Depth is a vast word, a sea of information created of layers. It is complex, intense, and profound. Characters with depth feel solid, alive, as real as your best friend.
To achieve a sense of depth, we begin with simplicity. Each character’s sub-story must be built upon who these characters think they are.
One of the most useful seminars I’ve ever attended was given by a Romance writer. He is a strong proponent of assigning verbs and nouns to each character at the outset as a way to get inside their heads.
If there is one thing Romance authors understand, it is how to create a strong impression of character.
When I plan a character, I make a simple word picture of them. The word picture is made of a verb and a noun, the two words that best describe each person. We want to know the good things about these characters, so we assign nouns that tell us how they see themselves at the story’s outset.
We also look at sub-nouns and synonyms, so put your thesaurus to work. In my book, Julian Lackland, I had four characters with significant roles, so I assigned them nouns that describe their principal defining quality.
This noun is the core characteristic thread that stays with them, is challenged by events, and either wins in the end or is their downfall.
Julian’s Noun is: Chivalry (Gallantry, Bravery, Daring, Courtliness, Valor, Love.) He sees himself as a good knight, a defender of innocence.
Beau’s Noun is: Bravery (Courage, Loyalty, Daring, Gallantry, Passion.) He aspires to chivalry but has a pragmatic side. He sees himself as a good knight but knows that good doesn’t always win.
Lady Mags’s Noun is: Audacity (Daring, Courage.) She is a good knight but is under no illusions about the people she defends. She is chivalrous but practical.
Bold Lora’s Noun is: Bravado (Boldness, Brashness.) She desires fame, is convinced that knights are defined by the celebrity their deeds bring them.
In real life, the way we see ourselves is the face we present to the world. Self-conceptions color how we react to events. We are gradually altered by events as life goes on. Our view of ourselves evolves, and our reactions are changed.
By the end of the story, the way our characters see themselves should have evolved. The circumstances you put them through must affect and remake them.
Once I know their nouns, I assign my characters a verb that describes their gut reactions. This word will shape the way they react to every situation that arises.
They might think one thing about themselves, but this verb is the truth.
Julian has 2 Verbs. They are: Defend, Fight. Again, we also look at sub-verbs and synonyms: (Preserve, Uphold, Protect.)
Beau’s 2 Verbs are: Protect, Fight (Defend, Shield, Combat, Dare.)
Lady Mags’s 2 Verbs are: Fight, Defy (Compete, Combat, Resist.)
Bold Lora’s 2 Verbs are: Desire, Acquire (Own, Control, Imprison.)
When I wrote these characters, I knew how they believed they would react in a given situation and that knowledge drove the plot. Why was it so clear to me? Because I had drawn their portraits in a few descriptive words.
Julian must Fight for and Defend Chivalry. Julian’s commitment to defending innocents against inhumanity breaks his mind.
Beau must Fight for and Protect Bravery. Beau’s commitment to protecting Julian and concealing his madness breaks his health.
Lady Mags must Fight for and Defy Audacity. She’s at war with herself regarding her desire for a life with Julian and Beau. That war ruins her chance at happiness.
Bold Lora must Acquire Fame and Control Chivalry. Her thirst for notoriety destroys her.
When we uncover the nouns and verbs that describe who our characters think they are, we have a grip on creating characters who are alive to the reader.
How we phrase this when describing them in our outline is essential. Placing the verb before the noun describes a character’s core conflict. It lays bare their flaws and opens the way to building new strengths.
Knowing who our characters are before we meet them is important. Go ahead and make that personnel file detailing their backstory if you need to. Set that infodump aside because the real story will be built upon who they think they are on page one of this story.
Our characters’ preconceptions color their experience of events, which colors the readers’ view.
The characters we write are unreliable witnesses to the events that shape them. Their self-perception shades their reactions when they fail to live up to their own standards.
These are the watershed moments when our characters must examine their motives, and either face them or gloss over their failings.
Depth is instilled into to a scene where the characters prevail despite their flaws, succeeding against the odds. Or conversely, depth can be added when character flaws cause them to fail miserably at a point where they could have triumphed.
