People always ask what you do for a living, as we are a society of people who define ourselves by our occupations. For many years, I was a bookkeeper, and also, I worked in data entry for several large corporations. Before that, during the 1980s and Reaganomics, I worked as a hotel maid, a field hand, and had several other odd occupations, often holding down three part-time jobs.
When you tell people you write books, they are, generally, interested. When you tell them you write speculative fiction, you get a range of reactions, from pitying condescension to confused, but sincere, respect.
Sometimes people laugh and tell me how easy it must be since I can make any old thing up and it will fly. Despite the old saying that “in wine there is truth,” nothing could be further from the truth.
Readers know when you have gone off the track and into the shrubs of “that can’t possibly happen.”
This means you can’t just make any old thing up because world building must combine enough realism with the created world to make the fantasy plausible. It involves research.
I spend hundreds of hours researching the most trivial details for every book I write. If I get it wrong, it’s because I failed to do the research in the right place.
In the process of writing Huw the Bard and the subsequent stories set in that world, I’ve learned as much as many medieval scholars about how people dressed, what they ate, how they earned a living, how they preserved food and every intimate detail of their lives that is researchable.
I know all of this because I read scientific papers written by experts on the subject, all of which are available to us via the internet. My files are full of the fruits of other people’s efforts, with the sources documented and the authors credited, so I know where to go to find out more if I need to. Lists of links to websites for further research is critical because when one book goes to press, a new book is already falling out of my fevered mind and onto the paper.
Readers are smart. If something is impossible, and you don’t somehow make it probable, you will lose your readers. The best way to make the impossible probable is to mix your fantasy with a good dose of real history. Be historically accurate as often as you can, so that when your blacksmith makes a weapon, readers who know about smithing will not be jarred out of the story by inaccuracy.
Most of the time, these things you spend untold hours researching will only get one line in your narrative, but if that line is inaccurate or impossible, your readers will know you were too lazy to do it right.
The following is my short list of go-to websites for in-depth, accurate information for when I am writing, including grammar questions. They are self-explanatory and are easy to make use of. Submit your questions via their query box and, while figuring out what you really need to know may take several tries, you will soon have answers.
Medieval Histories http://www.medievalhistories.com
Wikimedia Commons https://commons.wikimedia.org/
I’ve learned a great deal from reading the literature of medieval times. If you really want to know how people lived, read a modern translation of Chaucer’s Canterbury Tales. They were bawdy, irreverent, and loved nothing more than a good joke.
For example, if you are writing a story set in a medieval environment, you may need to know what clothing the common European people wore in medieval times. Or you might want to know what their home looked like, or a village. For that, I suggest you seek out the art of the Flemish Painters. There you’ll see what men and women looked like and how they dressed, both for celebrations, and for working. You will see what their towns looked like, and the public places they gathered in. The interiors of their homes are also found in the great Flemish painter’s works.
Any time you want an idea of average European village life in the Late Middle Ages through the 17th century, you need to look no further than Wikimedia Commons. There, under the heading Category: Painters from the Northern Netherlands (before 1830) you will find the brilliant works of the Dutch Masters. These were artists living in what is now The Netherlands, and who were creating accurate records of the everyday life of the common people, along with stylized religious images.
They painted their subjects with a heavy dose of religious allegory, but that was a part of village life—both the Inquisition and the Reformation were under way, and the politics of religion was in the very air they breathed. If you are going to write medieval fantasy, you must understand how strong the influence of the Church was and how entangled it was in politics. You must inject that religious realism into your work, and show how the Church, even a fantasy religion, and its politics affect the common person’s life.
My regular readers know I love the work of one family of early Dutch painters from Flanders, the Brueghel Family. Five generations of their family were well-known painters and printmakers.
The internet is your friend, and researching your fantasy novel can be incredibly entertaining. Research is what slows me down more than anything. I spend far too many happy hours on Wikimedia Commons, looking at 16th-century Netherlandish paintings.