Tag Archives: books

Update from the Realm of Fantasy

cover_art_Billy_39_s_RevengeI live in a fantasy world, hence the name of this blog. What better way to immerse one’s self in fantasy than in a good book? I love to read, and everyone who follows this blog knows I read anywhere from 1 to 6 books a week.

I also love writing, and right now I have 4 projects in the works:

1. The remastering of Tower of Bones  at the very capable hands of Eagle Eye Editors.

2. Finishing the final draft of Julian Lackland so that it can be made submission-ready.

3. Finishing writing the first draft of Valley of Sorrows.

4. Getting Mountains of the Moon through the editing process at Eagle Eye Editors.

These projects take all my time that isn’t occupied with publicizing Huw the Bard (or editing for other authors, or blogging , or beta-reading, or…)

IMG727Just so you know that I really am writing when I am holed up in the Room of Shame (my office.)

Many of the stories in Julian Lackland evolved from The Last Good Knight, and while there is a great deal that is new, it incorporates all but two chapters of the old book. It details the large events from his life, covering 40 years, beginning as he is leaving court as a very young man, hoping to join Billy Ninefingers and the Rowdies.

Young Julian is a strange mix–incredibly naive about how the world really works but at the same time he is quite worldly-wise about the way people are, and incredibly forgiving. He has a wide view of sexual morality, and a sharply defined view of good and evil.

The other writing project that occupies my time is Valley of Sorrows, the third book in the Tower of Bones series.  I have struggled with that tale, trying to keep it confined into one book.  However, there will be a fourth book that comes out of the mountain of words I have written here. Edwin’s quest will be resolved first, and I hope to get it into print in 2015.

It’s a crazy existence, being a writer, but it’s so fulfilling. I wonder how I ever survived before I had such a wonderful way to spend my time.

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On Happiness

Be KindHappiness is like dark-matter. It is all around us, permeates and surrounds us.  You cannot measure it–it’s something that can’t be seen by human eyes, but once you know it’s out there you can look for and measure its effects.

1. Attitudes are muscles. The way we use them is the way they grow strongest.

In the beginning, you must consciously exercise a positive attitude at all times but as time goes on it become natural, a part of who you are. Project positivity at all times, and see how the environment around you changes.

be happy 22.Miserable people are poisonous. They want to spread the poison as far as they can, because they don’t know anything different. In order to remain happy in an environment where miserable people are lurking you must  accept the fact you cannot change toxic people. You can only step away from them.

Love them, pray for them, but hold them away from from you as you guide them to cultivate a positive outlook. Embrace them and comfort them, but do not allow them to infect you, because misery is a parasite always looking for a new host. You may have to love them from a distance.

be happy 33. Share your bounty with those who have less. Never lend money–if you have it to spare, and and want to give it to a needy loved one, GIVE it. Never LEND anything. Give it and do not expect to receive it back, with or without interest. Instead, give it as a gift and ask that they one day do the same for someone else. Conversely, do not become a private bank for anyone, no matter how beloved they are, as this will make them weak. Give to local charities or give to the world charities. Living a life of generosity is a key to true happiness.

Three small ideas, but three ideas that made all the difference in my life.

 

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Dial-a-Plot

No matter how careful I am when building my outline, there is always a point where I am writing by the seat of my pants.  As I am normally rather a linear plotter, this can really change the direction a tale goes in.

I hear people whining all the time about this character or that one dying right and left in Game of Thrones. I don’t have HBO, so I’ve never seen it, but I have friends who seem to find this distressing.  I suspect that winging it and writing to a deadline is why people die  so frequently in George R.R. Martin’s world–it’s certainly how they meet a messy end in my world.

But how do we fly freely with our narrative, and yet not destroy the awesome story arc we have created? How do we avoid having to hide the mangled corpses of our beloved characters when they might be useful later?

Enter my home-made Dial-a-Plot (sustainably powered by dark matter).  It’s just your standard circular thingy that can be printed out and taped to your desk.  Whenever you have lost your way writing your epic fantasy, rather than resort to a sudden influx of something as far-fetched as cannibal fairies, feel free to refer back to this little gadget to remind you of those elements that really drive a plot.

Dial-a-Plot

When your writing mind has temporarily lost its momentum and you are stretching the boundaries of common sense, it can’t hurt to take some time to consider the central themes that inject true tension into the story, to keep the action moving and the heroes swinging their swords.

