Tag Archives: Dutch Artists

#FineArtFriday: Winter landscape with the Montelbaanstoren by Thomas Heeremans and Abraham Storck 1690

2560px-Thomas_Heeremans_and_Abraham_Storck_-_Winter_landscape_with_the_Montelbaanstoren,_AmsterdamArtists: Thomas Heeremans  (1641–1694) and Abraham Storck  

Title: English: Winter landscape with the Montelbaanstoren, Amsterdam

Genre: marine art

Date: 1690

Medium: oil on canvas

Dimensions: 29 7/8 x 42¾ in. (76 x 108.5 cm.)

What I love about this painting:

It is afternoon and the workday has ended. The people of Amsterdam are shown enjoying leisure activities on the Oudeschans canal, which they would not have done on a Sunday. Most people were Calvinists, and just as the Puritans did, they had a strict idea of what activities were permissible on Sundays.

This is partly a fantasy painting, as all really good paintings are. The intent of the composition is to show the wealth of Amsterdam and the vast fleet of merchant vessels that enable that prosperity. Some people are skating, some are fishing, and some are conducting business. Perhaps they are arranging for deliveries of goods to their warehouse. Or maybe they’re contracting for a ship to convey their goods to a distant market. Everyone looks busy and well fed.

While Abraham Storck’s staffage explores a conglomeration of the leisure activities enjoyed by the good and affluent people of Amsterdam, Thomas Heereman’s depiction of the landscape and weather is the truth of a particular winter day. I love the way the sky is shown, with the heavy clouds blowing across the blue sky.

Winter skies often look that way here in the Pacific Northwest.

About the Artists via Wikipedia:

Thomas Heeremans (1641–1694) was a Dutch painter and art dealer. He is known for his landscapes of winter scenes, cityscapes, harbor scenes, beach views, river views and village scenes. He was influenced by Klaes Molenaer, a slightly older painter also from Haarlem. Heeremans sometimes collaborated with specialist figure painters who would add the staffage in his landscapes. One of his collaborators was Abraham Storck, who painted the figures in the Winter landscape with the Montelbaanstoren, Amsterdam (Christie’s New York sale of 14 April 2016, lot 247). [1]

Abraham Storck (or Sturckenburch; bapt. 17 April 1644 in Amsterdam – buried 8 April 1708) was a Dutch painter, who enjoyed a reputation for his marine paintings, topographical views and Italianate harbour scenes. Storck was also an outstanding draughtsman. [2]

About the tower that is featured in this painting, via Wikipedia:

The Montelbaanstoren is a tower on bank of the Oudeschans – a canal in Amsterdam. The original tower was built in 1516 as part of the Walls of Amsterdam for the purpose of defending the city and the harbour. The top half, designed by Hendrick de Keyser, was extended to its current, decorative form in 1606. Since then the tower has been 48m tall.

Because the 3rd Duke of Alba proposed incorporating the tower into a castle (the Monte Albano) the tower became known in Dutch as the Monte Albano Toren. Over the years this became garbled to “Montelbaanstoren.” The castle was never built. [3]

Credits and attributions:

IMAGE: File:Thomas Heeremans and Abraham Storck – Winter landscape with the Montelbaanstoren, Amsterdam.jpg – Wikipedia (accessed January 24, 2024).

[1] Wikipedia contributors, ‘Thomas Heeremans’, Wikipedia, The Free Encyclopedia, 3 August 2023, 03:09 UTC, <https://en.wikipedia.org/w/index.php?title=Thomas_Heeremans&oldid=1168498581> [accessed 24 January 2024]

[2] Wikipedia contributors, “Abraham Storck,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Abraham_Storck&oldid=1164037737 (accessed January 24, 2024).

[3] Wikipedia contributors, “Montelbaanstoren,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Montelbaanstoren&oldid=1179532747 (accessed January 24, 2024).

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#FineArtFriday: Frost Fair on the River Thames near the Temple Stairs, by Thomas Wyke (revisited)

Hello from Casa del Jasperson, and may you all have a Merry Holiday, no matter how you celebrate.

