Category Archives: Fantasy

#Flashfic: Metamorphosis

MetaMorphosis cover for WattPad copyYrena Rozhenko ran, not knowing if she was headed into something worse.  It didn’t matter—the transformation had begun and she couldn’t seem to halt it. One way or the other she had to get away from Benton.

The sounds of distant pursuit penetrated to her newly-altered hearing, spurring her on.

She took to the foliage. The shade and mottled light of the strange underbrush eased the pain in her eyes, dimming the glare. She raised her hand to her face, wondering why it felt so bruised. Hard nobs had begun to form above her eyebrows, turning them in ridges. Her heart nearly stopped when she saw the scales forming on her hands and long, deadly-looking talons where neatly manicured fingernails once had been.

What’s happening to me? We ate nothing and drank no water from this world. We touched nothing ungloved. Could it be the air?

Their mission was over. In the UFA records, they would be officially listed as MIA, something that happened frequently on first exploration missions. Benton had murdered Jackson. Jenner was either dead or in hiding, and she…she was changing into some…thing.

Was she going to die next? Benton’s fear and loathing of anything different made him…the only word she could think of was evil.

Why had he not begun to change? The answer came from all around her, from the forest. I was waiting for you. He is not worthy.

She heard Benton softly call her name, a sing-song taunt. “Rozhenko…come out, come out, wherever you are….”

What could she do? With those talons on her hands she wouldn’t be able to return to the ship, even if she could make it to the lander. Besides, she couldn’t leave without knowing if Jenner was alive, and if he was, she wouldn’t leave him behind.

And even if she made to the ship, what then? She knew the change was happening to her on a genetic level, as if this planet had claimed her. Something told her it was irreversible.

Gods, her back ached.  Her shoulder blades, her tailbone were like points of…gah! Whatever. She had to ignore it and get deeper into the brush.

Jackson had begun to change the first night. By dawn he’d transitioned into something…else.

The others had discussed his condition, deciding to take him back to Lodestar Station where the medical team was, despite it being a ten-day journey and meaning the end of their mission. They would have to declare Sirius C a class N Biohazard planet, meaning the established ecology was too dangerous for human settlement.

Benton had been the lone holdout, shouting they had to destroy Jackson before he destroyed them. “He’s a killer. Look at those claws—he’s not human anymore!”

When Yrena and Jenner shouted him down, he had walked up behind Jackson and shot him in cold blood, with no further conversation or discussion, murdering the man who’d been their commander with no qualm or shame.

He’d been proud that he’d done so and now claimed Jackson’s position as expedition leader.

Jenner had begun to change right after Benton murdered their commander, but he’d vanished while Yrena was in the shuttle sending the message detailing the hazard and Benton’s mutiny.

Yrena feared that Benton had killed Jenner while she was busy, but if he had, the body was nowhere to be found.

Benton had shown his true colors. He’d always bragged that he had what it took to rise to the top. He was a capable enough navigator and a solid geologist, but he’d never understood finesse or compassion. How he’d been put on their team in the first place, she didn’t know, but he’d been nothing but a sour pain in the…ass.

She suppressed a groan. Even her ass ached. She was afraid to reach back there and see why.

Some new instinct told her to get off the ground, that safety was in the tree-tops. Yrena’s new talons made excellent assists for rapid tree climbing. Perched high in the canopy and hidden by the triangular, golden leaves, she watched as Benton combed the forest floor, not even thinking to look up.

She had burst out of her shipsuit, which was now nothing but shreds. Carefully she balled it up and hid it in the hollow of the tree. She could nest there if she had to.

What was she thinking? She had to get back to…what was that? A glint of gold caught her eye. A gold-mottled form was perched on a branch near her, one sharp-taloned finger held to his scaly lips for silence. Relief swept through her—Jenner had completed the transformation.

She was not alone.

Benton passed under their tree. Yrena clung tightly to the trunk, remaining perfectly still. She needed a few more hours to complete the transformation, but if he looked up, she would never know what she was transforming into, never again know love or laughter or….

A flash of golden wings…Benton’s sudden strangled cry….

Yrena looked down and saw Benton’s bloody form lying in several pieces.

Jenner flew back up to perch beside her.  She let go of the trunk and went to sit beside him, their arms going around each other.

They had been colleagues but she’d not really known him well. He was all she had now.

