First of all I love books. I’m the kid who was so desperate for books I would read the Encyclopædia Britannica when the rainy Northwest summers got boring and I had read everything else. But now, beside writing, I freelance as a structural editor.
When I am editing for clients I don’t read, as it is hard to set aside my critical eye and just read for pleasure. I can’t go with out books, though, so when I am in editing mode, I rely on Audible Books to entertain me.
Three audio books that I heard over the last year really stand out. Two of them I would classify as literary fantasy and one is genre fantasy–but all are fantasy in the fullest sense.
1. Tenth of December, written by George Saunders and also read by George Saunders.
Saunders has the ability to get inside each of his characters’ heads, showing them sharply as unique individuals. They aren’t always nice, and certainly not always moral as I see morality, but Saunders portrays them with such vivid strokes that you feel as if you understand their reasoning.
George Saunders reads this book himself and he is an amazing narrator. This was an excellent, entertaining book to listen to, and I liked the audio book so much I bought the hard copy to take with me later this summer when I go on vacation.
Just so you know–I rarely buy hard copies of anything.
I also listened to Sin, British author Shaun Allan’s masterpiece of stream-of-consciousness and fantasy, narrated by R.D. Watson. Allan breaks every rule of writing, and his work is powerful.
Sin is a dark, urban fantasy, written with a large dose of sardonic humor. We hear the tale from the man who was given the name ‘Sin Mathews’ at birth, but who goes by the name of Sin only, as the last name doesn’t matter; only the name which is the sum of his parts matters. R.D. Watson’s reading of Allan’s shining, witty, prose is moving and brilliant in every aspect. He gets into Sin’s head, and you are completely spellbound.
The atmosphere throughout is surrealistic, but it is well-balanced. I adore Allan’s lyrical, intimate style of prose, as in this series of images describing Sin’s disorientation, “History doesn’t relate whether Jonah, Gepetto, and Pinocchio sat around a table eating pizza, sharing stories of prophecy and puppetry while in the belly of the whale, but I thought that I could relate to being swallowed whole.”
Throughout the novel, Sin’s ruminations are self-mocking, and world-weary, yet naive and innocent. He bears the guilt of the world, and suffers the unbearable pain of being the cause of so many deaths, but still he finds ironic humor in every situation. His sister, Joy, is grounded and guides him to the truth, but is not allowed to tell him anything.
Nothing is what it seems in this tale, and right up to the end, you are not sure which reality is real.
The Emperor’s Soul, by Brandon Sanderson and narrated by Angela Lin.
Shai is thief, but not just any kind of a thief. Shai has been trained to forge a replica of the original item to leave in its place. Her replicas are masterful. in many ways her replicas are better than the originals. The power of her work as she remakes her surroundings amazes Gatona, a man who holds her life in his hands, and every day he is more confused by her. This is not a love story–Gaotona struggles to understand why an artist of her caliber, who loves the craft as much as she does prostitutes her gift by making forgeries.
Two factions now control her fate. They have something she needs, and she has something they need, but for how long? The Emperor Ashravan’s condition has opened up new possibilities for some on the council, and they are ruthless. Shai is safe for the moment, but she knows her life hangs by a thread and only a miracle will save her.
In Shai, Sanderson has created a character who is compelling and completely believable. Shai is more than merely a forger, she is an artist. She takes pride in her work, and rightfully so. The way she is portrayed is a departure for Sanderson, in that she is most definitely a woman, and she is the central figure. There is a strong sense of history to this tale, and the structure of their society is clearly drawn in only a few well-crafted words.
Audio books are great in the car, I think we all know that–but for me they are a way to access wonderful books when I am in too critical a state of mind to read for enjoyment. For my downtime I love to sit on my back porch and just listen to someone reading me a story.