Tag Archives: literature

16 bit Inspiration

Final-Fantasy-VI-final-fantasy-vi-24610210-800-600Final Fantasy VI, originally released for the Super Nintendo Entertainment System in America as Final Fantasy III,  was one of my favorite games ever–I had it for both the SNES and the Playstation.

(From Wikipedia) “The action takes place on a large, unnamed world. During the course of the game, its geography and landscape change due to various developments in the game’s plot. During the first half of the game, the world is divided into three major continents and referred to as the World of Balance. The northern continent is punctuated by a series of mountain ranges and contains many of the locations accessible to the player. Most of the southern continent has been taken over by the Empire, while the eastern continent is home to a large patch of land called the Veldt where monsters from all over the world can be found. Halfway through the game, the world’s geographical layout is altered, resulting in its three large continents splitting into several islands of various size situated around a larger continent at their center. This altered layout of the game’s locations is referred to as the World of Ruin.

final-fantasy-vi-20060509061309295“In contrast to the medieval settings featured in previous Final Fantasy titles, Final Fantasy VI is set in a steampunk environment. The structure of society parallels that of the latter half of the 19th century, with opera and the fine arts serving as recurring motifs throughout the game, and a level of technology comparable to that of the Second Industrial Revolution. 

“Railroads and steamships are in use, and a coal mining operation is run in the northern town of Narshe. Additionally, several examples of modern engineering and weaponry (such as a chainsaw, drill and automatic crossbow) have been developed in the Kingdom of Figaro. However, communication systems have not reached significant levels of development, with letters sent by way of carrier pigeon serving as the most common means of long-distance communication.”

I loved that game!  I played it and beat it four times, and still to this day love it.  One of the things I loved the most about it is the sheer, unabashed love of FUN that the creators injected into it.

Final_Fantasy_VI_Opera_by_Saint_KaedeThere is a wonderful scene that takes place in an Opera House, complete with an entire opera, that is performed during a 12 minute race to save Terra from a demented octopus intent on killing her. The opera can be seen and heard here via YouTube, in its full glory.  In the original game, the music was performed on a midi and was really good, but the original composer has since released fully orchestrated versions of all the music he composed for the Final Fantasy empire at Square/Enix over the years, up to Final Fantasy IX.

distant worldsThe music of these games attracts me as much as the incredible story-lines and great artwork.  The primary composer of music for the main series was Nobuo Uematsu, who single-handedly composed the soundtracks for the first nine games. I just recently purchased Distant Worlds, his 2007 compilation of the work he did for the franchise, and it is part of what I listen to when writing.

There is something so evocative about his music, it helps me concentrate.

And so, today I leave you with another YouTube example of Uematsu’s work, Love Grows, from The epic Final Fantasy VIII, featuring the enigmatic Squall Leonhart as the reluctant hero.  Great stories, awesome side-quests–those early Final Fantasy games couldn’t be beaten for sheer entertainment value.

I am still playing Final Fantasy XII on the PS2, perhaps not obsessively, but still enjoying it. I have Final Fantasy XIII for my PS3 – but I have to admit that I am unable to get completely into it. The story-line seems awesome, and the graphics are gorgeous, but I can’t seem to get too far into it.

Perhaps I’ve grown up a bit, and have my own fantasies to write.

667px-PlayStation_3_Logo_neu.svg

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Filed under Adventure, Battles, Books, Dragon Age, Final Fantasy, Humor, Japan, writer, writing

Philosophy and Crafting a Tale

buddha-225x300The Buddha once said, “We are what we think. All that we are arises with our thoughts. With our thoughts, we make the world.”  I believe this to be true, and try to live my life accordingly. I am a basically happy person.

I think a certain amount of my personal philosophy finds its way into my writing. It’s only human nature to want to make the world to fit your idea of what is good and beautiful. In my worlds, good people always find themselves in bad situations, but through the drama, heartache and violence, what I hope to express is the beauty of life, the emotions that are experienced when joys are contrasted against sorrows.

If you have never felt hunger, you can never understand what it is to have plenty. In the same context, if you have never known sorrow, how can you know joy? The contrasts of life are the flavors, the textures that give it meaning.

