My love affair with Willam Butler Yeats

Yeats Mural and quoteWilliam Butler Yeats was an Irish poet and one of the foremost figures of 20th century literature. A pillar of both the Irish and British literary establishments, in his later years he served as an Irish Senator for two terms.

His poetry is one of my favorite sources of inspiration.  In his early years he  was not afraid to write of faeries, and mystical things that fired my childish imagination. Later, as he grew as both a writer and as a person, he also wrote wonderful works that were more firmly rooted in reality.

William Butler Yeats, painted by his father, John Butler Yeats, 1900

William Butler Yeats, painted by his father, John Butler Yeats, 1900

Born in Ireland on June 13 1865, Yeats was born into the Protestant, Anglo-Irish minority that had controlled the economic, political, social, and cultural life of Ireland. His free-thinking, bohemian parents counteracted that cultural bias, and raised him to be proud to be an Irish poet and writer. He was raised in a home where art and literature were celebrated, His father was a famous artist, John Butler Yeats, who was renowned for his portraits, though his work never earned enough to keep the family financially secure–thus they moved around a lot.

The entire Butler Yeats family were highly artistic; his brother Jack became an esteemed painter, while his sisters Elizabeth and Susan Mary—known to family and friends as Lollie and Lily—became involved in the Arts and Crafts Movement. That movement of decorative arts was exemplified by traditional craftsmanship using simple forms and it often used medieval, romantic or folk styles of decoration. It advocated economic and social reform and has been said to be essentially anti-industrial.

WB Yeats early essaysIn December 1923, Yeats was awarded the Nobel Prize in Literature, just after Ireland had gained independence. Fortunately, the prize led to a significant increase in the sales of his books, when his publishers Macmillan  capitalized on the publicity. He was able to repay not only his own debts, but those of his father–this was a huge source of relief for the whole family.

To a certain extent,  Yeats was a product of the arts and crafts movement. His poetry was whimsical and serious, and completely reflective of his passionate, turbulent life.  He has been quoted as saying a poet should labor “at rhythm and cadence, at form and style, ” and was a founding member of the Rhymers’ Club, a group of London poets who met to read and discuss their poems. The Rhymers placed a very high value on subjectivity,  how someone’s judgment is shaped by personal opinions and feelings instead of outside influences, and on craftsmanship.

william-butler-yeatss-quotes-4This emphasizes to me the value of a writing group–even Yeats had a group of people to bounce ideas off, and that group improved his craftsmanship.

Reading the work of W.B.Yeats greatly shaped my own view of poetry and literature in general. His life was unconventional, and chaotic, and his love affairs were famous, especially his life-long, frequently unrequited love for the Irish revolutionary/actress, Maud Gonne. He struggled with love and morality as did all free-thinking artists and writers in his day–but his struggles and the struggles of his contemporaries freed their imaginations, and they produced great works.

Of all his works, this is my favorite:

The Stolen Child by  W.B. (William Butler) Yeats

WHERE dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we’ve hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than you can understand.

Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than you can understand.

Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than you can understand.

Away with us he’s going,
The solemn-eyed:
He’ll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than he can understand.

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Loreena McKennitt, the Stolen Child  (via You Tube)

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6 Comments

Filed under Books, Fantasy, Humor, Literature, Publishing, Uncategorized, writer, writing

6 responses to “My love affair with Willam Butler Yeats

  1. Ah, lovely. My favorite was always The Song of Wandering Aengus. A word magician in deed!

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  2. I love it when you go all classical-like and poety!

    Like

  3. THE SECOND COMING

    Turning and turning in the widening gyre
    The falcon cannot hear the falconer;
    Things fall apart; the centre cannot hold;
    Mere anarchy is loosed upon the world,
    The blood-dimmed tide is loosed, and everywhere
    The ceremony of innocence is drowned;
    The best lack all conviction, while the worst
    Are full of passionate intensity.

    Surely some revelation is at hand;
    Surely the Second Coming is at hand.
    The Second Coming! Hardly are those words out
    When a vast image out of Spiritus Mundi
    Troubles my sight: a waste of desert sand;
    A shape with lion body and the head of a man,
    A gaze blank and pitiless as the sun,
    Is moving its slow thighs, while all about it
    Wind shadows of the indignant desert birds.

    The darkness drops again but now I know
    That twenty centuries of stony sleep
    Were vexed to nightmare by a rocking cradle,
    And what rough beast, its hour come round at last,
    Slouches towards Bethlehem to be born?

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  4. @Stephen–The Second Coming was written in 1919 in the aftermath
    of the first World War, and completely reflects his sense of horror in regard to that incredible tragedy. I think that poem has a great deal of relevance in today’s world.

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