Category Archives: Dragons

Forbidden Road

Pageflex Persona [document: PRS0000032_00050]On friday, February 1, 2013 the kindle version of Forbidden Road, Book II in the Tower of Bones series will launch, followed closely by the print version.  The print version may be delayed if there are any formatting issues, but it should be through the process by February 15th at the latest.

In print form these books are the size of good doorstops, but not quite as big as most of the Wheel of Time series by Robert Jordan and Brandon Sanderson.

Someone asked me how I could write a book a year, and that made me laugh.  I suppose it LOOKS like that’s what I have done, but in actuality I began writing Tower of Bones in March of 2009. I have two manuscripts going at all times so they do seem to roll out at the rate of one per year, but I was actually two or more years in the writing process for each book before they went to publication.

Tower of Bones began its life as the walk-through for an old-school style RPG along the lines of Final Fantasy Mystic Quest. My nephew Ryan and I thought would be fun to build something we could play and perhaps market as there is a large community of player who enjoy the old games. The game fell through but I liked the storyline and made it into a novel. But, by 2010 I realized it was never going to fly in the form I had originally created it.

In its first incarnation, Tower of Bones read in the “He is; he does; he goes” style of a Brady walk-through.  Not real 51S0EMXZRAL__SL500_AA300_easy to get into as a reader! Present tense: The events of the plot are depicted as occurring now—at the current moment—in real-time. (e.g. “They drive happily. They have found their way and are now preparing to celebrate.”) In English this tense, known as the “historical present”, is more common in spontaneous conversational narratives than in written literature. A recent example of this is the Hunger Games trilogy by Suzanne Collins.

You don’t even want to know the agony that I went through in changing the viewpoint of the entire 150,000 word ms from that awkward present tense point of view to the standard  third person point of view.  Not only that, I had begun Forbidden Road in the same style!  Oh, my goodness–2010 was the year in which Grandma could frequently be heard exclaiming things like, “Sassafras!  And Dirty Words!”

Alison DeLuca and my sister Sherrie DeGraw pored over that ms trying to help me clean it up, and finally by the end of 2011 it was done.

Now, three years after I began Forbidden Road it is in the grinder at Amazon, and the launch day approaches. It just looks like I am chugging them out  one a year.  I have already been working on Huw the Bard for 15 months, and Mountains of the Moon has been in the works for 18 months (and is still not finished.)  Valley of Sorrows (book 3 in Tower of Bones series) has been in the works since November and NaNoWriMo

2010 was also the year I began The Last Good Knight as a NaNoWriMo project. I allowed myself to rush into publishing it when it was not ready.  It is now readable, largely to the assistance of both Rachel Tsoumbakos and Carlie Cullen.  I admit that my view of my own work is skewed by my growing as an author and gaining experience as an editor.  It may be that I see my work in a worse light than the casual reader would, but in my opinion there were enough speed bumps in Billy’s Revenge 1 – TLGK to gag the dog.

One thing I have been working on is dealing with (if I may descend into technical terms) is Hinky Formatting Issues and VooDoo Readability.  Anyone who has ever read an e-book knows what I am talking about, although they may not realize what has caused the strange  appearance of  random question marks where apostrophes should be.  Strange formatting issues are also responsible for the way paragraphs will randomly lose their indentations, making a page look like a wall of words.

Unfortunately several wordprocessing programs are rife with hidden formatting, so if your ms began life in Open Office, you will need to strip all the formatting out of your work and reformat it, saving it as a .RTF.  It gets even more complicated if you switched to using Word halfway through.  As a rule, I strip all the formatting and completely reformat all my manuscripts before I upload them now, it saves time and curse words later.  Rich Text Format files (signified by the extension .rtf) can also be argued to be safer than Word documents, (or .doc and .docx.) This is also, again, because .rtf uses text-based encoding. In simple terms, it’s pretty much impossible for Word to mess up .rtf files, because they are text-based: if there is a mistake while opening the file, the worst that will happen is that Word will open it as a text file, which will look like this:

 \par A question that may often come to the mind of people who watch Mexican soap
operas is, \ldblquote Who the heck invented this ridiculous plot that consists
of the love af
fair between a rich guy and a poor girl who end up getting
married in the end despite all the adversity??\rdblquote This idea,
overexploited and completely clich\’e9

If there is a failure in .rtf you can at least read it.  BUT the optimal goal is to have NO Formatting Failures so never rush to publish.  If you are an indie you can simply move your launch date back until you have straightened out your issues.  Use the option to review it in the handy reader KDP provides when you publish with them.  B&N for Nook also has this option.  Order proofs from your print-publisher and make sure your book looks the way you want it by going over every page of the proof copies line by line before you hear back from your friends that your book is a mess.