The LOTR advance posterBuddha also said, “There has to be evil so that good can prove its purity above it.”  This is a fundamental truth for all writers of traditional fantasy fiction when devising plots, one that J.R.R.Tolkien understood quite clearly. After all, what would have been the point of Frodo and Sam going to the depths of Mordor, suffering the hardships they endured if not to destroy the One Ring and negate the power of Sauron? And why would they do this, if Sauron was not the embodiment of evil?

sam-frodo-frontdoorIn the Lord of the Rings trilogy, we have one of the most enduring works of modern fiction. It is an epic quest where through it all, we have joy and contentment sharply contrasted with deprivation and loss, drawing us in and inspiring the deepest emotions. This use of contrast is why Tolkien’s work is the foundation upon which modern epic fantasy is built.

If I can create a tale in which the reader experiences the full gamut of human emotion, I will have done my job.  The longer I am at this craft, the more I see that the rest of my life will be a training ground, teaching me new things, and widening my writing horizons everyday. With each thing I have written over the years, my work has evolved. Because the universe follows certain fundamental laws and nothing is static, my work and that of all dedicated craftsman-authors will continue to evolve.

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William Morris, Tolkien, and Modern Elves

Pauline Baynes' map poster of Middle-earth published in 1970 by George Allen & Unwin and Ballantine Books.

Pauline Baynes’ map poster of Middle-earth published in 1970 by George Allen & Unwin and Ballantine Books.

Lately I have been ‘guru-ed’ to death on various different writers forums by a few indie authors, whose own work is a great deal less than stellar, harshly criticizing the quality of writing of everyone from J.R.R. Tolkien to Robert Jordan.

Some people–I wonder, do they even read the comments they write? I am going to tell you straight up: Tolkien did NOT use too many words in The Hobbit, and the movie was not better.  Tolkien was Professor of Anglo-Saxon Studies at Pembroke College, Oxford, he invented the elfin language and as such, we may be assured he had a moderately good grasp of the English language, and the literature of his time.

He wrote in a lyrical style, with descriptions and side quests, things that enthralled avid readers like me who understood how to set aside a day to just to enjoy a good read.

The movie, while it is awesome, exciting and great fun, bears some relation to the actual book but certainly does not chronicle it. In the book for starters, Legolas was not a character, he did not have a love interest, and neither did Kili.  If you read the credits at the end of the movie, you will see it clearly says “BASED ON” the book, The Hobbit by J.R.R. Tolkien.

the hobbitThe problem with the book is not in Tolkien’s writing. It is in the eye of the beholder who never learned patience, or appreciation of a well-told story.

Fortunately, we now have an emerging generation of young women who consider “Pride and Prejudice” to be their favorite book of all time, and this gives me hope. Pride and Prejudice is about manners, yes–but it is also about that intrinsic thing all great novels consider, the search for self, and underneath the trappings of fantasy, the elves and goblins, so is the Hobbit.

That quest to discover who we are and what we are capable of is what drives Bilbo to keep  going, even in the face of terrible events. I have hope that if Jane Austen’s work is once again considered to be popular reading among young people, then the love of a beautifully crafted tale will never entirely disappear and the true appreciation of Tolkien’s great works will once again be celebrated.

What I frequently see in these forums see is an aggressive type of person who criticizes but lacks an understanding of what he/she is ranting about. They claim to be in writing groups, but if they are, I feel sorry for their fellow writers.  These people are the carrion-eaters, the ones who will pick an author’s work to the bone, and casually dismiss it, destroying a fellow authors sense of self-worth.

What a person who writes fantasy needs to know is what the masters of the genre wrote, and what made their work classics.  In other words,  stop looking AT the words as disparate parts that you could write better, and read them in context. You might be surprised at what you will find!

Well at World's End, William MorrisEven Tolkien had inspiration for his works, and he freely admitted he was a great devotee of the work of William Morris, an English textile designer, artist, writer, and socialist associated with the Pre-Raphaelite Brotherhood and English Arts and Crafts Movement. He loved Morris’s prose and poetry romances. Tolkien’s own work follows the general style and approach of Morris’s work. The Desolation of Smaug as portraying dragons as detrimental to landscape, has been noted as an explicit motif borrowed from Morris, just as countless fantasy authors borrow the modern concept of Orcs, Elves, and many other high fantasy motifs from Tolkien.

