An author’s style affects the overall readability of his/her finished product. Good readability is achieved by:
- Understanding: Keeping to generally accepted grammatical practices. Purchasing and using a style guide when questions arise regarding a creative writing project
- Rebellion: if the author chooses to break the accepted rules, he/she does so in a consistent manner.
- Wordcraft: The way the author phrases things, and the words he/she chooses, combined with his/her knowledge of the language and accepted usage. Invented word combinations, such as wordcraft (word+craft) and the context in which they are placed.
Simply having a unique style does not make your work fun to read.
Let’s take a look at James Joyce, the man I think of as the king of great one-liners. If you look up great lines quoted from modern classic literature, you will find excerpts from his novel Ulysses represented more often than many other authors.
Yet, while the average reader has heard and often used quotes from Joyce’s work, most people have not read it. They may have picked it up, but then put it down, wondering what all the critics loved so much about it.
The mind of the literary critic is as inscrutable as that of an ex-spouse: hard to understand but easy to run afoul of. I personally learned to love Joyce’s work when I was in a class, taking it apart sentence-by-sentence. Prior to that, I couldn’t understand it, despite the fact it was written in modern, 20th century English.
What makes Joyce’s work difficult for the average reader is his style: he was Irish and had the Irishman’s innate love of words and how they could be twisted, and often wrote using what we call stream-of-consciousness. In doing so, Joyce regularly, but consistently, broke the rules of grammar.
Consistency and context are absolutely critical when an author chooses to write outside the accepted rules of grammatical style. If you just don’t feel like enclosing your dialogue within dialogue tags, it is your choice. Simply tell your editor that is your decision, and she/he will make sure you have consistently omitted them throughout the manuscript.
You may, however, have written a book that is difficult for the average person to read, as Alexander Chee has in his brilliant novel The Queen of the Night. While his writing is sheer beauty, this particular style choice is a mystery to me. It makes the book difficult to get into, because you’re reading along, and suddenly you realize you’re reading dialogue, and you have to stop, go back, and reread it.
It is incomprehensible to me why an editor for a large publisher would accept a manuscript that is as annoying as that one flaw makes this otherwise amazing book. It is also proof that large publishers (Houghton Mifflin Harcourt in this case) are just as guilty as indies when it comes to making strange decisions that can negatively affect sales. They may have done this to elevate it to a “status” read, a must-buy literary name-dropper for those who wish to appear fashionably cultured. If so, it’s a disservice to a work that is brilliant despite a flaw that would be fatal if it were to appear in an Indie author’s work.
Chee’s editor did one thing correct, however: the lack of closed quotes is consistent throughout the book, and so one can sort of get into the narrative—at least until the dialogue starts up again. This blemish is why I will only recommend the audiobook to readers who are easily discouraged.
Your style choices are critical. They convey your ideas to the reader, and if you make poor choices, you may lose a reader.
James Joyce and Alexander Chee made style choices in their writing that an Indie could never get away with. The world holds Indies to a higher standard, so the choice to omit something as vital as quotation marks would result in instant finger-pointing and mockery of the Indie publishing industry as a whole.
What you choose to write and how you write it is like a fingerprint. It will change and mature as you grow in your craft, but will always be recognizably yours. As you are developing your style, remember: we want to challenge our readers, but not so much that they put our work down out of frustration. Most of us who are Indies can’t rely on our names to sell our books.