In the end I am responsible for what my work looks like so I have to do the footwork and make sure my formatting issues are all solved before the launch date.  This requires both a calendar and the will to use it. Plan for a week of playing with your uploads to Kindle and CreateSpace before your projected launch date, and hopefully your work will go smoothly enough that you won’t need the extra time. Authors are notorious for leaving everything to the last-minute but I do suggest you don’t procrastinate in this endeavor.  Random things go sideways and need to be redone. You’ll be much happier if you do the responsible thing and leave yourself plenty of wiggle-room during the crazy week leading up to your launch.

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Imago Chronicles, Lorna Suzuki

Imago Chronicles Book One  Lorna Suzuki Just like every other obsessed, fanatic reader of High Fantasy, I am always on the lookout for that one special book that presages the advent of a new classic series in the genre. In my opinion, Lorna T. Suzuki has written that book in Imago Chronicles Book One: A Warrior’s Tale.

 As many of you know, I review my favorite fantasy books on a blog called Best in Fantasy, and that is where I first reviewed Suzuki’s work in 2011.  I was blown away by her ability to draw you into her world and keep you there, mesmerized.

Since I began blogging on what I consider to be the best fantasy reads that come across my Kindle, I have read, on average, 4 to 6 fairly good books for every one really good book that made the blog; but ‘fairly good’ is not good enough for me to call a book ‘Best In Fantasy’. Hence, my frequent excursions back to my library of classics. In order for a book to be featured on that blog, I have to LOVE it! In ‘A Warrior’s Tale’, Suzuki has written a book that stands beside the works of my beloved heroes of modern fantasy Jean Auel, Mercedes Lackey, and David Eddings. Imago now ranks as one of my all-time favorite epic fantasy series. And now, joy of all joys! Books 1,2 and 3 have been optioned for a major motion picture trilogy!

And now the story:

In an intriguing twist, A Warrior’s Tale begins with the end. Taking shelter from a freak blizzard, Nayla Treeborn, half elf, half human and not fully either, huddles next to the corpse of a dead soldier; using his body and the now un-needed cloaks of other dead soldiers to shelter her from the killing weather. As she shelters there, she finds herself thinking about her life to that point; going back to a day when she had been a child the mental and physical equivalent of a mortal 12 year old, but was in reality 37 years of age.

Nayla’s father, a high Elf and the Steward of Nagana, Dahlon Treeborn, despises her for reasons which are not made clear in this book. He has punished her for publicly disagreeing with him; nearly beating her to death. Joval Stonecroft discovers her, dreadfully mutilated and bloody and is horrified. Healing her as well as he can, he spirits her out of the elven city of Nagana to the human city of Anshen, home of the legendary Kagai Warriors. Taking the name of Takaro, the young girl embarks upon a lifetime of training, eventually becoming the only female Kagai Warrior ever accepted into the brotherhood. When at long last she reaches womanhood, not only is Takaro fully trained in the manly arts of the warrior, but she is also a woman fully trained in the womanly arts as a spy, a courtesan and an assassin.

In book 1 of the series the main antagonist is Eldred Firestaff, a sorcerer who combines the nicer qualities of Lord Voldemort (Harry Potter) with the personal charm of Ctuchik (The Belgariad), and who is an immortal tool of evil, resurfacing every generation or so. Each time he comes back, he uses the armies of the weak Emperor of East Orien as his power-base in his eternal quest to conquer the world of Imago. However, in this first book of the series, although the battles with this slippery and long-lived villain are colorful and intense, they are almost secondary to Nayla’s personal battle for acceptance and with her own inner demons. This book is concerned with fleshing out Nayla and really whets your appetite for the rest of the tale!

As a half-caste, Takaro/Nayla ages much more slowly than humans, and much more quickly than elves. During the course of the story she outlives three of her Kagai Masters, all of whom live to be very old men. She also outlives their grandsons and their grandson’s grandchildren, yet at the end of the book she appears to be a woman of about twenty-five years of age. Her wisdom and abilities are that of a warrior at the prime of life, and she becomes the most respected of the fierce Kagai Warriors. When her father is maneuvered into asking for the finest Kagai Warrior to train his own warriors, Nayla finds herself back in Nagana, and her father is forced to suffer her presence there; a situation that is bad at best.

