Tag Archives: calendar art

#FineArtFriday: Christmas Eve, Chromolithograph by Joseph C. Hoover & Sons

No_Known_Restrictions_Christmas_Eve_by_J._Hoover,_no_date_LOC_2122063062

Description: Christmas Eve, chromolithograph by J. C. Hoover and Sons

Date: 1880

About the publisher, via Art and Antiques Gallery’s website:

Hoover & Sons issued popular prints for the masses in the last decade of the 19th century and the first decade of the 20th century. This was a business much like Currier & Ives, though Hoover & Sons issued chromolithographs. Joseph Hoover was one of the few native-born Americans who achieved success with chromolithography. Hoover started by making elaborate wood frames in Philadelphia in 1856, but within a decade or so he began to produce popular prints. Initially he mostly worked for other publishers, including Duval & Hunter, and he worked with noted Philadelphia artist James F. Queen. He also issued a few hand-colored, popular prints of considerable charm. During the Centennial, Hoover won a medal for excellence for his chromolithographs after Queens renderings.

In the 1880s, Hoover began to print chromolithographs, installing a complete printing plant by 1885. By the end of the century, his firm was one of the largest print publishers in the county, with an average annual production of between 600,000 to 700,000 pictures. Using chromolithography, Hoover was able to produce attractive, colorful prints that were still affordable for anyone to use as decoration for home and office. The audience for Hoover’s prints was quite wide, extending throughout the United States, and overseas to Canada, Mexico, England and Germany. The subjects issued by the firm are extensive, including genre scenes, still life images, views of American locations, and generic landscapes, including a series of charming winter scenes. [1]

About Chromolithography, via Wikipedia:

Chromolithography is a chemical process. The process is based on the rejection of water by grease. The image is applied to stone, grained zinc or aluminium surfaces, with a grease-based crayon or ink. Limestone and zinc are two commonly used materials in the production of chromolithographs, as aluminium corrodes easily. After the image is drawn onto one of these surfaces, the image is gummed-up with a gum arabic solution and weak nitric acid to desensitize the surface. Before printing, the image is proofed before finally inking up the image with oil-based transfer or printing ink. In the direct form of printing, the inked image is transferred under pressure onto a sheet of paper using a flat-bed press. The offset indirect method uses a rubber-covered cylinder that transfers the image from the printing surface to the paper.

Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in his 1818 Vollstaendiges Lehrbuch der Steindruckerey (A Complete Course of Lithography), where he told of his plans to print using colour and explained the colours he wished to be able to print someday. Although Senefelder recorded plans for chromolithography, printers in other countries, such as France and England, were also trying to find a new way to print in colour. Godefroy Engelmann of Mulhouse in France was awarded a patent on chromolithography in July 1837, but there are disputes over whether chromolithography was already in use before this date, as some sources say, pointing to areas of printing such as the production of playing cards. [2]


Credits and Attributions:

[1] Quote from Art and Antiques Gallery https://www.pbase.com/artandantiquesgallery/joseph_hoover_and_sons_prints (accessed December 24, 2021).

[2] Wikipedia contributors, “Chromolithography,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Chromolithography&oldid=1058870233 (accessed December 24, 2021).

Image Credit: Public Domain. Library of Congress via pingnews. Additional information from source: TITLE: Christmas Eve CALL NUMBER: PGA – Hoover, J.–Christmas Eve (D size) [P&P] REPRODUCTION NUMBER: LC-DIG-01601 (digital file from original print) LC-USZ62-49683 (b&w film copy neg.) RIGHTS INFORMATION: No known restrictions on publication. MEDIUM: 1 print. CREATED/PUBLISHED: [no date recorded on shelflist card]

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#FineArtFriday: Kidd’s Omnibus outside the Angel Inn, Brentford, c. 1840, by James Pollard

Title: Kidd’s Omnibus Outside the Angel Inn, Brentford

Artist: James Pollard

Genre: Genre Calendar Illustrations

Medium: Aquatint

Date: circa 1840 [1]

Today’s Fine Art Friday offering is Genre Art, a scene originally published in a calendar. In most working class homes, the only secular art that was hung on the walls were prints, many of which originated in calendars, as most people couldn’t afford to buy original art.

