When I was at the beginning stage of my writing life in the 1970s, I had no idea how a person could become a writer if they weren’t born under a lucky star. Over the next twenty years, I wrote reams of poetry and short stories. I also wrote the outlines of many novels.
I still had no idea there was a wider community of writers in my area, and even if I had, I wouldn’t have felt worthy of gate-crashing one of their meetings.
One day in 1990, I stumbled upon a book offered in the Science Fiction Book Club catalog: How to Write Science Fiction and Fantasy by Orson Scott Card. The day that book arrived in my mailbox changed my life.
That day, I stopped feeling guilty for thinking I could be a writer.
The next book I bought was in 2002: On Writing, A Memoir of the Craft by Stephen King.
But if I were beginning today, I would have access to many more resources for new writers. Even if you aren’t participating in NaNoWriMo, I recommend checking out the NaNoWriMo Store, as it offers several good books to help you get started.
Are you a first-time writer or a young author? While it is written for middle graders, adults just starting out will find good advice in this book.
From the official Blurb: Partly a how-to guide on the nitty-gritty of writing, partly a collection of inspiration to set (and meet) ambitious goals, Brave the Page is the go-to resource for middle-grade writers. Narrated in a fun, refreshingly kid-friendly voice, it champions NaNoWriMo’s central mission that everyone’s stories deserve to be told. The volume includes chapters on character, plot, setting, and the like; motivating essays from popular authors; advice on how to commit to your goals; a detailed plan for writing a novel or story in a month; and more!
Are you writing a memoir, but don’t know how to get started?
From the official Blurb: Written by former NaNoWriMo Program Director Lindsey Grant, Ready, Set, Memoir! is full of helpful lists, exercises, inspiring quotes from famous memoirists, advice, lessons, and humor to help walk you through the writing process. This guided journal will inspire and motivate you to write—and finish!—your memoir.
Finishing off the resources from the official NaNoWriMo store is Grant Falkner’s handbook, No Plot, No Problem!
This book is a resource for people who just want to write but have no idea where to start.
From the official Blurb: When you add No Plot? No Problem! to your personal library, it’ll give you a run for your lexical money! It’s a writing heavyweight, muscled with advice, activities, pep talks, and prompts that are sure to match your brain swing for swing in a literary tussle. Challenge this guide, and win, and you’ll have written a champ of a novel that can hold its own in the ring!
But maybe you are ready to move beyond the beginning stages and need more advanced information. My personal library of books on craft is huge. I can’t stop buying them. But what are the books I refer back to most frequently?
The following is the list of books that are the pillars of my reference library:
Damn Fine Story, by Chuck Wendig- Dialogue, by Robert McKee
- Steering the Craft: A Twenty-First-Century Guide to Sailing the Sea of Story, by Ursula K. Le Guin
- Story, by Robert McKee
- The Emotion Thesaurus Angela Ackerman and Becca Puglisi, and I also have the companion books in that series.
- The Writer’s Journey, by Christopher Vogler
- VERBALIZE by Damon Suede and its companion book, Activate.
These are hard times for many would-be authors. How do we find cost-free resources?
I usually begin my hunt for information by “googling” a question. No matter what browser you use, if you don’t ask, you don’t receive. Be wary of misinformation! Read several articles to get a broader view of the subject. I also check the date when something was posted to ensure the information is current. I bookmark the site if that information is relevant to my needs.
Note: If you are researching for a novel, your browsing history may look a little … unusual … after a while.
Many local libraries offer a service where one can submit a question and have it answered by email. If that isn’t an option and we’re feeling ambitious, you can check out eBooks on any subject.
Cost-free resources for authors to bookmark in general:
www.Thesaurus.Com This is good for when I need to know, “What’s another word that means the same as this word but isn’t weird or repetitive?”
Oxford Dictionary online is brilliant when I need to know, “Does this word mean what I think it means? Am I using it correctly?”