Hopefully you won’t have to resort to killing anyone you might need later, and cannibal fairies won’t take your tale in a direction you can’t recover gracefully from…unless…heh heh…Cannibal FAiries

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Dear Sir or Madam

GerundsThere are times when the vagaries of modern English (previous error in capitalization edited by Stephen Swartz) get in the way of reading what could be a great novel.  Some weeks I see six or seven books, both indie and traditionally published, before I find one book worth reviewing for my book review blog, Best in Fantasy.

As authors, we are all overcome with the urge to shout to the world, to immediately show the world our precious child, to rush to publish it now.  It is the rare author who can write prose that is fit to read in his first draft–if that author actually exists, I’ve never read his work.

For the indie, this is fatal.

This is why I highly recommend hiring a reputable editorial service to go over your manuscript, even if you plan to submit it to a publisher. After all, why not submit the best work you can, rather than risk being stuck in the slush pile?

An editor will have several reference manuals at his/her hand, and will help you realize your vision, whittling away at the block of granite you gave birth to and love so much, carving away the unnecessary and extraneous words and cliches  until the book emerges in all its glory.

honorificsWhen I am editing, I refer to The Chicago Manual of Style, the Oxford A-Z of Grammar & Punctuation, and of course, Strunk and White’s Elements of Style. As I have been through the process of being edited and hate that horrible feeling of being called to task on silly things, I often refer to these books when I am second guessing myself in my own work.

What are the silly things, you ask?  They are things we learned in grammar school but forgot as we grew older and didn’t use them.  Small things like when to capitalize an honorific title, and when not to–something that crops ups regularly in my work as I often write in a medieval setting.

I’ve found it helpful to use the control -f (find) function in WORD to locate every possible mangling I might have made of a particular word. Then I look at and replace each instance on an individual basis. (NEVER click replace all!)

KinshipConsistency is important, so  we must know when to capitalize titles and honorifics–words like king, and majesty, or even lord. Also, when to capitalize familial titles such as father, mother, son and aunt.  If you are determined to do it wrong, at least have your roommate ensure that you have done it that way throughout the entire manuscript, rather than sometimes one way and sometimes another, which is the normal, natural way to write a first and even second draft.

Editors not only correct grammar, they check for consistency. They are worth their weight in gold. They’re more important than the fine artwork for the cover, more critical than the catchy blurb. We live in the wild west of the publishing business, and we find ourselves doing whatever we can on the cheap to get our book published. DON’T skimp in this area, if you value your reputation. Once you have published, it’s a pain in the backside to unpublish, have it edited, reformat it, and go through the launch all over again. Remember, we see what we meant to write, not what is actually there.

But you don’t have to listen to me–experience is the great humiliator.

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la vie fantastique

Map-pugetsoundMy hubby and I went to Victoria, British Columbia (Canada) over this last weekend. It was a wonderful two days, spent in a town that exists partly to govern the Province of British Columbia, but mostly to help you lighten the burden in your pocket book, and make you beg to let them do it again.  We got up at 3:00 a.m. and left our house at 4:45.

(Gah!)

I am often up at that time of the day, but not intentionally, so it was no surprise to me that I could hardly pry my eyes open. Then we drove up to Seattle, collecting two of his sisters along the way.

It’s amazing how little traffic is on I5 at that time of the morning–perhaps I will do all my traveling at ungodly hours. And parking…OMG, it was heaven.

(Sorry, too much texting the GKs lately. Makes me want to lol out loud. Might write my next book in textspeak.)

Anyway, I had my pick of prime spots in the parking garage, and found one I was easily able to maneuver the old minivan into with no trouble. I hardly gave my poor brother-in-law, Dave, a heart-attack  at all on the way up to Seattle. He  is a sweetheart of a guy but the man is a nervous and verbal passenger.  The trip back–well lets just say he wanted me to take the Alaskan Way Viaduct, and I didn’t want to.

I’m sorry, Dave. I’m afraid I can’t do that. 

I don’t trust the viaduct. It’s as shaky and narrow as a one-legged ladder.  I’d much rather drive in aimless circles around downtown Seattle hunting for a southbound freeway on-ramp, counting the number of times we pass Nordstrom’s and he doesn’t see the fun in such an exercise. But that’s another post (the one on how our family puts the fun in dysfunctional.)