Rivendell_illustrationThe modern image and mythology of the elf as he is written into most of today’s fantasy has been directly modeled on the elves of Tolkien’s Rivendell, whether the author knows it or not. Even the elves we find in the onslaught of urban-fantasy-romances are created in Tolkien’s image.

So, now that I’ve had my rant about internet writer’s forums and the bad apples who occasionally haunt them, you’re probably wondering what  I find that is good out there? A great deal more good than bad, actually.  There are an incredible number of people who are willing to be helpful to aspiring authors, and who regularly share good information. The following is a list of good forums you might want to look into.

Writers Digest

Writers Cafe

Absolute Write

National Novel Writing Month (NaNoWriMo)

I’ve had a lot of fun on these forums and I learned a great deal. I never respond to Trolls, because acknowledging them encourages them to think they have power. How you handle them is up to you. Do your homework, research the great literature of your genre and write because you love it.

Ah! like gold fall the leaves in the wind, long years numberless as the wings of trees! The beginning of the Quenya poem Namárië written in tengwar and in Latin script, by J.R.R. Tolkien.

Ah! like gold fall the leaves in the wind, long years numberless as the wings of trees! The beginning of the Quenya poem Namárië written in tengwar and in Latin script, by J.R.R. Tolkien.

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Filed under Adventure, Battles, Books, Dragons, Fantasy, Humor, Literature, mythology, Uncategorized, writer, writing

Joan Hazel, Burdens of a Saint

Cover BOAS3Today we’re talking with Joan Hazel, a lovely person and an author-friend whom I met through our former publisher. She is one of the founding members of our mutual publishing group, Myrddin Publishing. Over the last two years I’ve become quite good friends with her.

She is  a talented author, whose new novel, Burdens of a Saint, was released yesterday. I had been lucky enough to be a beta reader for her on the early manuscript and really loved the characters of Janet Beesinger, and Saint.

But first, the Blurb:

 Your life will change today…

When Janet Beesinger writes  the words in red on her calendar, she has no idea what they mean. But, as a psychic, she knows when the universe gifts you with personal information, you listen.  How was she to know the Universe meant an irritating and sexy shape-shifter who would challenge everything about her life?

Saint Wolfe can feel the gravity of his arrangement with the goddess Hel closing in around him, forcing him to confront his past and the betrayal of the woman he was to marry. Needing to make peace with his past, he returns to New Orleans in search of forgiveness, only to be confronted by his own immortality. His only hope for atonement lies in the hands of a woman claiming to be a psychic. Will she be able to help Saint find salvation before his debt to Hel comes due?

And now–the interview:

Me: Where did you get your original idea for a fantasy-romance involving a society of shape-shifters from?

Joan Hazel PicJoan: Would you believe they walked out of the bushes while I was mowing the yard and said “here we are, now tell our story”? It sounds strange, but that sort of what happened. I was doing yard work and thought what would happen if you found out you inherited a mansion and the surrounding lands, and while you were tending the yard four hot guys walked out of the woods and you found out it was your responsibility to take care of them? And, by the way, they are all shape shifters.

Me: I like that. I think we often find our inspiration in the most mundane places. When you are mowing the lawn, your mind is free to move about the airplane, so to speak.

What is your personal connection with Norse Mythology? 

Joan: I have always had an attraction to Norse Mythology and Vikings. It may come from my Germanic roots or it may come from a past life. LOL. Even when I sang opera I specialized in Wagner which is deeply steeped in Norse Mythology.

I just always felt the Norse gods were more connected to the common man more so than the Greek or Roman.

Me: I agree. I’ve always felt the Norse gods were too closely involved in human affairs for our own good, lol!  (Loki, please make mischief elsewhere, thank you….)

So I understand you use Dragon Naturally Speaking software. What is the evolution of your manuscript—how do you take it from the first draft to the completed stage? Is there some point where you switch to a standard word-processing program?

Joan: This is why it takes me so long! I do use Dragon, but only after I have written the manuscript in longhand. For me there is something magical about the brain-hand connection when it comes to weaving these stories.