The world of Imago is clearly drawn, and is every bit as compelling as that of Tolkien’s Middle Earth. Here we have two distinct cultures living side-by-side in peace and harmony for generations; coming to each other’s aid whenever the other is threatened. Loyalty, honor, hard-work, love and family are the central facets of the human society that Nayla/Takaro finds herself adopted into as an abused child, and these values are echoed in the society of the Elves. Within each society, the political and social divisions are clear and the differences between Elves and Men are well drawn and consistently portrayed throughout the drama that unfolds.

Suzuki is herself a master of the martial arts, being a practitioner and instructor of Bujinkan Budo Taijutsu; a system that incorporates 6 traditional Samurai schools and 3 schools of Ninjutsu. As one who was once a mere grasshopper in the obscure art of Shou Shu, I fully appreciate the wisdom and experience that the master crafts into the fabric of this tale. Every element of this story evokes both the martial and the spiritual aspects of the culture of Imago; every element is vivid and believable to the reader.

With each book in this series, I was drawn deeper into this amazing and very real world of Imago. In book 2 of the series, Tales From the West we discover more about the true evil that threatens Imago, and discover who or what is behind the sorcerer Eldred Firestaff.

What I’ve learned from reading the works of indie author Lorna Suzuki is that to really craft a world and build believability you must know what you are writing about. She understands the warrior culture from the point of view of a female warrior becasue she IS a female and a warrior.

Know thy craft! Write what you want to read, know what you are writing about and readers like me will flock to read it!

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David Eddings – Setting the Scene

Pawn_of_Prophecy_coverIn 1982 I picked up Pawn of Prophecy by the late David Eddings. This was an amazing, eye-opening book for me, as both a reader and an author.  Eddings had the ability to convey a sense of place in a few well-chosen words.  The book opens in the kitchen of a farmhouse with Garion’s memories of playing under the table in a kitchen as small child.

This is the first book in the 5 volume series, the Belgariad and chronicles the childhood of an orphaned boy, Garion, who is being raised by his Aunt Pol who works as the cook on a prosperous farm in a place called Sendaria. Garion has friends, and as time progresses he even has a wistful almost-romance with one of the girls there. But all is not as it appears, and Garion knows nothing of the reality of his family or the world he lives in.

He has other friends; Durnik the smith who is in love with Garion’s Aunt Pol, and a strange old traveling storyteller, Mr. Wolf whom his aunt seems to know well and whom she grudgingly tolerates despite his strange attire and love of ale.

What David Eddings does in the first chapters of this book is truly magical.  He immediately drew me in and within two paragraphs I was immersed in this world–I could smell the smell scents of the kitchen and visualize the people who worked there so companionably in the generous employ of Farmer Faldor. I felt I knew them, and I felt I knew that farm.

I am not a boy, but Eddings put me inside a boy’s mind and I understood that boy on a personal level. Garion’s confusion and dismay as everything he takes for granted begins to crumble around him is real and I felt his anger, his hurt and confusion. I understood his need to stand on his own and I knew fear when he did.

Eddings managed to draw me into that world with an economy of prose. He gives the reader just enough detail to fire the imagination, and the reader’s own mind does the rest, unencumbered by too much of the author’s personal vision of the scene. He does this by describing what the boy remembers of the kitchen, and more emphasis is placed on the emotions evoked by scents and memories of conversations, supported by the merest framework of the scene. Edding’s world is filtered through the eyes of the people who live in it.

Garion’s earliest memories are of being a toddler–the sound of knives deftly dicing vegetable, his aunt keeping him corralled and happy under the table while she works, the sparkle of the gleaming pots and kettles high on the wall lulling him to nap.

“And sometimes in the late afternoon when he grew tired, he would lie in a corner and stare into one of the flickering fires that gleamed and reflected back from the hundred polished pots and knives and long-handled spoons that hung from pegs along the whitewashed walls and, all bemused, he would drift off to sleep in perfect peace and harmony with all the world around him.”

In that passage we see the entire kitchen, and we have a visual image of it. The child’s sense of contentment and safety that the kitchen represented is conveyed by the impressions of the kitchen instead of the image of it. The detail supports the story rather than impeding it.

Many times I see authors try to force an exact, detailed picture of their world on the reader, and it ruins the story for me.  An author doesn’t have to beat me over the head with minute detail; that sort of thing bores me.

What reading the work of David Eddings has taught me is that economy of detail and simple lines often make a more powerful picture than a detailed drawing that looks like a search and find game. Some indie authors set a scene with so much detail it reads like an episode of Hoarders. I understand that, as I too wrestle with the tendency.