The setting sun cast a ray that glanced off the abandoned shuttle. Above the forest, stars began to come out and a tiny star passed overhead. Once it had been a research vessel, but now it was an abandoned hulk ending its days as a small star in a new sky.


Metamorphosis © Connie J. Jasperson 2015  All Rights Reserved

Metamorphosis was first published July 10, 2015 on Edgewise Words Inn under the title “Transfiguration”

It was republished on Oct. 18, 2015 on WattPad under the title “Metamorphosis”

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#FlashficFriday: Silence and Love #FreeVerse

Paul Cornoyer Winter twilight along Central Park

Silence and Love

There was a time when we talked,

A time when words connected us the way kisses join lovers.

You mind amazed me as much as your body did

And I knew them both better than I knew my own.

You still amaze me but years have wedged silence between us.

Not the stony silence of anger or hurt—thank god, not that.

 

It is the silence of comfortableness,

The soundless speech of two old people

who sometimes read each other’s minds.

The quiet sharing of a back porch in the summer.

Side-by-side on a second-hand settee with a blue cushion,

You reach for my hand, and I am swept away.

 

Now when we speak, it is a more cerebral sharing,

Mind to mind, heart to heart,

Two old people still in love, but with little to say.

Did we say it all in the young wild days?

Did we spend our words the way we spent our kisses?

If so, then many more remain, waiting to pass between us.

 

No. We were learning each other, discovering truths

and facing our self-deceptions.

Now it is a calm sharing.

I still know your mind and your body

and love them better than my own.

I still love it when you hold my hand.

 

And when we speak it means something.

And when we kiss it means something.

And when we hold hands in the silence

Of an evening on a back porch,

Side-by-side on a second-hand settee with a blue cushion,

It means everything.


“Silence and Love” © Connie J. Jasperson 2015, All Rights Reserved

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#amwriting: King Arthur: where history and fantasy merge

473px-Boys_King_Arthur_-_N._C._Wyeth_-_p214 Public Domain via WikimediaA few years ago I was challenged to write an Arthurian tale with a steampunk twist. I accepted the task, but immediately wished I hadn’t.

The first question I asked myself was: Where do Arthurian and steampunk connect well enough to make a story? The answer was–they don’t. I felt that block we all feel when the story will not reveal itself.

But, sitting on my back porch and letting my mind wander, I found myself wondering what Galahad and Gawain would have really been like. The people those characters were based on were men of the 5th or 6th century, ordinary men, and despite the heroic legends, they were made of flesh and blood.

And what if somehow Galahad got separated from Gawain through a door in time? How would Galahad get back to Gawain?  What if he was marooned in Edwardian England, with Merlin – can you say steampunk?

The title of that tale is Galahad HawkeThe original working title was I, Galahad. For every story, the title is a moot point for me, because any title I give it at the beginning will likely be changed when I rewrite it anyway.

The main character is Galahad Du Lac, son of Lancelot Du Lac, illegitimate, some have said, but is he really? If he is, it implies the fifth century was a lot less concerned about the proprieties than we give them credit for. His line of work–nobleman and hero. Thus, he goes on quests to find strange and magical objects such as Holy Grail.

The story was told from Galahad’s point of view. I opened the story just after the Grail was found.

What is the original story of Galahad that is bandied about most often?

Nowadays Galahad is a minor knight, but he figures prominently in Sir Thomas Malory’s 1485 work, Le Morte d’Arthura reworking of traditional tales that were hundreds of years old in his day.

480px-Schmalz_galahadTraditionally, Galahad finds the grail and immediately goes to heaven, raptured as a virgin – but was he? I mean raptured OR a virgin?  If he was not raptured, what could have happened to make medieval chroniclers think he was?

And why was this notion of a virgin knight and being taken to heaven before death so important to the medieval chroniclers that they would write it as though it was true history?

Well, they were writing some 300 to 400 years after the supposed event, during the final decades of the Crusades. Religion and belief in the Christian truths espoused by the Church was in the very air the people of the time breathed. All things of this world were bound up and explained in ways relating to the Christian traditions of the day.

Literature in those days was filled with religious allegories, the most popular of which were the virginity and holiness of the Saints–especially those Saints deemed holy enough to be raptured. These people did not have to experience death, but instead were raised while still alive to heaven where they spent eternity in Gods presence.