After I have the written manuscript, I then input through Dragon into a Microsoft Document, then go into that and work formatting, etc.  The hardest part for me in using Dragon is the fact so many of my characters have unusual names. So far I have been unable to get the software to recognize names like Apple-y and Aegir.

Me: Wow–that seems time consuming. I don’t have that sort of patience.

Like me, you’re an indie author. What is the most difficult part of this process for you?

Joan: The most difficult part of the process for me is finding the time to write while juggling everything else. It seems that quite frequently I will be in “the zone” chugging away when the  my hubby yells at me from the other room or the dogs try and get my attention. Plus, my muses  have an irksome way of popping up at those times that I can do nothing about it, like when I am  driving or taking a shower. I have tried using a recorder, but listening to the sound of my own  voice irritates me.

Me: I know! I am always embarrassed by the sound of my own voice. And distractions are something we can all relate to.

What is your next project in this series and who will be the main character?

Joan: That is a great question. There are two books left in the series; one for Fergus Wolfe, who is the alpha of Delta Pack and the other, is for Ghost Thorolfur. The two are kind of battling it out to see who goes next. Originally, I had planned for Ghost to be next, but now I am not so sure.

Me: They are both intriguing characters, and I really can’t decide which one I am more curious about! You also write romance novels.  Do you have any other books in the works?

Joan: How much time do we have? There are probably 10 books jumping around in my head at the moment. There are two in particular that I have begun work on. One is a medieval fantasy set in an imaginary kingdom in Scotland. The other is a western set in post-Civil War Texas.

Me: You know me! I am all about the medieval fantasy!  What advice would you give an author who may be struggling with the decision of whether or not to go indie?

Joan: In my opinion going the indie publishing route is one of the best things a writer can do, especially if your storyline doesn’t quite fit into the mainstream (i.e. commando shape-shifters created for the goddess Freyja).

I like being an indie author and having the creative control over my babies. There are days you will want to bang your head against a wall and days you will want to jump for joy.

My word of caution, don’t go into it blindly. I learned a great deal about the business of being a writer, and believe me, it is a business. You can find a lot of information on the internet and there are small, indie publishing companies that will help you publish. Keep in mind, even if you signed with a large house, unless you are J.K. Rowling or Nora Roberts, marketing, branding, organizing book signings, or anything else for that matter is left completely to you.

Me: Joan, that is good advice. I would add that a quick glance through the list at Preditors & Editors will give a new author some idea of small publishers they may not want to go with.  

But thank you so much for stopping by, and for answering a few of my questions. I have really enjoyed it.

Joan: Connie, thanks for letting me stop by and share my thoughts. It has been fun.

———————————————————————————–

Just so you know, Joan is an awesome person! To find out more about Joan and her books check out her website, and these other fine social media:

Website: http://www.joanhazel.com

Blog: http://joan-hazel.blogspot.com/

Twitter: @guardianwriter

Facebook: https://www.facebook.com/pages/Joan-Hazel/362411800440684?ref=hl

Cover BOAS3

BURDENS OF A SAINT

available at Amazon.com

Available in print and for the Kindle

Joan Hazel has found success at virtually everything she has ever put her mind to doing.

A native of Corinth, Miss., she is an accomplished actress and vocalist who has performed with theater and opera companies across the eastern United States. She has also dabbled success-fully in theater as a director and vocal director for numerous award-winning productions.

She completed a double major in music and business from Delta State University and went on from there to earn a Master’s Degree from East Carolina University with another double major, in music performance and pedagogy.

She has spent time as a vocal and piano teacher at both Troy University and Enterprise State Community College. As a teacher she is much sought after for her skills and often works privately with students in her home. In 2010 she was a guest instructor at the International Music Theater Festival held in Venice, Fla.

In her spare time, she plays with a cast of characters who live in her head. She has written four novels that range from historical fiction to reality-based crime fiction to science fiction/fantasy.

Hazel is passionate about the protection of animals and supports a variety of animal conservation efforts.

She currently resides in DeLand, Fla., with her husband, Ricky, and their two dogs.