Since the mid-1700s, printed wall calendars have historically been a good source of advertising for small to large businesses. To this day, many supermarkets and hardware companies give illustrated wall calendars away for free to customers as promotional merchandise.

About the Artist, via artnet and Wikipedia:

James Pollard was a British painter best known for his depictions of horse-drawn carriages, fox hunting, and other equestrian scenes. Born in 1792 in Islington, United Kingdom to the painter and publisher Robert Pollard the Elder, he went on to work for his father’s firm as a draftsman and engraver. While working for his father, he was commissioned by a print seller named Edward Orme to paint an inn’s signboard, which would depict a mail-coach with horses and passengers. This commission launched the artist’s career, for the signpost was seen by many prospective patrons. Pollard went on to exhibit his work at the Royal Academy and the British Institution in London. Today, his works are in the collections of the Art Institute of Chicago, the National Gallery of Art in Washington, D.C., the Tate Gallery in London, and the Denver Art Museum, among others. Pollard died in 1867 in London, United Kingdom. [2]

Between 1821 and 1839, James Pollard exhibited at the Royal Academy. He exhibited at the British Institution in 1824 and 1844. During his career, he also worked with John Frederick Herring, Sr. on several horse racing paintings in which he painted the backgrounds and spectators while Herring painted the horses. [3]

What I like about this image:

This painting of Kidd’s Omnibus was created for a circa 1840 calendar by James Pollard, who was considered an adequate draftsman and illustrator in his day. It was most likely printed in his father, painter and publisher, Robert Pollard’s, printshop, as he was his father’s primary illustrator. [4]

In this illustration, we see the historical origination of urban public transportation – the Horsebus, or Omnibus. We have shortened the term to just ‘bus’ in the context of public transportation. Most  omnibuses were like cabs, in that they were owned by the drivers. However, since the drivers plied their trade on a regular route, they could carry more people. They could charge a lesser fare that the working class could afford, and still make a living.

According to Wikipedia:

horse-bus or horse-drawn omnibus was a large, enclosed and sprung horse-drawn vehicle used for passenger transport before the introduction of motor vehicles. It was mainly used in the late 19th century in both the United States and Europe and was one of the most common means of transportation in cities. In a typical arrangement, two wooden benches along the sides of the passenger cabin held several sitting passengers facing each other. The driver sat on a separate, front-facing bench, typically in an elevated position outside the passengers’ enclosed cabin. In the main age of horse buses, many of them were double-decker buses. On the upper deck, which was uncovered, the longitudinal benches were arranged back to back. [5]


Credits and Attributions

[1] Kidd’s Omnibus outside the Angel Inn, Brentford, c. 1840, by James Pollard, via Wikimedia Commons contributors, “File:Kidd’s Omnibus outside the Angel Inn, Brentford, c. 1840, by James Pollard.jpg,” Wikimedia Commons, the free media repository, https://commons.wikimedia.org/w/index.php?title=File:Kidd%27s_Omnibus_outside_the_Angel_Inn,_Brentford,_c._1840,_by_James_Pollard.jpg&oldid=195379488 (accessed July 23, 2020).

James Pollard (Life time: (1792–1867) – Transferred from en.wikipedia to Commons. (Original text: Original publication: UK Immediate source: Sammlung Fane de Salis: ephemera, from an old calendar.) This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1925.

[2] James Pollard, Biography, artnet contributor, via artnet: http://www.artnet.com/artists/james-pollard/ accessed 23 July 2020.

[3] James Pollard, Wikipedia contributors, “James Pollard,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=James_Pollard&oldid=838787787 (accessed July 23, 2020).

[4] Wikipedia contributors, “Robert Pollard (engraver),” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Robert_Pollard_(engraver)&oldid=918903796 (accessed July 23, 2020).

[5] Wikipedia contributors, “Horsebus,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Horsebus&oldid=956355839 (accessed July 23, 2020).

 

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