Death was to be feared–a constant companion, and if possible, one to be avoided.

The concept of a knight pure enough in God’s sight to be raised to heaven was a popular centerpiece of medieval tales.

According to the fount of all knowledge, Wikipedia: “Medieval literature is a broad subject…the literature of this time was composed of religious writings as well as secular works. Just as in modern literature, it is a complex and rich field of study, from the utterly sacred to the exuberantly profane, touching all points in-between.”

SO, lets talk about Geoffrey of Monmouth. He was a Welsh cleric whose work was the foundation for the development of British historiography and the popularity of tales of King Arthur. He is best known for his chronicle Historia Regum Britanniae (“History of the Kings of Britain”), which was wildly popular in its day and was uncritically accepted as true history well into the 16th century. It has been translated into various other languages from its original Latin, but is now considered historically unreliable.

220px-Sir_Galahad_(Watts)The High Middle Ages were a golden period for historical writing in England, but the craft of history was not an academic subject taught in school. It was something enjoyed by well-educated men of learning who were all men of the Church, but  was not subjected to the process of verification and research that we attempt to apply to academic subjects today. The gathering of historical tales was a hobby for educated men who had the time, social position, and the talents to pursue it.

As a result, the histories from this period are highly questionable–but are quite entertaining and are great fantasy reads. I always think that if J.R.R. Tolkien had been writing history in a monastery during the 7th and 8th century, The Lord of the Rings would have the same place in our historical narrative that the Arthurian Cycle has now, and Aragorn would have been the king who united all of Britain.

Galahad_grail_detailKnowing that history and fantasy merges in the Middle Ages, I approached my story by asking these questions:

  1. What does Galahad have to say about his story?
  2. How does he end up separated from Gawain
  3. How does he end up in Merlin’s company
  4. Why are they unable to get back to Gawain? What is the reason the magic no longer works?
  5. What do they do to resolve the situation?
  6. How does the tale end – does Galahad get Gawain back or is he permanently adrift in time? I wrote it two ways and picked the one that moved me the most.

This short-story appears in the novella, Tales From the Dreamtime.  However–for the last few days, the idea of what happened next has been percolating in my mind. I think Galahad may have another tale in his future.

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#Fairytales: Myth and the Power of the Allegory

little red riding hood Illustration published in 1868 Dutch edition of Little Red Riding Hood. Engraving by English printer Kronheim & CoWhen we were children we craved stories. We begged, “Mama, read me a story,” or “Grandma, tell me story.”  Many times those stories were fairy-tales, tales of good and evil, magic, and heroic deeds succeeding against all odds.

And they were sometimes tales of failure—after all, in the tale of Little Red Riding Hood, Grandma was eaten by the wolf, and had to be rescued by the woodsman.

They were allegories—fictional stories that represent spiritual truths.

My generation learned about the world and the evil that lurks in unknown through those dreadful, violent, sexist, amazingly wonderful fairytales.

These tales were, for the most part, written when the world was a far different place, and men and women had clearly defined roles, and abuse was an accepted, fundamental aspect of daily life.

In Europe women were property. There was no doubt in anyone’s mind that this was the way it should be, and as property, they were to be protected and rescued as may be needed. It was a time of hunger and famine—the Little Ice Age had descended upon the northern hemisphere, crops frequently failed and disease was rampant.

There was a great deal to fear out there, and it was important to protect what was yours.

From Childhood's Favorites and Fairy Stories, by Various

From Childhood’s Favorites and Fairy Stories, Project Gutenberg

Once you understand the historical context of the times these tales were written, you understand why a prince who must prove his worth should be required to perform heroic deeds to gain the hand of a princess who is a valuable prize worth risking his life for.

You are not required to approve of the misogyny and misandry that is represented in the surface story—only to understand that society has vastly evolved over the last thousand years, and these tales are proof of that evolution. That is only the over-story—the structure that carries the real underlying truths about good and evil, truth and lies.

That deeper part of the story is called an allegory—something that only becomes apparent on further observation by the reader.