Catamaran_Victoria_Clipper_IVSo we got on the Victoria Clipper at 7:30 a.m., which is definitely the way to go if you are traveling from Seattle. Victoria Clipper catamarans typically complete a one-way trip in less than 3 hours, in our case, 2 hours and 45 minutes.   To drive there would take 6 hours from our house anyway and we would still have to take a ferry, so why not just leave the car in Seattle and go in style? And we were flying over the water, traveling at 30 knots, which is just a hair over 34.5 miles per hour in landlubber-speak. That’s cruising pretty fast on the inland Salish Sea.

Then we toured the Butchart Gardens. THAT place is most definitely a fairyland.  I can’t even find the words to explain how beautiful it is.  My cellphone photos suck, to use a technical term, so I am using images cadged from WIKIPEDIA to illustrate this:

1200px-Butchart_Sunken_Gardens

 

1200px-Butchart-gardens-002

Needless to say, after a long day of hiking the most gorgeous gardens, and then trundling all over the downtown, spending money like water in Victoria proper, I was SO ready for a lovely meal in what is really a lovely, vegan-friendly city. A long soak in the hotel hot tub, and followed by gin & tonic in the hotel lounge (light on the gin and lots of lime wedges, thank you) and this old lady was ready for bed.  I got on the internet just long enough to check my email.  I wasn’t completely out of writer-mode–I did note my ideas down in my little book while I was on the ferry.

So, while I didn’t get any writing done I had a wonderful time with my in-laws, and that’s paradise, to me.

Victoria_harbour_-_Victoria,_British_Columbia_-_2014

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Lamed in the land of Language

IBM_SelectricMy first draft sits sullenly on my desk, glaring at me with repetitiousness and flatness of prose.  No matter how I grasp for words, a sword remains a sword, remains a sword…since to refer to it as a blade or weapon would require stretching the vocabulary…

…ellipses rise and fall with frequency across my page…boring, jarring frequency…

My characters are Angry!  Not mad, furious, enraged, excited, wrathful, indignant, exasperated, aroused, or inflamed–no–they are merely

‘angry.’

I frequently tell them how awesome they are, because my mind is inelastic, and awesome is all I know. Truthfully, they are amazing, incredible, unbelievable, improbable, fabulous, wonderful, fantastic, astonishing, astounding, AND extraordinary. But my lamed vocabulary shall forever deem them ‘awesome.’

Roget's Thesaurus 1st editionMy thesaurus has been used and abused, and still my lazy (indolent, slothful, idle, inactive, sluggish) mind gropes for words.

Inspiration has played me false. Fake, fraudulent, counterfeit, spurious, untrue, and unfounded? No! ’tis erroneous, deceptive, groundless and fallacious, this twisty beast, Inspiration.

I go quietly into the depths of the Room of Shame, that hall of horror that is my office, where I shall once again attempt to wrangle words in the desert of desperation.

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Maya Angelou April 4, 1928 – May 28, 2014

Caged_bird2Today, Maya Angelou died at the age of 86, a true hero to me and to women all over the world. She is best known for her series of seven autobiographies, which tell of her childhood and early adult experiences. The first, I Know Why the Caged Bird Sings (first published in 1969), tells of her life up to the age of seventeen, and brought her international recognition and acclaim.

From Wikipedia: I Know Why the Caged Bird Sings is the 1969 autobiography about the early years of African-American writer and poet Maya Angelou. The first in a seven-volume series, it is a coming-of-age story that illustrates how strength of character and a love of literature can help overcome racism and trauma. The book begins when three-year-old Maya and her older brother are sent to  StampsArkansas, to live with their grandmother and ends when Maya becomes a mother at the age of 16. In the course of Caged Bird, Maya transforms from a victim of racism with an inferiority complex into a self-possessed, dignified young woman capable of responding to prejudice.”

Beyond her struggles with the obvious bigotry and ignorance of the times, she represented to me the most beautiful thing of all–that a girl with very little education, who was blessed with a love of reading, could rise above the place society wanted to put her.

Some things I learned from her: “One isn’t necessarily born with courage, but one is born with potential. Without courage, we cannot practice any other virtue with consistency. We can’t be kind, true, merciful, generous, or honest.”

“You may not control all the events that happen to you, but you can decide not to be reduced by them.”

“We may encounter many defeats but we must not be defeated.”

The world is a better place because of Maya Angelou and what she represented. The literary world is a better place because of what she wrote.  Heaven is a better place, because she is there.