In the editing process I have had some of my most cherished passages detailing certain places or people thrown out with the simple phase “This is hokey”, and while it hurts to see those words in the comments, it is true and so it is time to throw out a beloved passage and opt for a lean description.

Sometime I opt for too lean a description and when the comment  “What were they feeling? Howthe belgariad did they show it?” appears in the right hand column  I sometimes wonder why they can’t see it when it is as plain as day.  But upon examination I realize that maybe a line or two more might help explain the emotion of a scene.

Still, it is important to remember that my reader has an idea of what true beauty is, and they may not think a girl with sun-yellow hair in perfect ringlets framing a heart-shaped face with fine, arching eyebrows over corn-flower-blue eyes peering through dark curling lashes is as beautiful as I may think she is. It may be better for me to refer to her as fair-haired and astonishingly pretty, and leave it at that.

If I could ask for any skill, it would be create a world with the precision and fine craftsmanship David Eddings brought to his work. To this end, I read the works of the great masters of fantasy hoping to absorb some of their techniques and wizardry. I also read the works of newly published indie authors hoping to find that one kernel of genius that will strike a chord in my soul and transport me to a world not of my own making.

The next installment in this series will be focusing on just that–indies of great talent whose works are as yet unknown but which have had an impact on me as a reader.

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What I’ve learned from Piers Anthony

200px-PiersAnthony_ASpellForChameleonThe book, A Spell for Chameleon, first published in 1977 was my introduction to Piers Anthony. I was immediately bewitched by his fantastical vision of a truly magical world, and I loved the fact that he placed it in Florida.  His world of Xanth was a world where magic is as intrinsic to life as is oxygen, and that notion has intrigued me ever since. The concept of making magic a fundamental requirement for life is one that makes complete sense to me.  Not only that, he did it with laugh-out-loud humor using puns and hokey jokes that were transformed into hilarious prose under his pen.

At the beginning of the novel Bink is facing exile from the magical land of Xanth and separation from his fiancée Sabrina for his lack of a magic talent. All human residents of Xanth possess some unique form of magic that ranges from incredibly powerful (such as the current King Aeolus’s ability to summon and control storms) to relatively useless (such as the ability to make a spot appear on a wall). In the hopes of discovering his talent Bink sets out to see the Good Magician Humfrey, a magician whose talent has to do with the gathering of information. Of course, things don’t go the way Bink hopes–it wouldn’t be a good story if they did!

Bink meets three women: Wynne who is pretty but stupid, Dee an average girl and also the sorceress Iris, whose power is the200px-Dragon_on_a_Pedestal creation of illusions. Wynne and Dee are actually different aspects of the same woman, Chameleon, although Bink does not realize this at the time. Chameleon’s intelligence and beauty vary inversely according to the time of the month and she has been unable to find a man who is willing to be with her through all 3 phases.  He also meets the Evil Magician Trent, and discovers that he actually likes him.

This book is one of the better books I had ever read, and I began a lifelong love affair with the works of Piers Anthony. Besides the witty prose and creative plots in this series, the COVERS of his books were AWESOME.  I have been well-known as a person who will buy a book for the cover, and that is exactly how I stumbled onto this series. The Xanth series is one long running pun after another.

I bought A Spell for Chameleon for the same reason I purchase any book–I saw it on the rack in my local Albertson’s grocery store and fell in love with the cover.

I learned several things from Piers Anthony and his Xanth series, the first of which is that Great Covers Sell Books.  I also saw that a true artist can take the most common, overused puns and turn them into the framework for a really fun adventure. I admit I did lose interest at about book ten, but even so, Piers Anthony still manages to have fun with it, and he still sells books.  The Xanth series is incredibly popular, and deservedly so.

SplitInfinityThe series Anthony wrote that really captured my imagination, and which in my mind still reigns as his best works is the Apprentice Adept series, beginning with Split Infinity, Blue Adept and Juxtaposition.

This man has had one of the most prolific and highly regarded writing careers ever, with more than 150 published works to his credit. His sharp wit and amazing gift for world building are legendary, and he has won numerous awards for his work.

But what reading his incredible body of work and following his career has taught me is that even when things around you have gone to hell (as things are wont to do) the writer has the craft of writing fantasy to provide his mind with an escape from the TRUE weirdness of real life.  Anyone who has read his official Wikipedia biography knows that Piers Anthony has had a long life with many personal challenges, through all of which I am sure writing was and is his refuge.  This gives me hope and the impetus to just keep on doing what I can, trying to make silk purses from the sows’ ears of my work when I feel a bit discouraged.