The tales I grew up on, that were such scary and yet entertaining stories were written originally during at time when:

  1. Tales were always told in such a way that the listener was not so much immersed in them as they were viewing them. They were told in a passive voice. This made them slightly less scary, because you knew it was just a story.
  2. Tales always employed symbolism—using objects to represent ideas such as love and honor, and personification—using talking animals and caricatures of people to represent ideas.
  3. Tales were always about morality, right and wrong, good and evil.
  4. The plot was simple—the hero and villain had only one goal to achieve, and would risk everything for that goal.
  5. Each character represented one major characteristic: love, honor, loyalty, fury, jealousy, or even lust for power.

Discrimination of either sex aside, there is a deep message in these tales. Folk and fairy tales remain the foundations of our storytelling society because while they are simple on the surface, when you examine them in a spiritual sense you can see the deeper meanings—the allegories.

Batman by Jim Lee (2002) via Wikipedia

Batman–Pencils by Jim Lee and inks by Scott Williams (2002) via Wikipedia

The most memorable fairytales are simple stories that everyone knows is only a fable, but is one everyone has read or heard. We remember them because of the hard kernel of truth that lies encapsulated within the entertainment of seeing the ugly duckling become the beautiful swan, or beast become a good man through the power of love.

Everyone loves a happy ending. When times are hard and it seems like the wolf is at the door, we need to know that better times lie ahead, to think that perhaps this time Grandma will eat the wolf.

We learn the power of hope and perseverance through fairytales and fables—we learn that if a person just keeps trying, the underdog can win the day.

It is that yearning for the power of good to defeat the minions of evil that powers our most iconic of modern myths—the modern superhero.


This article by Connie J. Jasperson was first published July 15, 2015  on Edgewise Words Inn, Alternate Realities and Food for Thoughta meeting place for  readers and authors.

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#amwriting: creating religion within the context of the tale

Assunta, by Titian, 1516-1518, via Wikimedia Commons

Assunta, by Titian, 1516-1518, via Wikimedia Commons

One thing we fantasy authors must occasionally deal with is developing religions within the context of the tale.

Most of what we will discuss here won’t actually make it into the written pages of your tale, but if you don’t have a good understanding of what you are writing about, you will inadvertently introduce discrepancies into your tale.

First, ask yourself “why does this religion matter?”  If it doesn’t matter, it doesn’t belong in your tale.

However, when you have a heavenly power-struggle, you have some intriguing opportunities for mayhem.

Are there many gods and goddesses? What is their relationship with each other and how does it play into your story?

If you choose to create a religion as a key plot point, here are some questions to ask:

  1. How central to the life of the protagonist or antagonist is religion? Is the protagonist a member of the priestly class, perhaps a priestess or priest of a particular god or goddess?
  2. What does the protagonist gain from following this deity?
  3. How jealous is this deity?
  4. What is the protagonist/antagonist willing to do for their faith? Will they die for their deity or is it a more abstract religion?
  5. The priesthood—who can join?
  6. Can only the nobility rise in the priesthood, or can anyone with the ability to learn gain power within the organization?
  7. How do the nobility and the priestly class get along? Do they have a good accord or are they jostling for power?
  8. And within that religious organization, who has the most power?
  9. What does that person do with their power?

How important is your religion politically? In Rome, the church was central to their government, in some cases having more power than the ruling nobility. During the Middle Ages, Rome slowly fell under the political control of the Papacy, which had settled in the city since the 1st century AD. In the 8th century, Rome became the capital of the Papal States, which lasted until 1870.

You don’t have to re-invent the wheel here–history is full of great ideas to draw upon.

A_Glass_of_Wine_with_Caesar_Borgia_-_John_Collier

Painting by John Collier, “A glass of wine with Caesar Borgia” via Wikimedia Commons

Consider the Borgias–Wikipedia, the fount of all knowledge says this about them: Especially during the reign of Alexander VI, they were suspected of many crimes, including adultery, incest, simony, theft, bribery, and murder (especially murder by arsenic poisoning). Because of their grasping for power, they made enemies of the Medici, the Sforza, and the Dominican friar Savonarola, among others. They were also patrons of the arts who contributed to the Renaissance.

See? Even George R.R. Martin knows that the renaissance offers great opportunity for good plot twists in your fantasy project.

Now let’s examine the political environments of the medieval city-states of Venice, Milan, Florence, Genoa, Pisa, Siena, Lucca, and CremonaRodney Stark, an American sociologist of religion, proposes that the city-state was a ‘marriage of responsive government, Christianity, and the birth of capitalism’ as we know it. He argues that these states were mostly republics, unlike the great European monarchies of France and Spain, where absolute power was vested in rulers who could and did stifle commerce.