What two words describe the primary weaknesses of your characters, the factor that could be their ultimate ruin?
Julian Lackland: Obsession and Honor.
Beau Baker: Steadfast Loyalty.
Lady Mags De Leon: Stubbornness and Fear (of Entrapment).
Knowing the verb (action word) and the noun (object of the action) that best represented my characters made writing Julian Lackland easier. Their actions and reactions unfolded, and it was as if the story wrote itself.
So how do we get to know our characters and how they see themselves? Just as in real life, we meet and come to know them through conversations.
Conversations give shape to the story, turning what could be a wall of words into something personal.
Our next installment in this series will focus on revealing character through conversations.
Artist: Carl Randall (1975 – )
STOP! If you value your reputation, you won’t rush to publish that mess just yet.
Now you must set it aside, as you must gain a little distance from it to see it with a clear eye. This is where I seek an outside opinion on the strengths and weaknesses of my proto-novel. I am fortunate to have a local writing group of highly talented published authors. I also trade services with several editors. When the first draft of my manuscript is finished, I send it to a reader. While they are reading it, I work on something completely different.
At this point, an amateur decides the beta reader missed the point and chooses to ignore their comments. Our unrealistic belief that our work is perfect as it falls from our minds is a failing that we must overcome if we want to engage readers.
In my current work, the thoughts and motives of the characters are critical to the midpoint event and subsequent crisis of faith. Yes, who these people are, and their place in the story at the point where we meet them is crucial to the plot.
Then there is the marketing of the finished product, but that is NOT my area strength, so I won’t offer any advice on that score.
If you are writing in US English, I can highly recommend getting a copy of 
Creating a 
Write the basic story. Take your characters all the way from the beginning through the middle and see that they make it to the end. If you have completed the story and have it written from beginning to end, you can concentrate on the next level of the construction phase: adding depth.
The Fairy Mab
My husband is recovering from a total hip replacement, so traveling out of town for an extended stay involves a lot of logistics. Also, I am vegan, which has an impact on things. I can eat in restaurants, but once I am away from my part of the world, the menu is often limited to a garden salad.
Protein is essential, and I have many delicious options to make that don’t involve processed foods. My favorite “impress-the-son-in-law” cookbook is this gem by 
The most surprising thing about being vegan is how little it costs to eat well once you have your pantry basics. Going sans meat is the lazy person’s dream diet. It’s amazing how quickly you can get a meal on the table, and whether you are making beans or soup, the crockpot is your best friend. I often make my own bread from several different recipes, a tasty treat that takes less than five minutes to put together using my bread machine.
Sturm und Drang, as a literary form, evolved during the time of the American Revolutionary War. This was an era of global unrest and great hardship, especially in Europe. The main feature of Sturm und Drang is the expression of high emotions, strong reactions to events, and rebellion against rationalism. It is characterized by intense individualism and complex reactions.
So, this brings me to the subgenre of cyberpunk. One of the earliest science fiction short stories to feature a dystopian society was 
Many authors whose works appeared in the early days of cyberpunk were indies hoping to go mainstream. Their short stories appeared in popular sci-fi magazines because visionary editors risked their jobs and reputations by accepting and publishing work that their readers could have rejected.
One of the best allegorical paintings of all time is 
Tad Williams’s
No matter where we live, San Francisco, Seattle, or Middle Earth, these fundamental human experiences are personal to every reader. We have each experienced pain and loss, joy and love.
Plot, in my opinion, is driven by the highs and lows. You don’t need to pay for books you won’t like. Go to the library or to the secondhand bookstore and see what they have from the NYT bestseller list that you would be willing to examine.
The human body moves in many ways when fighting, some of which are effective, and others not so much. In the 1990s, I studied 
Scenes that involve violence are difficult to write well unless you know how the action will affect your protagonist. Also, you must remember to give the protagonist and the reader a small break between incidents for regrouping.
Life in the Realm of Fantasy 
