Tag Archives: making effective revisions in your manuscript

Revisions part 2: Efficient self-editing #amwriting

In the new millennium, the traditional publishing world has changed and evolved in how they do business. In some ways, they haven’t changed enough, and in others, they’ve gone too far.

All authors must create a social media platform to promote their work. In most cases, the amount of help the Big Four publishers (Simon & Shuster, HarperCollins, Penguin Random House, and Hachette) offer their new, unknown authors is minimal. So, whether you go indie or not, you’re on your own.

Whether you intend to publish your work independently or try to go the traditional route, you are responsible for editing your work.  Unedited work shouts “amateur” to an agent or editor, so never submit work that isn’t your best effort.

If you can’t afford a full professional edit, there is a way to make a pretty good stab at revising your own manuscript. However, it is time-consuming, which is why an editor’s services are not cheap.

Open your Manuscript. Save a copy of your original manuscript in its bloody, raw form with a file name that denotes exactly what it is.

If you are using MS Word, your manuscript title will look like this: Book_Title_version_1.docx. My current work is: Gates_of_Eternity_version.docx.

Do save the original draft in a separate file on a thumb drive or in a file storage service such as Dropbox, Google Drive, or OneDrive. You will have a fallback manuscript in case something happens to your working files.

Break it into separate chapters and save them in a new master file labeled with the word ‘revisions.’ I would name the master file: Gates_of_Eternity_revisions_02-17-2021.

First, I divide my manuscript, saving each chapter as a separate document within the master file. Clearly and consistently name each chapter. Make sure the chapter numbers are in the proper sequence, and don’t skip a number.

For a work in progress, Gates of Eternity, I labeled my individual chapter files this way:

  • GoE_ch_1
  • GoE_ch_2

The reason we divide it into chapters for the editing process will be made clear further down this post.

The next step requires pencils, yellow highlighters, a printer, paper, and a good supply of ink, which may be a cost outlay. Another, more affordable option is to save your work to a USB Flash Drive, take it to an office supply/print shop, and print all the files at one go. In the US, FedEx Office, formerly known as Kinkos, provides printing and copying services.

I am currently in need of a new printer, so I feel your pain. My ancient thing is still limping along, but soon it will go to the recycling center. Once you have the required equipment, print out the first chapter.

Everything looks different printed out, and you will see many things you don’t notice on the computer screen.

Step 1: Turn to the last page of that chapter. Cover the page, leaving only the final paragraph visible.

Step 2: Starting with the last paragraph on the last page, begin reading, working your way forward.

Step 3: Look for typos and garbled sentences.

Step 4: With a yellow highlighter, mark each place that needs correction. In the margin, pencil in notes of how you want to correct them.

Some things you should consider in this step: consistency in spelling, consistency in punctuation, crutch words, repetitious paragraphs/ideas, and long, rambling sentences.

Step 5: I use a recipe stand for this step. Take the corrected printout and lean it where you can easily read it while you make corrections. (Amazon sells copy stands, but recipe stands are cheaper.)

In your word-processor, open the chapter file. Save as a new file:  GoE_ch1_edit1. It’s important to clearly label it as edited, so you don’t mix edited with unedited files. Reading from your corrected printout, make your revisions.

Step 6: At the end of it all, reassemble the corrected files into one manuscript, again making sure you haven’t skipped a chapter. Save that manuscript with a new label: GoE_manuscript_edit1_16-Feb-2021.

The date at the end of the file name is essential as you will know what the most recent edit is (not the most recent time you saved the file) and will have the previous version to go back to if needed.

For this method to work, YOU MUST UNDERSTAND AND OBEY THE BASIC RULES OF GRAMMAR.

First, you need something called a style guide. As an editor, I regularly refer to my copy of The Chicago Manual of Style. If you are an author writing fiction you someday hope to publish and have questions about sentence construction and word usage, this is the book for you. Another option is the online version: The Chicago Manual of Style Online.

The researchers at CMOS realize that English is a living, changing language. When generally accepted practices within the publishing industry evolve, they evolve too.

A less expensive option you might consider investing in is Bryan A. Garner’s Chicago Guide to Grammar, Usage, and Punctuation. This is a resource with all the answers to questions you might have regarding grammar and sentence structure. It takes the CMOS and boils it down to just the grammar.

Here is a list of links to articles I’ve previously posted on the basics of grammar:

Those who think the common rules of grammar don’t matter to readers are doing their work and their reputation a disservice.