It has been suggested (in Wikipedia, the fount of all knowledge) that by keeping both direct Church control and imperial power at arm’s length, the independent city republics of medieval Italy prospered because their commerce was based on early capitalist principles. The church was still involved in their daily lives, but this slight, deliberate separation of church and state ultimately created the societal conditions that brought about the artistic and intellectual flowering of the renaissance.

And for you, the author, understanding the commerce and economics of your fantasy society is extremely important, so that inconsistencies don’t get introduced. The reader won’t care, and doesn’t want the background info, but you need to know it.

If your protagonists are poor, why are they poor? Is poverty widespread, or is it only the one family? Where is all the money–is it in the hands of the church or is it in the hands of the middle-class? If it’s in the hands of the church–you’ve a good plot-point to work with.

Thus if religion of some sort is an integral part of your work, you as the author must have a good knowledge of what the influence of that institution is, the structure of the priesthood, the power they wield in society at large, how (or if) they control the economy, and how this organization is viewed by the ordinary citizen.

St. George and the Dragon, Raphael via Wikimedia Commons

St. George and the Dragon, Raphael via Wikimedia Commons

Many authors avoid this altogether, by having only a vague mention of religion, simply mentioning a connection with a particular deity as the reason for the ability to use and control magic.

Others make religion and opposing religions the foundation of their works. How you handle religion in your manuscript is up to you, but if you make it a central part of your tale, I suggest you create a document in which you establish the basics of your religion(s) clearly. Update it as the rules evolve, which they certainly will do over the first two drafts of your novel. During your writing process, refer back to this document regularly.

The reader doesn’t care about those details, and will put the book down if they are included. But if you don’t know what you are writing about, can’t remember what you wrote three chapter ago, and contradict yourself too often, your reader will lose the ability to suspend his disbelief.

Keeping the reader immersed in the tale, forgetting that it is only a fiction is the primary goal every author wants to achieve.

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#flashficfriday: TED (a drabble)

large dragon courtesy www.wallpaperfreehd.com

large dragon courtesy http://www.wallpaperfreehd.com

Drabbles are little short stories of 100 words in length, and writing them is good exercise.

Each time you write a drabble, you create possibilities that could evolve into larger stories. In 2013 I participated in a challenge to write a drabble every day for the month of May. The original prompt went as follows:

Write A 100 Word Story (“Drabble”) . . . although a 100 word story will probably take longer than expected, it can be done in a manageable amount of time.

To make a drabble work,
-Choose one or two characters
-Take one single moment/action/choice and show us how it unfolds
-Give one or two vibrant details in as few words as possible
-Hint at how this moment/action/choice is more significant than the characters probably realize in the moment

 Here is my first drabble, written May 1st, 2013:

TED

Edna stirred her coffee and looked out the window toward the shed.

“Did you feed the chickens?” Marion always asked, despite knowing Edna had.

Edna tore her gaze from the shed. “Of course.” Her eyes turned back to the small building. “We won’t be able to keep him in there much longer. He’s growing too big. We should have a barn built for him.”

“Ted was always a greedy boy.” Marion stirred her coffee. “I warned him he behaved like a beast, and now look.”

A rumbling bellow shook the shed. A long green tail snaked out of the door.

Garden Shed, Albatross Cottages, San Diego Public Domain Via Wikimedia

>><<<

I love that scene. I keep wondering about the two ladies, and also Ted. Who is he in relation to them, who are they in relation to each other, and what is their life like, apart from the secret in the shed?

Ted will become a longer short story in November, as part of my NaNoWriMo project. I will be writing a book of short stories this year, as I need to build my repertoire. I hope to have fifteen or twenty new short tales of 2000 to 5000 words in length by November 30.

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#amwriting: Theme: chaos or stability

Fall of Angels L E Modesitt JrA common theme in fantasy is the juxtaposition of chaos and stability, or order. Good versus evil is a trope of the genre, and  evil is usually portrayed by taking one or the other of these concepts to an extreme.