Writing is a journey and you never know what lies around the corner.

If a writer is lucky, his works will eventually be beautifully covered and on sale in the racks at the local Albertson’s store, just waiting for a girl like me to pick it up for the art.

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Mucking out after the dragon

MH900053412I thought I had The Last Good Knight all cleaned up. I was SURE I had it as straight as could be! Many eyes have looked at it, and still there are places that need attention!  Fortunately, Carlie Cullen is applying her red pen to the hitches and halts in the flow, without changing the story or the structure since it has been published for so long.  It’s a good story, probably my favorite but it has had a rough life.

This is the one tale that never had a real line-edit, and I was so new to this business that I thought the brief once-over my former publisher gave it was a true edit.  They were new at the business too, and were learning a lot as they went along. It was a good edit, in that it cleaned up certain obvious things, but it was very quick and not a true, in-depth edit. I was not involved in the actual edit, as the changes that were made were not offered to me for my approval. Thus, getting that book re-edited so that it reads more easily is somewhat like mucking out after a dragon.  Just about the the time I think it’s all done, there is another steaming pile of…goodness…look at the time, I should be cooking dinner.

Having worked with two editors since leaving the former publisher, I now see what was NOT done for The Last Good Knight the first time, and thank god, one of my editors, Carlie Cullen is giving it her attention. The biggest challenge is dealing with these things and moving on, instead of banging my head on my desk in frustration when she points out something I should have seen.

But that is why these sorts of edits are SO critical. We, as authors, only see what we THINK we wrote. This is something I can’t stress strongly enough–get an independent eye on your work.  If you have a friend who has worked as a paralegal for her entire career, proof-reading lawyers briefs as Irene Luvaul did, even better!  If you can’t find an editor you can afford, you can do this: Print your work out one chapter at a time, and sit down with the yellow high-lighter. take an envelope and go down the page one line at a time. You will catch a great deal that way!

I don’t feel nearly so badly about TLGK once I take a close look at my earlier works though – those tales who began their lives on performa-630-192the old Mac  in the mid nineties. Once they were transferred to disc and then transferred again to PC they were put away and forgotten.  Some have great storylines, and really fun characters, but I would have to completely rewrite them in order to make a silk purse out of the sow’s  ear they are right now.  There must be an entire library of badly written prose on those old mac floppies.

There are many flaws in my earlier works, especially the ones going back to my days of pecking them out on the old IBM Selectric.They are rife with misspellings, poor grammar, clichés, head-hopping, and hokey dialogue.  But underneath all the bad fluff I see the bones of the story I was so proud of having written in the first place, and I realize that there was spark there.  This is why I say don’t be discouraged by your first initial draft of any work.  All it needs is a lot more attention from you and the eye of an editor.

IBM_SelectricI was once a singer in a heavy metal band, and the opening lines of one of the songs I wrote went like this:

“It’s a cold and lonely morning, the sky dawns bland and white.

The emptiness inside my heart is as chilling as the night.”

It was cheerful little tune (NOT!) but with my ex-husband’s awesome guitar solos it was quite popular among our friends. We were very hip and very serious about the craft when we played. Of course I was 26 at the time, and quite sure I was the next female Ronnie James Dio. The band as a whole took ourselves far too seriously, and it soon got to the point where it wasn’t fun anymore.    It was a long time before I realized exactly why we fell apart the way we did, when we were having such a good time playing  small gigs as a local band. We became too caught up with the art of the music, instead of getting on with it and we forgot why we were doing it in the first place.

I admit that I don’t need serious anymore.  I don’t need to take my writing so seriously that it’s not fun.

With that said, I do need to turn out the best finished product I am able to do, and that means allowing someone I trust to look at it and say, “This just doesn’t read right. Maybe if you change this a little….”   I am not married to my prose, although I am sure it is the finest prose  in the world. Oh, look…more dragon poo.

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Building the Beast

Anne_Anderson05 - Beauty sat down to dinner with the Beast illustration PDArt - Wikimedia CommonsI have been suffering with a cold for the last week and so my writing output has dwindled to nearly nothing.  I have gotten some work done, but not the amount I had hoped for.

I worked on a scene requested by my editor, Irene Luvaul, for Huw the Bard, one to liven up a dull stretch just a bit.  I didn’t want to put Huw through the wringer again when he has already suffered so much, and he was so close to making his way to Billy’s Revenge, but she was right – a bit of tension would add to the interest.