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Filed under Books, Fantasy, Humor, Literature, mythology, Romance, Uncategorized, writer, writing

First we need a reader

Printer_in_1568-ceThanks to ease with which one can now publish a book, indie publishing  is really taking off. Many people don’t even bother submitting  manuscripts to the big publishers or courting agents. I think this is, in part, due to a perception in many writing groups that “my work will just be rejected, so why bother?”

Personally, I think this is wrong. People should continue submit good work to agents and publishers, because a big publisher can do great things for their authors.

I understand both sides of this argument, and I have received my share of rejections. I am an indie, and for me, this is the best way to go. But when I look back on my earlier work, I can clearly see why it was not accepted.  I had no idea what a finished manuscript should look like, nor did I understand how to get it to look that way. I didn’t understand a story arc.

I didn’t understand how important it is to allow trusted readers to read your work while you are writing it, to insure it flows and sustains the interest.

Some authors call these intrepid heroes “first readers,” and others in the industry are now referring to them as “beta readers.” Many editing firms offer this service as a part of their package. I can hear you now–“My Cousin Earl looked at my story and he said, ‘That’s nice.’ So I sent it  to Mud Runner Magazine and they rejected it and didn’t tell me why.”

800px-Franklin_the_printerI am sorry to tell you, but Cousin Earl may not be a good choice for this task, as he is not a true beta reader. Even though you wrote an article just jam-packed with a ton of information on the advantages of using various different types of knobby tires for off-roading, Cousin Earl will not tell you anything that may hurt your feelings. He will, however, tell his wife that their kid could write a better article on four-wheeling than you did, but he’s not going to tell you. (Unless you get too drunk on Cousin Grace’s eggnog at the family Christmas party, and accidentally knock over their Christmas tree.)

I wish I had a good response for people who say things like, “But I don’t need an editor! I just need someone to tell me if it’s good or not!”  Unfortunately, my responses to such declarations are not polite, so I keep them to myself, smile and say, “That’s nice.”

You DO need to hire an editor. You need one, even if you are submitting your ms to a publisher or agent, because editors proofread, correct grammar, guide you to a good story arc. I ALSO recommend you find someone who enjoys reading the genre you are writing in to read your manuscript first before you submit it.

I have a form I send along with my manuscript. I got the questions from Orson Scott Card (Ender’s Game).  Orson has also written several wonderful books on the craft of writing.  The form I now use is as follows:

Thank you for consenting to Beta read: _______________________. I am not asking for an edit, I am asking your opinion of the story, the characters and the action. This is a critical stage in the process as, once I have your feedback, I will make revisions to address issues of flow and send it to an editor for the final line-editing. These questions are from the article in ‘Writer’s Digest Guide to Writing Science Fiction and Fantasy’ by Orson Scott Card, a brilliant author in his own right.

Please make a note of the page number and the line number where you encountered a problem with the flow of the story.

1. Were you ever bored? Tell me where it got slow.

2. What did you think of the main character(s,) _______________________________?  Of the others?

3. Was there any section where you became confused? What did you have to read twice?

4. Was there any place where the story became unbelievable?

5.  What do you think will happen to the characters now?

The way you answer these questions determines the way I continue with my story.  After all, I am writing for others’ pleasure, not just for my own gratification. Even if your responses tell me things that I don’t want to hear, I heed them because I want to turn out a good story and your input is my best tool for that. So in this case, bad news is good news, because I can still rectify the problem.

Don’t ask a friend who is an editor or another author to do a casual read because they are unable to resist dicing it into small shreds and making helpful suggestions as they go, even though that is not what you are looking for with a casual read. Authors and editors are passionate about the craft and have strong opinions. Don’t ask them to read casually, because they can’t do it.

KelseyStarAdvert Now, I admit I do have many friends who are authors and who have done some beta reading for me, and while a few tend to go into great detail about things they don’t like in areas where our personal styles and tastes differ, I still get feedback that I can use to help make a better story. This is also a service many editing firms will offer, and is a “deep beta read.”

But for simple, honest opinions as to whether you have written a good story or not, I ask a non-writer who just enjoys reading for the fun of it. For me, that person is my sister, Sherrie. She is an amazing artist, and an avid reader, who understands what she likes in book and isn’t afraid to point out where she didn’t like it.

