google “writing challenges” and see what you might be interested in

Last year I participated in ProWritingAid’s Novel November and had a great time. I posted about my experience here: #NovelNovember has ended, my book isn’t done, and once again, I’m clueless #writing | Life in the Realm of Fantasy

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#NovemberWriter: When Inspiration Fails #writing

We are now well into week one of November. Week one of a thirty-day writing challenge is the danger week. Once the first rush of creativity passes, many writers will give up. They experience a momentary lull in creativity and don’t have the tools to visualize what to write next.

Olympia Rebel Writers Sticker 2024The well of inspiration runs dry and they quit. Many will never attempt to write again, although they will always consider themselves secretly a writer.

Rather than worrying about word count, I suggest setting a more reasonable goal. If you are new at this, I suggest a goal of writing at least one paragraph a day. Write something each day for thirty days, and you will be surprised at what you produce.

I have solutions for overcoming the roadblocks that daily life throws up. And believe me, when you are caregiver for a spouse with late-stage Parkinson’s, life tends to vomit roadblocks.

PostItNotePadThe first one is one I developed when working in corporate America. Frequently, my best ideas came to me while I was at my job. If your employment isn’t a work-from-home job, using the note-taking app on your cellphone to take notes during business hours will be frowned upon. To work around that, keep a pocket-sized notebook and pen to write those ideas down as they come to you.

It’s old-school, but it worked because you don’t appear distracted or off-task.

Ideas come to me when I stop forcing my brain to work when it’s on its last legs. Strangely, cleaning and organizing my living space allows my mind to rest. Taking the time to wash dishes or clean the house helps reset my short-circuited creative mind.

But getting outside and walking helps even more. I suggest taking a notebook or dictating into your note-taking app.

Sometimes, we write an action scene that doesn’t advance a story. Arcs of action drive plots. Every reader knows this, and every writer tries to incorporate that knowledge into their work.

But some scenes don’t advance a story because they are examples of random mind wandering.

Don’t throw it out. Keep it and maybe you can use it in a different story. ALL writing is good for you, so set what doesn’t work for your current work aside. Keep on mind wandering and writing scenes.

Who knows what will grow from those seeds?

tabs of a stylesheet

I go somewhere quiet and ask myself questions about the story I’m stalled on. I carry a notebook and make a list of the answers. I write an idea here and another there, and soon I have a plot.

Novels begin a certain way: at the story’s outset, we find our protagonist and see them in their familiar surroundings. The inciting incident occurs once we have met them.

But maybe we don’t have any idea what sort of bad thing happens. Maybe we’re still doing character creation, and that is okay.

If you’re stuck, it sometimes helps to go back to the beginning and consider the following questions:

  • What is the goal/objective? What do they want?
  • Is that objective important enough to warrant risking everything to acquire it?
  • What could the protagonist face that will challenge their moral values and sense of personal honor?
  • How could this force the protagonist to become stronger?
  • Who is the antagonist? What do they want, and what are they willing to do to achieve it?
  • Does the enemy face ethical quandaries, too?

Wrong-Way-Traffic-Sign-K-101-1Every obstacle we throw in the path to happiness for the protagonists and their opposition shapes the narrative’s direction and alters the characters’ personal growth arcs. As you clarify why the protagonist must struggle to achieve their goal, the words will come.

I write my ideas down and the broad outline of a story evolves.

  • I keep my notes in an Excel workbook. It contains maps, calendars, and everything pertaining to any novel set in that world, keeping it in one easy-to-find place.
  • When logic forces change to the plot, and it always does, I go to my storyboard and update my plot outline, calendar, or maps.

When your creative mind needs to rest, step away from the keyboard and do something different. I find that when I take a break to cook or clean out a corner, ideas for what to do next in my novel will occur to me. These little flashes of inspiration carry me a few chapters further into the story.

dead catFinally, let’s talk about murder as a way to kickstart your inspiration. Some people recommend it but I suggest you don’t resort to suddenly killing off characters just to get your mind working. You may need that character later, so plan your deaths accordingly.

  • Readers become angry with authors who casually kill off characters they have grown to like.

When a particular death is planned from the beginning, it is one thing. But developing characters is a lot of work. If you kill off someone with an important role, who or what will you replace them with?

Above all, relax. It’s November, a good month for writing. Write something every day, even if it is only a paragraph that has no relationship to anything else. The goal is to develop the habit of writing every day.

Perhaps you should write a haiku:

November writers

Inking worlds on paper.

Leaves fall, writers write.

Whatever you come up with, it will have to be better than that travesty!

To learn about the haiku and perhaps write one of your own, check out this website. It’s fun and it’s free! Haiku Checker – Check Haiku syllable and line counts!

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