So I alternately thought and slept on it for more than a week, trying to force my plague-ridden body peck out a few lines with merit to them.

I couldn’t think of anything.

But then a passing paragraph toward the end of Billy’s Revenge I – The Last Good Night (under revision again, cleaning up the manuscript, thank you Carlie Cullen for volunteering) gave me the idea for a strange creature with which I could freak out poor naive Huw. (Having the right editor in the first place solves SO many problems further down the road.)

Firesprites.

But this meant – you guessed it – Building the Beast.  The only trouble was, I didn’t really know what one looked like – after all they were only mentioned in passing as being a nuisance.

Now, I only had three passing references in BR1 that talked about these creatures, but those few sentences told me quite a bit about them, actually.

So when I thought about it I realized I did have enough to build one. I just needed to assemble the parts.

1. They are either  elemental creatures, or poisonous creatures, one or the other. I say this because they are called ‘FIREsprites’. Yet, logic tells me they can’t be made of fire, or there would be no forest. Therefore, they must be poisonous, and the poison must be an acid that burns like fire.

2. They must be small. Otherwise King Henri’s horse would not have stepped into a nest of them and thrown his rider.

3.  Something about them makes people think of fire, and it must be something bad, because Lackland and the people of Waldeyn feel compelled to kill the entire nest when they find them, sort of like fire ants only bigger and badder.  But they must be something that one lone woman (Lady Mags) could deal with, with only the aid of an amulet.

I always think it’s better when the folks who actually have to deal with them tell me what they look like, so here is what Matt St. Couer told Huw and I about firesprites.

Matt said, “Now we need to herd them to the center of the nest and get them bunched up in as tight a group as we can.  Don’t touch them, whatever you do. The slime on their skin will burn you like the hottest fire, and there’s no stopping it from eating your flesh away. That’s why they’re called firesprites. The wounds keep putrefying, and amputation is the only remedy. Water helps but only if you get the water on the affected area right away, before the poison has done too much damage. I’m talking minutes here, and you have to really sluice the wounds to get the poison off. Sadly, they never seem to nest near water.”

Ulleen said, “They like to nest along roads because there’s not so much foliage and they get more sun there.  The sun heats their nests and hatches their eggs.”

“They don’t look much like a sprite, do they,” Huw said, thinking they were interesting but not really fairy-like.  “At least, not what I always thought a sprite should look like. They look more like naked chipmunks with hairless tails. But their skin is pretty, all shiny and coppery like that.”

“I think they were named that because when they’re looking for grubs and such all you see is a little flash of copper as they disappear into the brush,” Ulleen replied. “I’ve always wondered about that too.”

Now as far as actually building the beast goes,  I have quite a lot of dragon parts lying around my office, and I can assemble a dragon in no time at all. I will even stick wings on it, if you like your dragons airborne. But dragon parts are far too large for this project, so I’ll have to look elsewhere.

Somewhere in here I have a box with everything one might need to assemble a demon.

I think this is the box.

Yes!

I’m partial to waterdemons. They’re quite fun to put into a fight-scene and some of their components will be perfect for the job. Clear, gelatinous skin is exactly what these little guys need, and I have a lot of it in this box. If I take some of that and turn it all coppery, it will actually be kind of pretty, in a hairless chipmunk sort of way. With the addition of a really strong acid to the gelatinous goo I think we’ll have a cute little firesprite!

I love arts and crafts time!

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Oh, the Agony

The Aspirin Shop © 2012 Connie J Jasperson All Rights Reserved

The Aspirin Shop © 2012 cjjasp All Rights Reserved

Yes, we now find ourselves in the deepest depths of January. The days are short and dark, and my desk is piled high with the visions and revisions of my current works-in-progress. I stare at the mountain of work that demands my attention and my mind is consumed with solving that eternal paradox,  “Who gave me this damned cold? Which little germ-factory that I call a grandchild is the culprit?”

Alas, the responsible party is most likely sitting in his kindergarten class having a snack and discussing tactics for beating “Lego Star Wars”  with his mates while Grandma suffers the agonies of the damned.

In the meantime, cold or no cold, I must somehow wind up the tale before me. My characters have already been through quite a lot, and they aren’t in tip-top condition. Still, they have a job to do and they are going to do it or die in the process.

At this juncture my characters are lurking high in the  branches of fir trees outside the stone walls of a mountain keep, observing the small village surrounding the castle they need to enter. They need to decide how to enter the haunted castle, and they need to make a plan for getting to the rogue-mage and eliminating him.  Once he is dead, the spells he’s layered over his guards will be broken and my team should be able to leave safely.