Today I’m revisiting a painting, Frost Fair on the River Thames near the Temple Stairs. by Thomas Wijck (also Thomas Wijk, or Thomas Wyck; 1616–1677). He  was a Dutch painter of port views and genre paintings. This painting details a moment in history, the winter of 1686-1684, as seen though the eyes of one who lived it. I first published this post in January of 2018.

About the Artist, via Wikipedia:

Wijck was born into an artist family and received his training from his father. He journeyed to Italy, presumably by 1640, the year in which a ‘Tommaso fiammingo, pittore’ (Thomas the Fleming, painter) is documented as residing in Rome in the Via della Fontanella. Although this evidence of his residence in Rome around this time has been questioned,[1] a number of his pictures depict scenes in and around Rome which would indicate a visit to the city at some point.[2] He also resided in the environs of Naples, where he executed many sketches which he subsequently worked up into drawings of coast views.[3]

In 1642 Wijck returned to the northern Netherlands, where he became a member of the Haarlem Guild of St. Luke.[1] In 1660 he was appointed Dean of the Haarlem Guild.

He went to England about the time of the Restoration and was much employed. He was followed there by his son and pupil Jan Wyck, who remained in Britain for the rest of his career and played an important role in the development of English sporting painting. Thomas Wyck was also the teacher of the Haarlem painter Jan van der Vaart, who later also immigrated to England.

He died in Haarlem in August 1677. Pieter Mulier II was a follower of his style.

What I love about this painting:

Everywhere you look you see color. Red wheels on a cart, red tents, blue tents, and yellow–color is everywhere. We sometimes think of the 17th century as a dark colorless time, but clearly it was not. People were much the same then as they are today. We love to have fun and will find a way to enjoy ourselves even in the harshest conditions.

And winters during that time were harsh. Fuel for heating and cooking was expensive, food was expensive, and many people died from the cold and starvation.

Quoted from Wikipedia: During the Great Frost of 1683–84, the worst frost recorded in England, the Thames was completely frozen for two months, with the ice reaching a thickness of 11 inches (28 cm) in London. Solid ice was reported extending for miles off the coasts of the southern North Sea (England, France and the Low Countries), causing severe problems for shipping and preventing the use of many harbours. Near Manchester, the ground was frozen to 27 inches (69 cm), in Somerset, to more than 4 feet (1.2 m).

In the pedestrian tunnel under the south bank of Southwark Bridge, there is an engraving by Southwark sculptor Richard Kindersley, made of five slabs of grey slate, depicting the frost fair.[19]

The frieze contains an inscription that reads (two lines per slab):

Behold the Liquid Thames frozen o’re,
That lately Ships of mighty Burthen bore
The Watermen for want of Rowing Boats
Make use of Booths to get their Pence & Groats
Here you may see beef roasted on the spit
And for your money you may taste a bit
There you may print your name, tho cannot write
Cause num’d with cold: tis done with great delight
And lay it by that ages yet to come
May see what things upon the ice were done

The inscription is based on handbills,[20] printed on the Thames during the frost fairs.


Credits and Attributions:

Wikipedia contributors, “Thomas Wijck,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Thomas_Wijck&oldid=913753600 (accessed February 7, 2020).

#FineArtFriday: Frost Fair on the River Thames near the Temple Stairs, by Thomas Wyke was first published here on Life in the Realm of Fantasy on January 20, 2018.

Wikipedia contributors, “River Thames frost fairs,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=River_Thames_frost_fairs&oldid=820904368 (accessed January 19, 2018).

Frost Fair on the River Thames near the Temple Stairs, by Thomas Wyke ca.1683-1684 via Wikimedia Commons (scan from FT magazine, 2007-09-30) [Public domain]

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#FineArtFriday: Frost Fair on the River Thames near the Temple Stairs, by Thomas Wyke

Today I’m revisiting a painting, Frost Fair on the River Thames near the Temple Stairs. by Thomas Wijck (also Thomas Wijk, or Thomas Wyck; 1616–1677). He  was a Dutch painter of port views and genre paintings. This painting details a moment in history, the winter of 1686-1684, as seen though the eyes of one who lived it. I first published this post in January of 2018.