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Vegan Fried Chicken

photo courtesy 'Taste of Home'

photo courtesy ‘Taste of Home’

Tomorrow I am hosting a gathering of local authors at my home, for an all day immersion in the craft.  I am providing a lunch, and it will be a lot of fun. The menu will be:

Fried Chicken (a vegan will have fried it, so there you go–Vegan Fried Chicken)

Potato Salad – vegan

Green Salad – vegan

Avocado Salad – vegan

As I have said before, I was not always a vegan, and am frequently a reluctant one.  But for my health’s sake, I avoid meat, and dairy. I am careful what I consume, because I have an autoimmune response to these foods–inflammation of my joints that cripples me. While I love fried chicken as much as anyone, I really prefer to be mobile and off the cane.

The negative effects of going off my vegan diet are immediate–maximum suffering occurring within 24 hrs. Then it takes two or three days to clear out of my system.

tacos and burritosDue to the  way our food is grown and processed by the large food manufacturers, many people nowadays are suffering food related allergies. All the food I prepare for groups is gluten free, nut free, organic and locally grown (except the avocados-they don’t grow in Tenino.) Even the chicken is organic and raised humanely. I have become re-attuned to the notion of being connected to your food as more than a consumer. If you know where it came from, how it was grown, you have more appreciation for it, and each meal becomes a celebration.

Food is love, but only if love went into the preparation of it.

I am a vegan, but those around me are not, and I do love them, so I frequently prepare ‘blended meals,’ keeping the side dishes vegan, and creating a separate high-quality, organically raised meat dish for those who expect it. If I provide dairy, it is clearly labeled so that it isn’t accidentally mixed with the non-dairy foods.

SO–the vegan will fry the chicken, and carnivorous authors will consume it. The vegan really won’t miss it at all, as I have found new sources of protein that really satisfy me in the crucial areas of taste and texture, and the quality and pronounce-ability of the ingredients is excellent. That is the basis of my ongoing cookbook project that I hope to launch in late 2015.

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Fantasy and the cold hard truth

Saint_Alban_(cropped)In a good novel, there is a moment where the interactions between certain characters can become highly charged, fraught with anger and other intense emotions. That is the case with what I am writing now:  three of my characters spent a long time fighting alongside each other, brothers and sisters in arms, completely dependent on each other.

They have a long history. Several terrible incidents occurred during the war they once fought that they don’t understand, and which created a rift between them. Some of their close companions were killed under bad circumstances (are there ever any good ones?) and each of my characters suffers a little survivor’s guilt.

After the war, they went their separate ways and for the last 25 years, have rarely seen each other or spoken. They all bear a burden of responsibility for things they can’t change, and their lives are affected by this, although they don’t know why. For each of them, their anger and remorse are expressed in different ways.

Two of them can’t be in the same room for long without trying to kill each other.

One character in particular suffers disturbing recurring flashbacks, avoidance or numbing of memories of the event, and what we call ‘fight or flight syndrome,’ the uncontrollable urge to either fight or flee. These characters all three demonstrate varying degrees of avoidance,  withdrawal, aggressive defense, or in one case, complete frozen immobility. Certain memories trigger these behaviors, and now all three are being forced to face their demons.

My challenge is to bring these people back together with sensitivity and realism, in order to advance my story, and use only 1/3 of the allotted word-count for this book.

Does this sound like Post Traumatic Stress Disorder (PTSD)? You’re right. For more information on PTSD, see an article  on the website, Military Pathways, and this news article aired by CBS on their show, 60Minutes.

Because it’s a new term, I can’t refer to this ‘injury of the spirit’ as PTSD in my manuscript. But I can give it another name and air both the symptoms and the sometimes life-long problems untreated PTSD causes.

GeorgeSPatton - WikipediaMy father, and my uncles all suffered from this long after World War II ended. In many ways it has shaped our post WWII society. Our fathers were told to just shut up and  get on with their lives–something that is not always an easy thing. Alcoholism and domestic abuse lay just under the surface of many families in our community, hidden but there.

Prior to World War I, the U.S. Army considered the symptoms of battle fatigue to be cowardice or attempts to avoid combat duty. While the causes, symptoms, and effects of the condition were familiar to physicians, it was generally less understood in military circles. General George Patton garnered substantial controversy after he slapped two United States Army soldiers under his command during the Sicily Campaign of World War II.