Once inside the keep, they will have to make their way through the halls, killing off the bespelled guards as they come to them until they have finally met the mage they have been sent to kill.

They’ve already fought a dragon and been caught in an avalanche. They’ve fought many other elemental creatures and each other.

Now here they are, poised on the edge of finishing this adventure and Grandma’s too stoned on NyQuil to concentrate long enough to get them to where they can kill the evil bad dude.

This could take a while.

It’s just so much wo-o-o-ork…..

Actually this game looks fun. I think I’ll just rest in the play-room for a moment….

lego-star-wars-the-game desk top wall paper

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Billy’s Revenge

HTB full cover for create space copyThe Billy’s Revenge series takes place in one of my favorite places: The wayside inn known as Billy’s Revenge.  Irene Luvaul is currently editing the first book in the series, Huw the Bard,  and I am making revisions per her kind-but-firm direction. I have begun work writing Book 2, Billy Ninefingers. It’s good to back among my close friends at Billy’s Revenge!

In regard to the Tower of Bones series, book 1, Tower of Bones is currently in the final stages of review and will be available in print by January 1st, 2013.  Forbidden Road is being prepped for publication and will be available in both print and Kindle format by the end of January 2013, barring any formatting issues. Carlie Cullen and I finished the fourth and final edit and Sherrie DeGraw is proof-reading the final edited version. I have made great headway on book 3 in that series, Valley of Shadows and also am nearly done with a stand-alone novel, Mountains of the Moon.

Writing consumes me – I have more ideas and stories than I have time to write them. I have a large number of works in progress at all times so that when I run out of ideas in one tale I can move on to another, and my creative mind is always flowing.

Irene Luvaul has given me some excellent advice in regard to keeping things straight.  If you have a made-up word, write it on a list of names and words you are using in that tale so that your spellings and capitalizations remain consistent throughout the work.  This is a really good idea for me, as I have a LOT of invented and fractured names in all my work!  I have done this, and I refer to it frequently.  When I find myself keying something wrong, I do a control-f search (find and replace) and make sure every instance of that word is consistent within the manuscript.  Irene is currently on a ‘which’ hunt.

*sigh*

In the course of editing Tower of Bones and Forbidden Road, I was rudely surprised by the number of instances of ‘had been’, ‘that’, and ‘very’ salting my first draft.  I’ve conquered the urge to fall back on those words to a certain extent, but now ‘which’ has become the bugaboo word for me! What happens is we use words repetitively and don’t realize it.  Carlie Cullen in the Tower of Bones Series and Irene Luvaul in the Billy’s Revenge series both keep me on track and out of trouble.  As I always say, writing is a journey and I never know what is around the corner.

At least everything is finally back on track and going forward as well as is possible in both series.  I also have my book of fairy-tales inching toward completion, and hopefully by June they will be ready to be published. There is a time-traveling story about Galahad, a modern take on a Snow White mashup along with several traditional style tales, all of which are nearly complete and will need editing soon. Writing the tales for that book is a great deal of fun, because telling the tales with a traditional, Brother’s Grimm style of narrative is rather liberating.  The tales are not for children.  If you think about it, most fairy-tales are extremely violent and involve adult situations.  I’ve always thought they were tales for grownups, anyway!

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NaNoWriMo – the first 6 hours

YES!!!  We survived the invasion of the 3 ½ foot tall Zombies. There was enough chocolate to go around, with plenty for my hubby and I to—er—examine.  But now another Apocalypse looms on the horizon.  Today is the first day of NaNoWriMo.  Now I must write 1666 words per day to have my 50,000 words by Nov. 30, 2012.  I will have no trouble. I managed to wake up at 2 a.m. and got the first 1538 words down.  Now it’s full steam ahead and no stopping for tourist distractions.

This blog will be the temporary home of eminent guest bloggers such as J.D. Hughes, Carlie Cullen, and Maria Johnson along with others as yet to be lassoed!  I can’t wait to see what they pull out of their incredibly creative minds for this!

Also, Alison DeLuca is having a blog tour for her fabulous Steampunk series, the  Crown Phoenix Series this month, and she will be visiting more than once, I hope!

So, to get you all started, these are the first paragraphs of what I did at 2:00 A.M.!