If you have a friend who fits that bill, feel free to copy the above questionnaire to a WORD document and send it as an extra attachment along with with the PDF of your manuscript. (Of course, your ms has already been formatted with line numbers, and page numbers before you send that questionnaire, right?) See The Shape of the Beast.

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Filed under Adventure, Battles, Books, Humor, Uncategorized, writer, writing

Sickly Smurf

nausea4Good grief, I have not been well for the last day or two. I wasn’t sure if it is food-poisoning or a virus, but lets just say there are some foods I may never be able to eat again.

I’ve always wondered how a person can tell if they have a virus or a form of the flu–so I asked the internet. I found a really good post on telling the difference here: Popsugar, posted by Jenny Sugar.  So, it looks like I have a flu bug. Today I am taking it easy, working in bed a bit, but sleeping mostly.

With that said, I have a family party at our house on Sunday. I should be fine by then — I’m lots better today. We do our family Christmas party in January because it takes a lot of stress off the kids, who are all young professionals, and have a lot of obligations during December.

christmas-gift-bagsNeedless to say, I have a kajillion grand-kid presents to bag up.  Tomorrow, maybe.

Thank God for gift bags and fancy tissue.

I think it may be my first annual deli-chicken party this year too.  I am vegan, but I am the only one, so I would have to fry a lot of chicken, and I really don’t feel like dealing with that.  I will make the mashed taters and gravy, but the chicken–my local store does a great deli-chicken.

I have been doing revisions and writing my little heart out–not so much today though.  Maybe later. I am working on connecting the threads in VOS, and getting the first section finished.

I found something interesting out on www.StumbleUpon.com .  I get some of the most interesting things off that site. Today it was the 23 most interesting images of 2013.  Such lovely photography.  I leave you with this image of the Perseid Meteor Shower, as seen in Wyoming.

enhanced-buzz-wide-22046-1387360087-17

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Filed under Adventure, Battles, Books, Food, Humor, Vegan, writing

Monday, and the Room of Shame

Dragon_rearing_up_to_reach_medieval_knight_on_ledgeToday, my plans are as follows (in no particular order):

1. Clean the Room of Shame (my office)

2. bake bread

3. dust for cobwebs, and sweep the front  porch

4. organize kitchen a bit better (if Hell has frozen over)

5. prepare fabulous dinner for husband.

6. Connect two disparate threads in current work-in-progress.

Alas – most likely only 5 and 6 will happen.  The Room of Shame gets sort of dug out and reshuffled two times a year. The last time I cleaned it, there was still fur from our late cat in some of the corners. Yum Yum (rest her little soul) died in 2008.

800px-Southampton_Medieval_Merchants_House_kitchenI might get some baking done if I get to a stopping point on my story. I love to bake, and I love fresh bread, but I am the laziest woman these days.  I know that if I want to eat I must cook, but sometimes I just go with the Dave’s Killer Bread, rather than baking my own. Its vegan and good, but still home made is better.

Like writing, laundry is an ongoing process, so it doesn’t make it to a list. How do two old people make so much laundry? It’s insane. I don’t get it–I have the most modern of laundry doing appliances and still they don’t pick the clothes up and load themselves. Nor do they then fold and put the laundry away, as I think they should do. What’s up with that?  It’s very frustrating.

the way I work

Most likely I will remain in the room of shame, feet propped on filing cabinet, keyboard in lap, pecking away, writing fantasy tales about people who actually DO things. Perhaps Irene and I will go out for lunch. She’ll come by and pick me up and…

…but that means she’ll see the living room…

Oh-god–I have to clean the house. Gotta go!

And how do you intend to spend YOUR day?

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What the label says

Parisfal - Creator - Hermann Hendrich PD-Art Wikimedia CommonsDuring the Christmas hiatus I’ve been revisiting the manuscript of Mountains of the Moon, tightening it up. I will be sending it to my Beta readers soon, preparatory to the final edit. In the meantime I have still been searching for cover art – my head has an idea of what it needs to be, and I haven’t found it yet, nor have I created the right blurb, although I’m getting close–we want a short, intriguing, sell-the-book sort of blurb.

