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Today, my dear friend, Stephen Swartz, author of the new book,  A Dry Patch of Skin has consented to answer a few questions for us. Stephen is a true renaissance man–an accomplished musician, and the author of seven published novels, he is also a professor of English at a well-known university in Oklahoma.

I became friends with Stephen in 2011 through ABNA, and we have remained good friends since. I find him hilarious, and I really enjoy his work. He has kindly consented to sit down and allow me to “virtually interview ” him. I am especially curious about his wonderful new book, which is a vampire tale. It’s most certainly not your mama’s sparkly vampires! If you are curious, here is my review: Best in Fantasy: A Dry Patch of Skin

CJJ: Tell us a little of early life and how you began writing:

SS: It seems like I’ve always been making up stories, much to my parents’ chagrin. I began by drawing panel comics, then added dialog, then began writing paragraphs. I read a lot of science fiction and fantasy in my youth, plus the classics of literature. They influenced my writing mostly by pushing me to try to “out-do” those authors with my own stories. My early writing was limited by the limitations of typewriters and correction fluid. When I got my first computer in 1986, all of my vast library of stories finally could be written. And the world shuddered….

CJJ: Tell us about your most recent book.

SS: A DRY PATCH of SKIN is a contemporary vampire story, but not at all modeled after any of the current vampire TV shows, films, or the books they are based on. I deliberately tried to keep it real. Thus, I researched diseases which cause symptoms approximating the vampire’s condition. In that way, I wanted the reader to experience what it would be like to become a vampire. I decided to tell the story through the POV of a man who is transforming against his will into something he does not want to become. All the tropes and memes of vampire stories are there, but they are realized in a medically accurate fashion—as much as possible. It gets a bit religious at the end, so…call it magical realism.

CJJ: How did you come to write this novel?

SS: I had the idea in rough form ever since Twilight came out and I tried to explain to my daughter, who was hooked on the Bella/Edward story, what “real” vampirism was. For that explanation, I recalled a report years ago on one of those news magazine shows about a man suffering from porphyria, sometimes called the “vampire disease”; the medical explanations for his affliction made perfect sense in terms of why he might be called a vampire if he happened to live in a certain time and place rather than modern America. Watching that interview (he wore a hood to cover his face), I could truly feel the anguish of being in that situation, and given that my art is answering What-if questions, I sought a vehicle for illustrating that awful situation.

CJJ: Do you have a specific ‘Creative Process’ that you follow, such as outlining or do you ‘wing it’?

SS: For A DRY PATCH of SKIN, I worked a bit differently than usual. I began with snatches of my real life, anecdotes that were humorous or telling in some way, then fictionalized them. My initial goal was to explore the character I was inventing, to get down his personality, way of expressing himself, his identity, and so on. As a story set in 2014 in the same city where I live, it was quite schizophrenic to write fiction about the places I regularly visit.

Unlike some authors, I generally do not make lists of traits or compose background profiles of my characters; sometimes I do not know all about them when they come on stage and I get to know them as readers do. (Of course, I go back in revision and make it all fit together.) I do collect information as I create them but it stays in my head. Sometimes browsing the internet will bring me an image that fits what I see in my head.

I knew from the start the direction A DRY PATCH of SKIN would go but I did not have the exact action of the climactic scene until I was mid-way into the writing. Once I “knew” how it would end, the direction of the plot shifted a bit to head toward that conclusion. I found by the end, fortunately, that I happened to have dropped some good seeds along the way which conveniently blossomed in the final chapters—much as Chekhov’s musket in Act 1 must be fired by Act 3. I suppose it’s a matter of how my twisted mind works; I’m not always conscious of the big picture under the cacophony of surface features, but my deeper self knows…because he sleeps with my muses.

CJJ: How does your work differ from others of its genre?

SS: A DRY PATCH of SKIN was a personal challenge, something in a genre I have not written previously. The saving aspect for me, however, was that it is, at the core, a tragic love story. (Is that a spoiler?) The trappings of vampire transformation become the vehicle for pulling off that tragedy. Or is it that the transformation, the struggle to avoid it or prevent it, is made more tragic with the love interest? At any rate, I’ve consciously tried to go counter to all the usual tropes of the vampire genre. In fact, the characters often mention, critique, and spoof some of the popular works of the genre during their conversations. I hope this novel will be both a fun “review” of the vampire literature as well as a realistic portrayal of a biological problem; in that sense, it’s a medical thriller.

CJJ: Why do you write what you do?

SS: A DRY PATCH of SKIN was a departure from my usual kind of novel (contemporary anti-romance or sci-fi on a grand scale). I was intrigued by the question and wanted to see if I could write it if only to see how such a situation might play out. I seldom write as a challenge or game, but this time I did. For writing in general, I simply want to follow my desire to see what happens next for the people I create and the situations I put them in. I know that sounds cruel, but that’s how I roll. It probably keeps me out of jail or the mental hospital.

Next, I’ve been challenged to write an epic fantasy with dragons. Epic fantasy is no problem; dragons are—because it’s in my nature to try to explain them in an authentic zoological way.

CJJ: I certainly can’t wait to see what sort of spin you give dragons! I know why I chose the indie route for my work, but I’m curious as to why you’ve chosen this path.

SS: Strange you should ask because while I have always done things my way (Thanks, Frank!), the results have not always been glorious. After a health scare a few years back, I realized what I wanted most in whatever time I thought I had left was to publish one of the books I’d already written. Years before that, I had gone through the lengthy process of soliciting with actual reams of paper in mailing boxes and the 6-12 month wait for a response by paper form letter. But just a few years ago, the world apparently  changed and querying and soliciting were being done electronically, which opened up a whole new world of possibilities. I was impatient, for health reasons, so I caught the attention of a small publisher with a book I entered into a contest. That did not go so well but I did get a taste of the brave new world of publishing. The rest is what some call history—and others call serendipity.

CJJ: What advice would you offer an author trying to decide whether to go indie or take the traditional path?

SS: I suppose there are all kinds of reasons and they tend to be settled on an individual basis. I described my situation, but even without that push from Father Time I’d probably still discover the small and indie publishers and hook up with one of them eventually. If I were young and had a market-ready book with a ready-made audience, I’d query that thing to the farthest star. If you are short on time or believe your work is specialized and thus out of the mainstream, you probably have to go indie.

My goal the past four years has been to make the books I’ve previously written available, at least that, not so much for my ego as for being able to check them off my so-called bucket list. Then I wrote something new! And made it available, too. And I wrote something new again! I have to give credit to the publishing of my early books for the spark of creativity that caused me to write my new books.

Thank you Stephen, for answering my questions! For those readers who are interested in reading more of Stephen’s writing journey, you can find him blogging at:

Deconstruction of the Sekuatean Empire

 You can purchase all the books written by Stephen Swartz from this page at Amazon.com