Tag Archives: Rembrandt

#FineArtFriday: Rembrandt as Shepherd with Staff and Flute, by Govert Flink 1636

About the artist: Born at Kleve, capital of the Duchy of Cleves, which was occupied at the time by the United Provinces, Govert Flinck was apprenticed by his father to a silk merchant, but in 1627 he was sent to Leeuwarden, where he boarded in the house of Lambert Jacobszoon. Jaobszoon was a Mennonite (one of the historic peace churches known for their commitment to pacifism). While Jacobszoon is better known as a preacher, he was a talented painter and an excellent teacher.

While studying there, Flinck met some of Jacobszoon’s neighbors, relatives of Saskia van Uylenburgh, who had married Rembrandt in 1634. That same year he began studying with Rembrandt.

Flinck is acknowledged as one of Rembrandt’s best pupils.

I really enjoy this romantic painting of Rembrandt dressed as a shepherd, holding a flute, and thinking about…what? Rembrandt’s contemplative expression seems peaceful.  The details are wonderful – from the finely worked trim on his garments down to the jewel dangling from his right ear, a gem that softly glows. The grains of the wood in both the flute and staff are subtle and real. The light falls perfectly – Flinck captured the personality of the master as a handsome young man during the happiest time of his life, and it seems as if Rembrandt himself enjoyed posing for it.

For more than a decade, Flinck’s work echoed that of Rembrandt, clearly influenced by the master’s style in the work which he executed between 1636 and 1648. As time passed, he began to desire to be a history painter, a genre in painting that  is defined by its subject matter rather than artistic style, and turned to the work of Peter Paul Rubens. In later years, Flinck had great commercial success, receiving many commissions for official and diplomatic paintings.


Credits and Attributions:

Wikimedia Commons contributors, “File:Rembrandt als herder met staf en fluit Rijksmuseum SK-A-3451.jpeg,” Wikimedia Commons, the free media repository, https://commons.wikimedia.org/w/index.php?title=File:Rembrandt_als_herder_met_staf_en_fluit_Rijksmuseum_SK-A-3451.jpeg&oldid=225225289 (accessed August 16, 2018).

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#FineArtFriday: Rembrandt through his own eyes, 1659

Rembrandt Harmenszoon van Rijn, commonly known simply as Rembrandt, is considered the finest artist of the 17th century. Some art historians consider him the finest artist in the history of art, and the most important artist in Dutch art history.

Speaking strictly as a Rembrandt fangirl and abject admirer, I consider his self-portraits to be more honest than those of any other artist.

Quote from Wikipedia: His self-portraits form a unique and intimate biography, in which the artist surveyed himself without vanity and with the utmost sincerity.

This honesty comes across in all his works featuring himself as the subject, even those where he portrays himself as a shepherd or the prodigal son. Each portrait shows an aspect of his personality, his sense of humor, his affection for Saskia who was the love of his life, and his wry acceptance of his own human frailties.

Rembrandt knew he was talented, but didn’t see himself as a creative genius. He was just a man with a passion for art, who lived beyond his means and died a pauper, as did Mozart, and as do most artists and authors.

I feel I know this man, more so than I do the person he was in his earlier self-portraits. He’s matured, lost some of the brashness of his youth. When I observe the man in this self-portrait, painted ten years before his death, I see a good-humored man just trying to live a frequently difficult life as well as he can. His face is lined and blemished, not as handsome as he once was. But his eyes seem both kind and familiar, filled with the understanding that comes from living with all one’s heart and experiencing both great joy and deep sorrow.

The art of Rembrandt van Rijn shows us his world as he saw it. Others may disagree with me, but I feel his greatest gift was the ability to convey personality with each portrait. This gift allowed him to portray every person he painted as they really were, blemished and yet beautiful. This is a gift he taught his students, and they were able to copy his style quite effectively, making discerning his true work difficult even for the experts.


Credits and Attributions:

Wikipedia contributors, “Rembrandt,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Rembrandt&oldid=844357531(accessed June 8, 2018).

Wikimedia Commons contributors, “File:Rembrandt van Rijn – Self-Portrait – Google Art Project.jpg,” Wikimedia Commons, the free media repository, https://commons.wikimedia.org/w/index.php?title=File:Rembrandt_van_Rijn_-_Self-Portrait_-_Google_Art_Project.jpg&oldid=292800848 (accessed June 8, 2018).

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