Wikipedia – The font of all knowledge, or so I hear. My go-to source of info is often Wikipedia. This resource is created and edited by volunteers. All articles must provide proper citations and reference links to outside sources to support every statement. Articles that don’t meet specific criteria are flagged. Some opinions may be presented as facts when discussing art or literature. But overall, I always find something useful by looking at the links in their footnotes and going directly to those sources.
Some other cost-free resources:
Here is a link to the great Neil Gaiman’s absolutely wonderful, infinitely comforting, yet utterly challenging advice for writers: Writing Advice from Neil Gaiman | Discover MasterClass | MasterClass – YouTube
Your best resource is a good writers’ group. A good group is the best way to learn about this craft. Your area may have established writers’ groups, and some may be able to accept new members. The best way to find out is to Google writers’ groups in your town and make inquiries.
Attend a few meetings as an observer to see if this group is a good fit for you.
Maybe you don’t feel comfortable meeting in person or via Zoom. Many online writers’ forums exist, and one might fit your needs. From 2010 through 2012, I participated in an excellent online group, Critters Workshop. The support I found there gave me the courage to dive into the waters of my local writing community.
In 2010, I gained a wonderful local group through attending write-ins for NaNoWriMo. Nowadays, we meet weekly via Zoom, as some members are now living far away from Olympia. My fellow writers are a never-ending source of support and information about both the craft and the industry. We write in various genres and gladly help each other bring new books into the world. But more than that, we are good, close friends.
I hope this short list of resources for the struggling author has been of help. May your words flow freely, and may inspiration never fail you.
Narrative essays are drawn directly from real life, but they are fictionalized accounts. They detail an incident or event and talk about how the experience affected the author on a personal level.
Wallace went to the fair thinking it would be a boring event featuring farm animals, which might be beneath him. But it was his first official assignment for Harpers, and he didn’t want to screw it up. What he found there, the people he met, their various crafts, and how they loved their lives profoundly affected him, altering his view of himself and his values.
Literary magazines want well-written essays on a wide range of topics and life experiences presented with a fresh point of view. Some publications will pay well for first rights.
Don’t be afraid to write with a wide vocabulary, as people who read these publications have a broad command of language.
If the editor wants changes, they will make clear what they want you to do. Editors know what their intended audience wants. Trust that the editor knows their business.
Knowing my intended word count helps me create a story, from drabbles to novels. For me, it works in stories with a traditional arc as well as those with a circular arc.
In a circular narrative, the story begins at point A, takes the protagonist through life-changing events, and brings them home, ending where it started. The starting and ending points are the same, and the characters return home, but they are fundamentally changed by the story’s events.
At this point, our first protagonist knows that he must resolve the problem and protect his people, which he does. There is more to his side of the story, of course. But this is a story with two sides. Aeddan’s point of view is not the entire story.
Word choices are essential in showing a world and creating a believable atmosphere when limited to only a small word count. I had challenged myself to write a story that told both sides of a frightening encounter in 1000 words, give or take a few. I wanted to expand on the theme of dragons and use it to show two aspects of a place whose national symbol is the Red Dragon (Welsh: Y Ddraig Goch).
We all know the best stories have an arc of rising action flowing smoothly from scene to scene. Those changes are called transitions and are little connecting scenes. Conversations and indirect speech (thoughts, ruminations, contemplations) often make good transitions when a hard break, such as a new chapter, doesn’t feel right.
We know dialogue must have a purpose and move toward a conclusion of some sort. This means conversations or ruminations should provide a sense of moving the story forward. These are moments of regrouping and processing what has just occurred. Dialogue and introspection are also where the protagonist and the reader learn more about the mysterious backstory.
So now that we know what must be conveyed and why, we find ourselves walking through the Minefield of Too Much Exposition.
When I began writing seriously, I was in the habit of using italicized thoughts and characters talking to themselves to express what was happening inside them.
If you aren’t careful, you can slip into “head-hopping,” which is incredibly confusing for the reader. First, you’re in one person’s thoughts, and then another—like watching a tennis match.
Crockpot soups are high on the menu here at Casa del Jasperson. I do most of the work for dinner in the morning and get it out of the way along with the other housework, and then I can write and whine about writing.