Huw The Bard progresses slowly–some things just can’t be rushed. I had hoped to have him ready this spring, but that may not happen. The cover is ready, the blurb is ready, but editing is going more slowly than I had anticipated. That is one area I will not rush, so it will go on the back burner for a while. I still plan to enter Huw in the ABNA Contest this year, if and when it is announced, in the genre of Fantasy, as I hope it will be ready to go by then. Nothing is sure or certain in this business, however.

DobrynaThe editing of Julian Lackland is progressing at a good rate–he may be ready for publication before Huw. His cover and blurb are also finished, as is his book trailer. Huw still needs a proper trailer, but we are rolling toward victory!

In the meantime, I am still writing Valley of Sorrows, and it is going really well.  All the threads in my mind are coming together well on paper. That may be a finished novel yet!

One thing that is a bit difficult is trying to decide what genre my work falls under and what labels will get my books to the people who most want the sort of tales I write.  Huw the Bard and Julian Lackland are Historical Fantasies, but there is no genre to cover that! The Tower of Bones series is Epic Fantasy, or so I think, so that is easy (?).

But I’ve never had any luck with my labels.

And labeling is critical–many people won’t look at work that is not in their favorite genre, so they may not stumble upon a work they might enjoy. Conversely, if it is mislabeled, a reader might buy it, find it is not their cup of tea, and write a stinker of a review, based on the fact it is really not at all a historical mystery and what was the author thinking anyway?

So this is my goal for this coming year year: Write good books, label them properly, and perhaps sell a few.

Quaglio_KipfenbergI’ve learned many amazing things about this craft over the last year, things I never knew I had a knack for.  I  sourced the art and designed my own covers for two books, and  Alison DeLuca (our fearless leader at Myrddin Publishing Group) says they will be good covers when the books go to press.  I have helped several authors get their work ready for publication and I managed to make it through another NaNoWriMo as a Municipal Liaison unscathed.

A new year looms, bright and shiny. My ambition is to get the hang of the trickier parts of the marketing of my work–properly labeling it, and making it available to prospective readers. After all, if they can’t find it, they can’t read it!

I hope your Christmas was a warm and cozy thing with good food and family that puts the fun in dysfuntional. I hope the new year brings you everything you need, and some of what you want. I wish you long life and happiness, and the wisdom to appreciate it!

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Many’s the Fool

Heart of Neveyah relief 3-4-2013 001I’ve been working full speed on fleshing out the fourth book set in the World of Neveyah. It is the third and final book in the Tower of Bones series.

One of the things I’ve learned as I’ve progressed as a writer is to cut the backstory into manageable chunks. I, as the author, am totally into the backstory, but you as a reader may not be. In my previous work, my readers have to slog through a long lead-in before the real action begins. With each successive book, that lead-in has become shorter.

In order to avoid this tendency, I have been working to an outline. Because I have the final half of the book nearly complete, all I am working on is the first half of the book. I have given myself a strict number of pages to accomplish all of this in, which means it is forced to be all action, with the backstory slipped in incidentally.

Mal Evol relief 3-4-2013 001The first half of VOS happens concurrently with Forbidden Road, and some of the incidents from that tale are viewed through the eyes of those left at home.  This book must detail what happened at home and wrap up Forbidden Road. I want it to be a stand-alone book, and it can’t  give away the core of Forbidden Road. Thus, it can only reference what the characters know of the incidents that occurred in Mal Evol as they affect this tale.

Fleshing out this tale is requiring a lot of incidental backstory for me, 90% of which will not make it into the book, but which serves to cement characters and how they act and react in a given situation.  Hence, the outline:

First 1/4 chapters must address:

  1. The redemption of John Farmer
  2. The arrival of bad news and Dane Bransson’s descent into depression and anger
  3. The premature delivery and death of the baby.
  4. Marya’s descent into madness
  5. John and Garran journey to Braden

Second ¼ chapters must address:

  1. Building the wall
  2. Zan’s concerns re: setting the truth geas on Christoph
  3. The resettlement of Braden to Aeoven and other areas,
  4. Attack by the Hounds of Tauron
  5. Completing the Wall
  6. Arlen and the road to High Point Camp/ Jaxon
  7. Edwin’s anxieties
  8. Friedr’s worries re: his disfigurement and how Aeolyn will see him
  9. Lourdan’s Remaking

map of Neveyah relief 3-4-2013 001This is the first half of the book and must be complete at the 50% mark. By giving myself this road map, I am not completely nailed down creatively, nor am I completely winging it. I am forcing myself to stick to the meat of the matter and be sparing with the fluff.