Author L.E. Modesitt Jr. has taken the theme of chaos and order and built his Magic of Recluce series around the comparison and contrasts of the two, with each side being given the protagonists’ POV in different books as the series progresses. He has been able to really explore the way each side’s magic is expressed, and the moral and ethical values that each side holds dear.

Both sides consider themselves morally superior, and both sides are wary of those who walk that gray path in the middle, which allows Modesitt real opportunities to put his protagonists through the wringer.

Trumps_of_doomThe late Roger Zelazney’s brilliant Chronicles of Amber series also details the distinctions between Chaos and Order, and moral and ethical challenges of those who travel from reality to reality through the shadows, with each shadow growing more radical depending on the distance from Castle Amber (which represents Order).

In several of his works, elements of each are combined freely and interchangeably. Jack of Shadows and Changeling, for example, revolve around the tensions between the two worlds of magic and technology, or order and chaos.

But what is chaos, and what is order ?

Google defines Chaos as

Chaos definition

Google also defines Order as:

order definition

Either side of the coin, when taken to an extreme, can be truly evil.

Consider chaos, or AnarchyWhen a culture descends into anarchy, you have an absence of government and absolute freedom of the individual. While this frequently begins as an attempt to allow for individual freedoms without state interference, history shows that what follows is the emergence of a violent culture that is beyond the reach of law.  There is no law and no one capable of enforcing it. The strongest, most violent thugs rise to the top and frequently war with each other, while the common person is caught in the middle. Followers of each warlord are rewarded with the spoils of conquest, which are often goods taken from the common citizen who must somehow survive under that tyranny.

war and peaceNow let’s look at order: totalitarianism, or total order can also be a form of tyranny: everything is static and nothing changes. There is centralized control by an autocratic authority, combined with the political concept that the citizen should be totally subject to an absolute state authority. No divergence from the norm can be tolerated, and good, obedient citizens are rewarded, while deviants who are seen to be free-thinkers, intellectuals, and artists are persecuted and imprisoned, or killed.

Anarchy=instability and a breakdown of society. Totalitarianism=lack of growth and stagnation of society. For most people’s comfort, a good society allows for both law and creativity.

In extreme types of societies, power is everything, and drawing negative attention to yourself is dangerous. Thus chaos-based societies are usually represented in literature as having an underlying order that holds them together, and order-based societies are often represented as requiring the ability to grow and change, but within certain parameters.

The theme of order and chaos can really power a story-line, and the way you perceive them will not be the way another author sees them. L.E. Modesitt, Jr. and Roger Zelazney couldn’t be more different in the way they portrayed these concepts.

If you haven’t read Zelazney’s works, I highly recommend them.

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#FlashFictionFriday: The Unfairness of Life

Flash Fiction Friday

THE UNFAIRNESS OF LIFE

pub-709319_1280 CC0 Public DomainI used to shoot pool down at the Drunken Sasquatch, the local watering-hole over on 15th  frequented by those of us who travel in…different…circles.

But not anymore.  I’m no longer welcome there, and it’s not my fault. I warned Alfredo that I don’t handle certain substances well.

But no, he just had to see if I was truthin’ when I said that…which I was.

But how is it only my responsibility?

When a person says they can’t handle a certain substance, don’t sneak it into their glass. I spit it out as soon as I recognized the tongue-tingling zing, but it was too late—I’d swallowed some.

So now I’m liable for a table and several chairs, the burn marks on the floor, and Sylvia Wannamaker’s new coat.

That’s okay, I do have a bit of gold stashed. But the embarrassment—to say nothing of being no longer allowed to play in November’s pool tournament—

I may not get over that anytime soon.

I’m just going to say it once.

If a dragon tells you he can’t handle carbonated beverages, believe him.

_____________________________________________

The Unfairness of Life © Connie J Jasperson 2015

Fantasy Dragon Wallpaper by NIM101 courtesy of wallpaperabyss.com

Fantasy Dragon Wallpaper by NIM101 courtesy of wallpaperabyss.com


If you happen to be at out and about Saturday the  10th of October, in the Renton area south of Seattle, stop in at the AFK E&E, and visit my friends who will be signing books and having a great time in general. They will be Reading in the Dark, and the event will run from 2:00pm to 9:00pm in the back left of the restaurant.