It was common for soldiers who reported these symptoms to receive harsh treatment. At the time of the slapping incidents, the two soldiers Patton assaulted were suffering from “battle fatigue,” otherwise known as “shell shock” or “battle stress.” Today, this condition is characterized as a form of PTSD, which can result from prolonged severe exposure to death and destruction, among many other traumatic events.

220px-Sir_Galahad_(Watts)

Even though I write fantasy, the reactions of my characters to certain situations has to be realistic, and that is where a good grasp of what really happens to our vets comes in handy. Post Traumatic Stress Disorder (PTSD) is real and affects our returning veterans. More must be done to help ease our military wounded back into society, but generally speaking we pay more lip-service to that problem than we do tax dollars.

We write about incredible personal challenges, because they make great stories. But what about the people who live through those moments? How do they quietly go back to the farm once the war is over, and pretend it never happened? This is what I am writing about now, and it has been an emotional journey for me as as an author and a human being. Everyday, our paths are crossed by men and women living with PTSD caused by a variety of terrible circumstances,  They are just ordinary people trying to keep their lives together, not understanding why they sometimes do the things they do, and wondering why things just keep going to hell all around them.

 

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The road to perdition

I just attempted to read a book.  I say ‘attempted.’ It may have been based on an intriguing idea, and there might have been wonderful characters, but I wouldn’t know, because after three pages of reading, I had to set that travesty aside. Every sentence began with a GERUND.

Gerunds, © Connie J. Jasperson 2014

Now I know how this happens.  New authors who spend a lot of time in writing forums and writing groups, and who have had their work trashed by the group guru as being passive might see using gerunds as a way to generate action in their narrative.

dachshund.04But Mama, what’s a gerund?  Is it like a dachshund?

No dear, gerunds are not like dachshunds, although both are insidious minions of evil that manage to work their way into … where was I? Oh yes, gerunds.

ger·und

ˈjerənd

noun
  1. a form that is derived from a verb but that functions as a noun, in English ending in -ing, e.g., asking in do you mind my asking you

SO a gerund is a verb is a noun that acts like a verb that acts like a noun.

Now that I have cleared that up, what is it really?  A gerund is not like a normal noun because a gerund can take a direct object (just like a verb can).

Basically, they are ING words—DOING words that when you combine them with possessive words such as his, my, him and their, can become nouns.

Writing – He is writing.  (it’s a verb)  I like his writing. (it’s a noun)

Running – The dogs were running. (verb)   The child’s running through the house aggravated me. (noun)

BUT wait—gerunds can also be participles?–oh, those cross-dressing fiends!

Participle phrases always function as adjectives, adding description to the sentence without resorting to that most heinous of writing-group crimes, the dreaded ‘ly’ words ( Satan, get thee away from me):

The child running across the lawn hopes you have brought him a present.

Running across the lawn modifies the noun child.

I could get really technical here and talk infinitives and prepositions–but we just want to get to the writing do-and-don’t part.  Do use them when they are necessary, and  don’t use too many. Remember it’s all about balance. Your narrative is like a ship and words are ballast–get too much on one side and suddenly your ship is at the bottom of Lake Erie.

Gerund phrases and present participle phrases are easy to confuse because they both begin with an ing word. The difference is that a gerund phrase will always function as a noun while a present participle phrase describes another word in the sentence.

SO how are ING words properly used when writing narrative? In my opinion, they should only rarely be used to begin phrases. Confusion abounds when we are too free with them, as they ruin the flow of the narrative for the casual reader.

When you are writing the first draft, none of this matters, because all that matters at that point is getting the story out of your head and onto the paper. HOWEVER, when you are working on the second draft of your manuscript, keep this in mind:

  • Adding excessive words to your narrative will result in a passive narrative. Using gerunds to begin your phrases will not turn a passive voice into an active voice. Instead, you must trim out the unnecessary words, because using active voice for the majority of your sentences makes your meaning clear for readers, and keeps them from becoming too complicated or wordy.

Relying on gerunds to create active phrases and avoid accusations of the dreaded passive writing is taking the road to perdition my friends, because just like any other grammatical crutch,  gerunds are the devil when used improperly.

>>>—<<<

 And on a different note–Last Monday I posted on My Writing Process — and today, Stephen Swartz and Shaun Allan have posted their blogs detailing their own writing processes:

Stephen Swartz can be found at Deconstruction of the Sekuatean Empire

Shaun Allan can be found at Flip and Catch

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