About the Artist, via Wikipedia:

Wijck was born into an artist family and received his training from his father. He journeyed to Italy, presumably by 1640, the year in which a ‘Tommaso fiammingo, pittore’ (Thomas the Fleming, painter) is documented as residing in Rome in the Via della Fontanella. Although this evidence of his residence in Rome around this time has been questioned,[1] a number of his pictures depict scenes in and around Rome which would indicate a visit to the city at some point.[2] He also resided in the environs of Naples, where he executed many sketches which he subsequently worked up into drawings of coast views.[3]

In 1642 Wijck returned to the northern Netherlands, where he became a member of the Haarlem Guild of St. Luke.[1] In 1660 he was appointed Dean of the Haarlem Guild.

He went to England about the time of the Restoration and was much employed. He was followed there by his son and pupil Jan Wyck, who remained in Britain for the rest of his career and played an important role in the development of English sporting painting. Thomas Wyck was also the teacher of the Haarlem painter Jan van der Vaart, who later also immigrated to England.

He died in Haarlem in August 1677. Pieter Mulier II was a follower of his style.

What I love about this painting:

Everywhere you look you see color. Red wheels on a cart, red tents, blue tents, and yellow–color is everywhere. We sometimes think of the 17th century as a dark colorless time, but clearly it was not. People were much the same then as they are today. We love to have fun and will find a way to enjoy ourselves even in the harshest conditions.

And winters during that time were harsh. Fuel for heating and cooking was expensive, food was expensive, and many people died from the cold and starvation.

Quoted from Wikipedia: During the Great Frost of 1683–84, the worst frost recorded in England, the Thames was completely frozen for two months, with the ice reaching a thickness of 11 inches (28 cm) in London. Solid ice was reported extending for miles off the coasts of the southern North Sea (England, France and the Low Countries), causing severe problems for shipping and preventing the use of many harbours. Near Manchester, the ground was frozen to 27 inches (69 cm), in Somerset, to more than 4 feet (1.2 m).

In the pedestrian tunnel under the south bank of Southwark Bridge, there is an engraving by Southwark sculptor Richard Kindersley, made of five slabs of grey slate, depicting the frost fair.[19]

The frieze contains an inscription that reads (two lines per slab):

Behold the Liquid Thames frozen o’re,
That lately Ships of mighty Burthen bore
The Watermen for want of Rowing Boats
Make use of Booths to get their Pence & Groats
Here you may see beef roasted on the spit
And for your money you may taste a bit
There you may print your name, tho cannot write
Cause num’d with cold: tis done with great delight
And lay it by that ages yet to come
May see what things upon the ice were done

The inscription is based on handbills,[20] printed on the Thames during the frost fairs.


Credits and Attributions:

Wikipedia contributors, “Thomas Wijck,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Thomas_Wijck&oldid=913753600 (accessed February 7, 2020).

#FineArtFriday: Frost Fair on the River Thames near the Temple Stairs, by Thomas Wyke was first published here on Life in the Realm of Fantasy on January 20, 2018.

Wikipedia contributors, “River Thames frost fairs,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=River_Thames_frost_fairs&oldid=820904368 (accessed January 19, 2018).

Frost Fair on the River Thames near the Temple Stairs, by Thomas Wyke ca.1683-1684 via Wikimedia Commons (scan from FT magazine, 2007-09-30) [Public domain]

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#FineArtFriday: The Huis Kostverloren on the Amstel by Jacob van Ruisdael ca.1660

About the Artist Via Wikipedia:

Ruisdael and his art should not be considered apart from the context of the incredible wealth and significant changes to the land that occurred during the Dutch Golden Age. In his study on 17th-century Dutch art and culture, Simon Schama remarks that “it can never be overemphasized that the period between 1550 and 1650, when the political identity of an independent Netherlands nation was being established, was also a time of dramatic physical alteration of its landscape”. Ruisdael’s depiction of nature and emergent Dutch technology are wrapped up in this. Christopher Joby places Ruisdael in the religious context of the Calvinism of the Dutch Republic. He states that landscape painting does conform to Calvin’s requirement that only what is visible may be depicted in art, and that landscape paintings such as those of Ruisdael have an epistemological value which provides further support for their use within Reformed Churches.