  • AFK Elixers & Eatery
  • 3750 E Valley Rd.
  • Renton, WA 98057

You will find these great authors: A.J. Downey, Jeffrey Cook, Lee French, Sechin Tower, Tina Shelton, and Shannon L. Reagan and several more. I can’t wait to see what they are offering us!

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#GraceUnderFire: Mary Shelley

Mary Shelley Meme copyThe commonly publicized stories of famous men and women are generally focused on their great victories and glorious successes, and rarely touch for long on the less-than-glorious moments in their careers.

And, while I am always inspired by great successes, I am far more intrigued by how the heroes and heroines of history handled the most crushing, personal defeats.

One woman I deeply admire as much for the way she handled disgrace and loss as for her literary success, is Mary Shelley.

elopement memeThe year was 1814, and Mary Wollstonecraft Godwin was 17–young, even by the standards of the day–when she ran away with a married man. That man was Percy Bysshe Shelley, who was (until he eloped with Mary) a close friend of her father.

Mary was the daughter of the famous political philosopher William Godwin, and her mother was the pioneering philosopher and feminist, Mary Wollstonecraft.  Her father was the first modern proponent of anarchism, and (until recently) her late mother’s tempestuous history overshadowed her brilliant work as a writer, philosopher, and advocate of women’s rights. Her parents were Free Thinkers, and were notorious in their own rights.

Percy was the eldest legitimate son of Sir Timothy Shelley, 2nd Baronet of Castle Goring. Sir Timothy had himself produced an illegitimate child, which (in Percy’s eyes) made his  pious horror at his son’s transgressions seem rather hypocritical.

William Godwin was frequently in danger of going to debtors’ prison as his businesses regularly failed.  Good friends always rescued him, and long before beginning his relationship with Mary, Percy Shelley had agreed to bail the man he admired out of debt.

After their elopement, the enraged William Godwin refused to see them, but still demanded money to be given to him under another name, to avoid scandal. Their assertions that marriage was a matter of mind and God rather than the law fell on primly deaf ears.

640px-RothwellMaryShelleyMary viewed her father’s reaction to their elopement as both sanctimonious and motivated by greed. It does appear that way, in view of his past and his political views, and also in view of the liberal way in which he had raised her after her mother’s death.

But beyond Sir Timothy Shelley and William Godwin’s hypocrisy, the couple faced intense censure from society at large, and paid a heavy price for the choices they had made.

After the suicide of Percy’s 1st wife, Harriet, and his subsequent marriage to Mary, the Chancery Court ruled Percy Shelley morally unfit to have custody of his children, despite Mary’s desire to raise them. In what was a well-publicized case, Percy’s children were placed with a clergyman’s family.

Mary ShelleyDespite having her personal business widely discussed and being snubbed by people she had believed to be her friends, Mary refused to behave as an outcast, writing and living as normal a life as she was able. Forced to live abroad to escape creditors, Mary and Percy found their exile from England hard to bear, despite their famous (and infamous) circle of friends who were exiled for much the same reasons.

When faced with the suicide of her sister Fanny and the deaths of three of her children, Mary suffered a deep depression. She retreated into her writing, and her husband retreated into confusion. Nevertheless, in public she carried herself with grace and dignity, no matter what was said or implied about her. During that time, Percy wrote:

My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone? Thy form is here indeed—a lovely one—But thou art fled, gone down a dreary road That leads to Sorrow’s most obscure abode. For thine own sake I cannot follow thee. Do thou return for mine.

frankenstein (1)At the age of twenty-two she found herself a widow, and spent the rest of her life raising her only living son, writing, and getting Percy’s works published. Her life with Percy had been a struggle in many ways, far beyond the obvious, but no man ever captivated her more than he had. The wild passion she felt for him was as much spiritual as it was carnal, a true meeting of minds.

They were young, and although he loved her body and soul, he was not entirely faithful to her, and didn’t hide his infidelity from her. They lived beyond their means and were hounded by creditors, which could have meant debtor’s prison. In Mary’s eyes, that lack of security was far more difficult to endure than sly comments about her perceived bad behavior.

Mary Shelley was brave in what she published, and wrote her political thoughts into her novels and essays boldly, despite women having no right to voice their ideas. She believed in the Enlightenment idea that “People can improve society through the responsible exercise of political power,” but she also feared that the reckless exercise of power would lead to chaos, and her works reflect this belief.

the last man, shelleyHer works reveal her as much less optimistic than her radical parents, Godwin and Wollstonecraft. She doubted her father’s theory that humanity could eventually be perfected.