You don’t have to be perfect, but readers want to enjoy the book, not struggle through rambling, garbled sentences.

Self-editing is not an easy task. You will still want another person, perhaps from your writing group, to read your work before you send it off or publish it. Then you may need to make some revisions.

However, all that hard work pays off when you put your best product possible in the hands of a reader, and they like what they read.

10 Comments

Filed under writing

#amwriting: The External Eye

Quill_pen smallI’m in the depths of revisions on two manuscripts. Both are set in the same world. Both manuscripts had flaws that were caught by my friend Dave, who reads my work before I bother an editor with it. Addressing these flaws was not a problem, as I had someone to help me brainstorm it.

Dave has great ideas, but his mind doesn’t work the way mine does. While they are excellent, his fixes usually don’t fit what I envision my story to be. However, his suggestions fire my own inspiration and show me the way I need to go to quickly resolve these issues. Without his insight, I wouldn’t have thought of the right fix.

In the process of rewriting certain events to remove  fatal plot-holes, and then going through and altering later scenes to make them match, I found several places where I meant to change the wording of a scene, so it reflected what I wanted for my protagonist(s). I had noticed these places earlier but was sidetracked, and the intended alterations were never made. Thus, their motivations were murky and didn’t ring true.

Now I am also making these changes, and checking the manuscripts to make sure I have removed any inconsistencies.

My original view of my protagonist, Billy Ninefingers, was more callous, more of a pirate than he is today. His story was begun in 2010, but I ran out of steam on it, and nothing seemed to make sense. I decided to scrap it and move on to writing Huw the Bard, which was set in that world, with many of the same characters, but which was a more intriguing story to me at the time. (I’m still in love with Huw.) Billy appears toward the end, much as he is today. But, instead of going back to Billy, I wrote three more novels in the Tower of Bones series, and many short stories, both contemporary and fantasy.

In the back of my mind, I always intended to get back to Billy Ninefingers, but never really did until just this last year. Over the course of six years  I used him as a character in several other works set in his world, which set him and his circumstances more clearly in my mind. Through that process, my protagonist became less two-dimensional, less of a cartoon. Four years after writing the first draft of Billy’s story, a short story featuring him was published. It was written for a themed anthology, and adhering to that theme changed Billy and his motives for the better. The short story for the anthology fired me up, gave me ideas as to what had to happen to make the real story be what I knew it could be.

I went back and pulled the original manuscript out of storage and rediscovered a character I had always loved, but didn’t know well. With a new goal in mind, I began rewriting it.

Thus, some of what I had already written didn’t dovetail with the story as I now see it, and Dave pointed that out. Having a trusted reader who will tell me where I have gone off the rails is critical to my writing process.

In my experience, when I read my work after having written it, if there is something that doesn’t ring true, a reliable first reader will be able to identify it for me.

Every Tuesday morning I meet with a group of published authors, and we talk about everything, from what we are writing to how our children are coping with the slings and arrows of modern life. These authors give me support when I need it most. I regularly Google-chat about life, the universe, and writing with Dave, who lives in another state far from me. Dave and I have never met in person, but we’ve become close friends through the wonders of the internet.

Talking with fellow authors, both in my area and from around the world, is the most important thing I do for me—it’s a “spa treatment” for my writing craft.

Writing is a lonely craft. I recommend you go to Writers’ Conferences and Workshops. The networking is important, as are the workshops, but I have made lifelong friends through the Pacific Northwest Writers Association Conference, and also the Southwest Washington Writers Conference.

If you need feedback but don’t know where to turn, sit in on local critique groups to see if they might be a good fit for you. You don’t have to share anything until you feel you can trust them to be fair and honest with you. If the group you are visiting doesn’t seem like a good fit, you’re under no obligation to return, and you can move on to a different group. You can find these groups usually through the local newspaper, Google, or even find their public pages through Facebook by searching for your town’s name and adding the word “writers.”

My Coffee Cup © cjjasp 2013One of the surest ways to find these local groups is by joining NaNoWiMo, and searching out your local region. Look at the threads of conversation, or message your local Municipal Liaison to ask where these groups might be.

Having an external eye to help me see my work with a less jaundiced view is the most exhilarating part of writing. It never fails to rekindle the fire I have for a particular story. Right now, thanks to my friends, I wake up every morning, chafing to get started writing.


Attributions:

Quill Pen, PD|by its author, BWCNY at English Wikipedia.

My Favorite Cup, Author’s Own Photo

2 Comments

Filed under writing