The work inspired by a visual prompt often has nothing to do with the image. But it has everything to do with the nature of storytelling. The ability to explain the world through stories and allegory emerges strongly in artists of all mediums—painters, sculptors, writers, musicians, and dancers.
These jolly rogues have such vivid personalities that the viewer immediately feels a kinship. Who were they? Did they keep their day jobs? Or were they charming moochers living off the kindness of friends?
And what other symbolism was incorporated in this painting that art patrons in the 17th century would know but we who view it through 21st-century eyes wouldn’t? Eelko Kappe’s article on this painting,
The well of inspiration has gone dry.
Arcs of action drive plots. Every reader knows this, and every writer tries to incorporate that knowledge into their work. Unfortunately, when I’m tired, random, disconnected events that have no value will seem like good ideas.
As you clarify why the protagonist must struggle to achieve their goal, the words will come.
Food scenes serve as transitions between events. The act of dining occurs, but the conversations are the point of that scene. This is an opportunity to rest and regroup.
I’ve read many unforgettable fantasy books. One that shall go unnamed stands out, but not for a good reason. The author gave each kind of fruit, bird, or herd beast a different, usually unpronounceable, name in the language of her fantasy culture. She must have spent hours devising that hot mess of fantasy foods.


In my current work in progress, my people have a melding of familiar European and New World ingredients for their diet and do a lot of foraging. Fish, maize, and potatoes are essential staples, as are beans and wild greens. For a good list of what this diet might entail, visit this link:
Title: After the Rain Gloucester
On Monday, I had to drive to Seattle to take the hubby for a consult with a neurosurgeon. Getting to the doctor was fine. It was a matter of spending one hour sitting in traffic trying to leave Olympia and another hour of actually rolling forward once we made it past the Nisqually River. I had planned ahead for that, so we were on time. The upshot is no back surgery for him unless there is no other option, as Parkinson’s patients do very poorly after surgeries.
So, what am I writing today? I’m working on the second half of a novel I began writing seven years ago, so all the world-building and character creation has happened. The plot for this half is evolving. I know the ending, and over the next thirty days, my characters will take me from this high point in the middle, through several hurdles yet to be determined, to that final victory.
I’m settling into the new office. In my old house, my ramshackle desk was in the Room of Shame, a jumbled mess of a storeroom. My new desk is not duct taped together and has the right amount of storage for what I need.
Today, the office/guestroom walls are barren, but I hope to have all the family pictures hung by the end of this week. The hide-a-bed sofa and side chair make a pleasant conversation area or guest room, whichever is needed. All I lack is my new desk chair, which is on its way here from Norway. (Yes, I splurged on a Stressless desk chair since I spend most of my time sitting in front of my computer.) It should be here in a week or two, and I can hardly wait as my current desk chair loses its appeal after an hour or so.
What are some of my planned treats? Cranberry and walnut shortbread, for one thing. Shortbread is so easy and affordable to make that it always surprises me when people don’t. I have veganized all of my old traditional recipes, so everyone can sneak a treat now and then.
Getting those ideas out of your head now is what is important. The bloopers and grammar hiccups can all be ironed out in the second draft.
Yes, we do need to show moods, and some physical description is necessary. Lips stretch into smiles, and eyebrows draw together. Still, they are not autonomous and don’t operate independently of the character’s emotional state. The musculature of the face is only part of the signals that reveal the character’s interior emotions.
Bad advice is good advice taken to an extreme. But all writing advice has roots in truth. So, when it comes to making revisions, consider these suggestions:
I recommend investing in a grammar book, depending on whether you use American or UK English. These books will answer your questions, and you won’t be in doubt about how to use the standard punctuation readers expect to see.
I recommend checking out the NaNoWriMo Store, which offers several books to help you get started. The books available there have good advice for beginners, whether you participate in November’s writing rumble or want to write at your own pace.
I study the craft of writing because I love it, and I apply the proverbs and rules of advice gently. Whether my work is good or bad—I don’t know. But I write the stories I want to read, so I am writing for a niche audience of one: me.