Even her early works are critical of the way in which 18th-century thinkers, such as her parents, believed radical political changes could be brought about. It has been pointed out that the creature in Frankenstein reads books associated with radical ideals, but the education he gains from them is ultimately useless.

Mary supported her son with her writing, and a small stipend she managed to squeeze from Sir Timothy, who wrote into his will that she should pay it back when her son inherited the title and estate. She was never accepted or acknowledged by her father-in-law, although her son did live to inherit his title and estate.

How people find the strength to hold their heads up in the face of public humiliation, personal tragedy, and intense social ostracism is, to me, a far more intriguing story than their successes. Anyone can ride the wave of glory–it takes a person of great character to surf the shoals of public disaster with grace and step on shore with confidence and their dignity intact.

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#Inspiration: Seeking truth and beauty via Wikimedia Commons

Seljalandsfoss,_Suðurland,_Islandia,_2014-08-16,_DD_201-203_HDR

Inspiration.

It can be found in nature, and through the eyes of the artist or photographer. Through the miracle of the internet, I can find inspiration any time of the day or night, just by seeing what the picture of the day at Wikimedia Commons is. This was today’s gorgeous, surreal image: Sunset view from the back of the Seljalandsfoss waterfall, photo by Diego Delso, Wikimedia Commons, License CC-BY-SA 4.0.

Stiftskirche_Herzogenburg_Deckenfresken_01Several days ago, the image of the day was architectural: The ceiling frescos in Herzogenburg Monastery Church (Lower Austria). The church was consecrated on October 2nd, 1785. This image was uploaded by an author who uploaded with the user name Uoaei1, but who has won many awards for his/her images.

Roosa_hommikuudu_Tolkuse_rabasThen there was this gorgeous photograph by Märt KoseMorning in Tolkuse bog, Luitemaa Nature Conservation Area, Pärnu County, Estonia.

Inspiration in breathtaking images, free of cost, available for anyone, rich or poor. Everyday, a new picture is chosen as the image of the day, and if you like the artist, you can check out more of his/her works as, I did Diego Delso:

Iglesia_de_San_Colmano,_Schwangau,_Alemania,_2015-02-15,_DD_15Winter landscape of St Coloman church (de), photographed by Diego Delso, and located in Schwangau, Bavaria, southern Germany. St Coloman church is of baroque style and was constructed, the way it is today, in the 17th century in honor to Saint Coloman, replacing a chapel of the 15th century. The Irish pilgrim is said to have taken a break at this spot in his pilgrimage to the Holy Land in 1012.

I can visualize the crusaders riding in this winter landscape. I would have stopped there too!

The imagination transforms the beauty around us, and we create “what ifs” via the written word or the canvas and paint. This is why I always find myself looking at paintings too, when I am visiting Wikimedia Commons. I leave you with two images of a palace, seen though the eyes of two different artists:

Palacio_de_Nymphenburg,_Múnich,_Alemania,_2015-07-03,_DD_01-18_HDR_PAN

Panoramic View of the Nymphenburg Palace, Diego Delso, Wikimedia Commons, License CC-BY-SA 4.0

Nymphenburg, View From the Seaside painting by Joseph Wenglein 1883

Nymphenburg, View From the Seaside painting by Joseph Wenglein 1883 PD|100

The first is a photograph is the Panoramic View of the Nymphenburg Palace as seen through Diego Delso’s camera-eye and posted on Wikimedia Commons using the License CC-BY-SA 4.0. The painting below that is the palace as seen through the artist Joseph Wenglein‘s eye, A Seaside View of Nymphenburg Palace

Both images are the creations of artists using different mediums, both are of the same baroque palace in Munich, Bavaria (southern Germany). The palace is the main summer residence of the former rulers of Bavaria of the House of Wittelsbach. It was designed by Agostino Barelli and constructed by order of Ferdinand Maria and Henriette Adelaide of Savoy in 1664. Famous for its symmetry and extravagant beauty, the palace was expanded and redesigned several times until the last modifications in 1826.

More than 125 years separate their visions, but I am connected with and inspired by both artists because I, a middle-class woman in a rural town, can view and admire their work.

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