The art historian Yuri Kuznetsov places Ruisdael’s art in the context of the war of independence against Spain. Dutch landscape painters “were called upon to make a portrait of their homeland, twice re-won by the Dutch people – first from the sea and later from foreign invaders”. Jonathan Israel, in his study of the Dutch Republic, calls the period between 1647 and 1672 the third phase of Dutch Golden Age art, in which wealthy merchants wanted large, opulent and refined paintings, and civic leaders filled their town halls with grand displays containing republican messages.

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Artist: Jacob van Ruisdael  (1628/1629–1682)

Title: English: The Huis Kostverloren on the Amstel

Date: between 1660 and 1664

Medium: oil on canvas

Dimensions: Height: 63 cm (24.8 ″); Width: 75.5 cm (29.7 ″)

Current Location: Amsterdam Museum


Credits and Attributions:

The Huis Kostverloren on the Amstel by Jacob van Ruisdael [Public domain]

Wikipedia contributors, “Jacob van Ruisdael,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Jacob_van_Ruisdael&oldid=905931531 (accessed July 19, 2019).

Wikimedia Commons contributors, “File:SA 38217-Het Huis Kostverloren aan de Amstel2.jpg,” Wikimedia Commons, the free media repository, https://commons.wikimedia.org/w/index.php?title=File:SA_38217-Het_Huis_Kostverloren_aan_de_Amstel2.jpg&oldid=326210473 (accessed July 19, 2019).

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#FineArtFriday: Summer Landscape with Harvesting Farmers, by Fredrik Marinus Kruseman 1850


Author: Fredrik Marinus Kruseman  (1816–1882)

Title: Summer Landscape with Harvesting Farmers

Date:1850

Medium: oil on panel

Dimensions: Height: 28.5 cm (11.2 ″); Width: 38.1 cm (15 ″)

Collection: Art Renewal Center

About the Artist, via Wikipedia

Fredrik Marinus Kruseman was born as the fourth son of Philip Benjamin Kruseman (1781-1842) and Jacoba Magero. He received his first drawing lessons from Jan Reekers (1790-1858) and visited the City Tekenschool in Haarlem in 1832-1833. In 1833, Kruseman received painting lessons from Nicolaas Johannes Roosen Boom (1805-1880) and in 1835 he moved to the Gooi where He further qualified with Jan van Ravenswaay (1789-1869). He also followed education at the romantic landscape painter Barend Cornelis Kaf.

Fredrik Marinus Kruseman is best known for his romantic landscapes. In his entire oeuvre, which is estimated on 300-350 paintings, only 3 still lifes are known. The rest consists of landscapes.

 


Credits and Attributions:

Summer Landscape with Harvesting Farmers, by Fredrik Marinus Kruseman 1850 [Public domain] via Wikimedia Commons

Wikimedia Commons contributors, “File:Kruseman Fredrik Marinus Summer Landscape with Harvesting Farmers 1850 Oil On Panel.jpg,” Wikimedia Commons, the free media repository, https://commons.wikimedia.org/w/index.php?title=File:Kruseman_Fredrik_Marinus_Summer_Landscape_with_Harvesting_Farmers_1850_Oil_On_Panel.jpg&oldid=266178001 (accessed June 21, 2019).

Fredrik Marinus Kruseman, via Wikipedia The Free Encyclopedia, https://www.translatetheweb.com/?from=&to=en&ref=SERP&dl=en&rr=UC&a=https%3a%2f%2fnl.wikipedia.org%2fwiki%2fFredrik_Marinus_Kruseman accessed 20 June 2019.

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