Quote from Wikimedia Commons on The Catskills: This painting was commissioned by William T. Walters in 1858, when the 62-year-old Durand was at the height of his fame and technical skill. The vertical format of the composition was a trademark of the artist, allowing him to exploit the grandeur of the sycamore trees as a means of framing the expansive landscape beyond. Durand’s approach to the “sublime landscape” was modeled on that of Thomas Cole (1801-48), founder of the Hudson River school of painting. The painters of this school explored the countryside of the eastern United States, particularly the Adirondack Mountains and the Catskills. Their paintings often reflect the Transcendental philosophy of Ralph Waldo Emerson (1803-82), who believed that all of nature bore testimony to a spiritual truth that could be understood through personal intuition.
Quote from Wikipedia (the fount of all knowledge): Asher Brown Durand is remembered particularly for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, “Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity…never let him profane her sacredness by a willful departure from truth.”
Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general opinions on art in his essay “Letters on Landscape Painting” in The Crayon, a mid-19th century New York art periodical. Wrote Durand, “[T]he true province of Landscape Art is the representation of the work of God in the visible creation…”
I grew up in a forested place, not unlike that depicted here. That sentiment has endeared this style of art to me. I have become attached to the modern fantasy painters, those modern artists like Michael Whelan and the late Darrell K. Sweet, who paint images in this style for fantasy novels and RPG games. Their style is called Imaginative Realism.
What strikes me the most about this particular painting is not only the attention to detail, but the fairy-tale quality of Durand’s vision of realism. Viewed as a whole, this composition has an otherworldly quality to it, almost as if Elrond or Galadriel lurk just out of view, beyond the edges.
Credits and Attributions
Wikipedia contributors, “Asher Brown Durand,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Asher_Brown_Durand&oldid=845716778 (accessed June 14, 2018).
Wikimedia Commons contributors, “File:Asher Brown Durand – The Catskills – Walters 37122.jpg,” Wikimedia Commons, the free media repository, https://commons.wikimedia.org/w/index.php?title=File:Asher_Brown_Durand_-_The_Catskills_-_Walters_37122.jpg&oldid=164572034 (accessed June 14, 2018).
4 responses to “The Catskills, by Asher Brown Durand 1858”
Yes, they’ve managed to capture a very soft lighting which leaves it feeling rather otherworldly and mystical. 🙂
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Yes! Exactly what I see–I can quite easily visualize this as a setting in a story. 🙂
Reblogged this on TheKingsKidChronicles and commented:
I wholeheartedly agree with the above sentiments regarding this painting. Art that represents God’s creation, even in an ethereal, fairytale manner, leaves us with the mystery of why God would surround us with such beauty. Reblogged from https://conniejjasterpson.com
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Thank you for you kind words, and for the reblog!