Excerpt from Valley of Shadows

The day John Farmer left home began as any typical winter day, rainy and cold. Only the day previously he’d turned fifteen making him legally an adult. His father had given him a new bow with a quiver full of arrows he’d forged especially for him, warning him to use them wisely. Other than that, nothing in John Farmer’s life had changed to mark his passage into adulthood. He still planned to try to get into town, and see Marjean Baker, if he could.  She was a friendly-girl down at the Boar’s Head tavern, and was five years his senior, but she really liked him, and he’d most definitely enjoyed her favors, the two times he’d managed to sneak off with her.

Unfortunately, he’d dallied with her too long the last time, returning home a bit too late the previous Restday, and his father discovered his secret arrangement with Marjean. John was now unlikely to get into town, unless he could figure out a way to sneak away without Wynn finding out—also unlikely as Wynn had taken to popping in and ‘checking’ on him at odd hours, making sure he was still there. His dad had even taken the precaution of hiding the saddle and bridle, so John would have to ride bareback if he did manage to sneak off.

He’d no idea why his father was so upset about such a minor thing. Unbonded men often had relationships with friendly-girls. No one thought twice about it. From what his dad’s old army friend, Jules Brendsson, said when he’d passed through Markett during Harvest, his dad had been the next best thing to a pleasure-boy as a young man, so Wynn’s attitude was hypocritical, in John’s opinion.  It’s not like I want to bond with her or anything, we’re just having fun. People expect you to have fun with friendly-girls, but Dad acts like it’s the end of the world.  

>>><<< 

It has a long way to go!  But it’s 30 days of straight on keying and no looking back until December 1st.  If I can just get the whole tale down from start to finish in that time, I will be able to spend the next half-year expanding on it.  Fortunately, I know these people and their world better than I know anything else right now, so I should be able to do it.

I will pop in and keep everyone posted on my progress. In the meantime I can’t wait to see what posts my friends will be making here during the month of November!

 

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The Zombie Apocalypse–and so it begins…

Halloween is just a day or two away. Wednesday night will see the streets of my town filled with the walking dead, the could-be-dead and the just plain skeletal remains of the dead. Should I plan poorly and run out of Reese’s Peanut Butter Cups or Hershey’s Chocolate Bars before 9:00 P.M. or so, I will most likely wish I was dead! After all, my deeds that night are all that stands between the undead apocalypse and the good people of the world.

What is this fascination we have with death?  So many books are being written about the undead, vampires and zombies.  In my town Zombies are very popular, being quite athletic and charitably minded, with many turning out this last week for the Zombie Dash 5k run.

According to Zynga executive, Travis  Boatman, who has been making games for two decades,  “People want to smash and maim and kill people,” Travis says. “But people don’t  alway like smashing and maiming and killing real people because, well, there’s  something unsettling about that. Zombies are people,” Travis continues, “so they fulfill people’s desire to  smash and maim and kill people. But they’re also already dead. So there’s  nothing unsettling about smashing and maiming and killing them.”

Read more of Travis’s Interview at : Zynga

Vampires are of course very romantic, and frequently are the most popular books on the store racks. Anne Rice made the vampire quite romantic and disturbingly sexy in her 1976 novel, Interview With the Vampire. Stephanie Meyers made them not only romantic, she made them mainstream with her mega-popular  Twilight.  Heck, she even managed to make damp, dreary Forks, Washington seem somehow  more mysterious, much more glamorous and a LOT less rainy than it actually is. After all, Forks averages 212 days per year with measurable precipitation — and trust me, that is a LOT of dark, rainy days.

I am a superhero, and  October 31st is a most important night in the calendar of this superhero. It is the one night of the year when the veil between the worlds is most thin and the undead wait, literally DYING to invade our streets. Without my efforts to stave off the annual apocalypse which each year is poised to take place on November 1st, who knows what mayhem would abound?

How do I do this?  I have certain skills… and I’ve much arcane and mystical knowledge. Dressed in my ritual garb, I will personally perform the annual sacrifice which appeases those uneasy dead who roam the streets.

The vampires and zombies who will be knocking at my door on Wednesday will be, for the most part, less than four feet tall, wearing rain coats over their rags and capes, and carrying plastic bags for the annual sacred offering of chocolate.  I will be wearing my lucky witch’s hat and  flying-cape as I ritualistically drop chocolate into the offering-bags, hoping against hope that the annual tribute will keep my neighborhood safe from the walking dead for one more year.

I take my work seriously, when it comes to protecting my town. If it wasn’t for me and fifty dollars worth of chocolate, who knows what evil these undead marauders could unleash for the next year? It’s a terribly lonely thing, knowing that one fat grandma in a witch’s hat armed only with a bucket of chocolate is all that stands between human-kind and the zombie apocalypse.

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