Tag Archives: 19th century landscape paintings

#FineArtFriday: Boulevard de la Madeleine in Paris by Frits Thaulow ca 1897

Frits_Thaulow_-_Boulevard_de_la_Madeleine_à_Paris_(1890s)Title: Boulevard de la Madeleine in Paris by Frits Thaulow

Date: circa 1896-1897

Medium: oil on canvas

Dimensions: Height: 88.2 cm (34.7 in); Width: 66.3 cm (26.1 in)

Collection: Pushkin Museum of Fine Arts

Inscriptions: Signature and date bottom right: Frits Thaulow (date is unclear)

What I like about this painting:

This is a street scene viewed from an angle we rarely see in paintings. The people and vehicles are small, insignificant in comparison with the size and grandeur of the buildings.

While Thaulow didn’t enjoy painting cityscapes, I think Boulevard de la Madeleine in Paris is one of the best of that era.

The soot from the chimneys in the distance, the wet street, the muted, watery colors of a rainy spring day, and the God’s-eye view of the busy street—it all comes together to present a powerful statement.

About the Artist, Via Wikipedia:

Thaulow was one of the earliest artists to paint in Skagen in the north of Jutland, soon to become famous for its Skagen Painters. He arrived there in 1879 with his friend Christian Krohg, who persuaded him to spend the summer and autumn there. They arrived from Norway in Thaulow’s little boat. Thaulow, who had specialized in marine painting, turned to Skagen’s favourite subjects, the fishermen and the boats on the shore.

Thaulow moved to France in 1892, living there until his death in 1906. He soon discovered that the cityscapes of Paris did not suit him. His best paintings were made in small towns such as Montreuil-sur-Mer (1892–94), Dieppe and surrounding villages (1894–98), Quimperle in Brittany (1901) and Beaulieu-sur-Dordogne in the Corrèze département (1903). One of his most famous works once he moved to france was A village street in France. In Dieppe Thaulow and his wife Alexandra made themselves popular: they were friends with artist Charles Conder, and they met Aubrey Beardsley. [1]


Credits and Attributions:

[1] Wikipedia contributors, “Frits Thaulow,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Frits_Thaulow&oldid=1026282924 (accessed June 10, 2021).

Boulevard de la Madeleine in Paris, ca 1896-97 by  Frits Thaulow, Public domain, via Wikimedia Commons. Wikimedia Commons contributors, “File:Frits Thaulow – Boulevard de la Madeleine à Paris (1890s).jpg,” Wikimedia Commons, the free media repository, https://commons.wikimedia.org/w/index.php?title=File:Frits_Thaulow_-_Boulevard_de_la_Madeleine_%C3%A0_Paris_(1890s).jpg&oldid=566337323 (accessed June 10, 2021).

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#FineArtFriday: Winter Landscape Evening Atmosphere by Fanny Churberg 1880

Title:  Winter Landscape, Evening Atmosphere

Artist: Fanny Churberg

Genre: landscape art

Date: 1880

Medium: oil on canvas

Dimensions     Height: 73.5 cm (28.9 in); Width: 105 cm (41.3 in)

Collection: Finnish National Gallery

What I love about this  painting:

Fanny Churberg (12 December 1845 Vaasa – 10 May 1892 Helsinki) was a Finnish painter and one of the great masters of her time. She is one of my favorite landscape artists. In terms of talent and technique, she is on a scale with the most renowned painters of all time in that genre.

She is generally considered by art historians as one of the greatest masters of landscape painting. She is relatively unknown as she only exhibited her work in Finland.

Winter Landscape, Evening Atmosphere is one of the last scenes Fanny Churberg ever painted. The impact of the angry sky is breathtaking. Churberg packs emotion into that sunset.

The snow on the vast Finnish countryside had fallen the day before, so the wind had a chance to sweep the ice clear. She perfectly captured the way snow looks when it’s had a chance to melt a bit and mold itself to the shrubs and grasses.

The winter-barren land reflects the tint of the sky, but the despite the transitory warmth of that rosy light, the world is frozen, shrouded in ice.

Above it all, the sky tells us the day was a brief respite. Dark clouds gather, looming and waiting for their chance to enshroud the world in new snow.

As you might guess, when I view art, I see it through the eyes of a storyteller. In my mind, the painting and the life of the artist are intimately connected. The events and passions of their lives are reflected in their work, in the same way as those of we who write books.

When I look at the emotion, raw and powerful, that has been instilled into this painting, I wonder if the scene is an allegory for her life. For reasons we may never know, Fanny stopped painting soon after this and never lifted a brush again.

Fanny had never married, and I suspect her art was her creative child. Many of the pressures that fell on women’s shoulders in that era must have led to this decision. Whatever her reason was, it must have felt like a deeply personal tragedy at the time.


About the Artist, via Wikipedia:

Fanny Churberg (1845–1892) started her artistic training in Helsinki in 1865 with private lessons from Alexandra Frosterus-SåltinEmma Gyldén, and Berndt Lindholm. Her studies continued in Düsseldorf, Germany, but she always returned to Finland to paint during the summer. She was also one of the first Finnish painters to study in Paris, France. Although Churberg remained to a large extent within the conventions of the Düsseldorf school of painting, she openly expressed her enthusiasm for the countryside and its dramatic situations, relying above all on colour and a fast brush technique to do so. The charged quality of her work differed sharply from that of her contemporaries, as did her subjects, for example the tense atmosphere before a thunderstorm in the open country or the deep, swampy heart of the forest. Churberg founded the Friends of Finnish Handicrafts in 1879. She urged Finnish women to join the Friends’ effort to revive textile practice in Finland.

Fanny Churberg’s career ended suddenly in 1880. Her health was weaker and she took care of her brother Torsten who was suffering from tuberculosis. Torsten’s death in 1882 made her quite lonely and her will to live lessened as did her energy. The other brother Waldemar, to whom she used to be very close, had married in 1877. The reason for ending her career might also have been the harsh criticism she had met before, but she never withdrew completely from the art circles. She did not however paint anymore after 1880, not even for her own amusement, but during her career she had still managed to produce over 300 paintings.


Credits and Attributions:

Wikimedia Commons contributors, “File:Fanny Churberg – Talvimaisema, auringon mailleen mentyä – A I 189 – Finnish National Gallery.jpg,” Wikimedia Commons, the free media repository, https://commons.wikimedia.org/w/index.php?title=File:Fanny_Churberg_-_Talvimaisema,_auringon_mailleen_menty%C3%A4_-_A_I_189_-_Finnish_National_Gallery.jpg&oldid=468220757 (accessed November 5, 2020).

Wikipedia contributors, “Fanny Churberg,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Fanny_Churberg&oldid=973669647 (accessed November 5, 2020).

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