I have set an arbitrary length for the book, and the second half was dealt with the same way. I actually wrote the second half first during NaNoWriMo 2012, because it picks up where Forbidden Road Leaves off and I was in the zone.

Writing the character of John Farmer has been fun. I’ve written a kajillion anecdotal stories for him as a novice and a young journeyman that won’t make it into VOS, but which will possibly be used at a later date in a volume of short stories. By virtue of having these tales, I know who John is. I know what makes him tick, and, most importantly, why he is who he is.

AnneMcCaffrey_DragonflightBoth Agatha Christie and Anne McCaffrey were geniuses at conveying that sense of history with an economy of words. When I think of each character in the compelling books written by these women, the characters I loved and who stuck with me most had a sense of history. The author knew them, even the most minor of characters.  HOW they knew their characters, what their style of writing was, I don’t know, but me — I make a little personnel file for each.

In this post I have just been talking about the fourth book, but I hope to publish the third book set in Neveyah, Mountains of the Moon, by summer. It’s hard to say if it will be through the editing process by then.  I will never rush to publish anything ever again, knowing what I know now about this business.

Some indies have this idea that they have to get it published NOW, regardless of whether an editor has told them it is not ready, and this is bad. Plot holes, threads to nowhere, these are bad, even if you are intending a second book in that series. Even worse is the nearly overwhelming urge to just add a bit to the tale before you click the publish button.  Has anyone else seen what you wrote? How do you know that what you think you wrote is what you really did write? And did you make your revisions by hand, or were you using Dragon? ALWAYS key your revisions by hand if you are physically able.

As an editor, I have seen some interesting manuscripts written using Dragon Naturally Speaking Software.  Words that are technically correct but make no sense until the editor realizes the words actually rhyme with the intended word…you see where this is going.  

Many’s the fool who rushed to publish and rued it later. I was one of those with my first book, but just like many other firsts, I learned a great deal from that experience. Thus I use the map, the calendar and the editor – the three most important parts of any tale.

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Negotiating the SpaceTime Continuum

Eternal_clockKeeping it all straight sometimes requires a good calendar. But what if, when first you wrote the first two books, you created a world in which the calendar was a lunar thing?  Not only that, but you went all astrological when you named the months, and Norse God when you named the days? And to top it off, a small portion of the third book follows events that took place parallel to events in the second book…and your protagonist must rendezvous with the protagonists of the other book on a certain day so they can complete the … … …. *DOH*

Talk about a walk through the space-time continuum–this would be it. In my current work in progress I realized I would need to keep things organized if I wanted to make sense, and not accidentally contradict myself.

In cosmology, the concept of space-time combines space and time to a single abstract universe. Apparently we all move through this, and time either passes us, or we pass time. It’s all relative (Einstein humor) to how fast you are going and a lot of sub-atomic particle stuff I can’t really take the time to explain here.

But if we make a picture of that abstract concept  our tiny human brains can grasp it. We call that picture a ‘calendar,’ which makes it all rather simple. My characters will progress through their space-time continuum at a rate I can comprehend, because I am their appointment secretary, and I am in charge of their calendar.

I am a retired bookkeeper, so I use the spreadsheet program called Excel to do things like that, but anyone can draw a calendar.

Full CalendarTime and Calendar of Neveyah

Each year consist of 365 days, and is divided into four seasons: Winter, Spring, Summer, and Harvest. The last month of the year is Holy Month.

Each season consists of three months, making twelve months that equal 28 days each, plus a Holy Month. Autumn and Winter are separated by the ‘Holy Month” of 29 days. The Holy Month is called Solstice and the actual winter solstice falls on the first day of the month following, or the first day of Caprica.  This is a month that is sacred to the Goddess Aeos, Goddess of Harvest, Hearth and Home.  It is a time when people travel to visit family, and simply take time off for a small vacation, often taking two weeks to do it.  On the last night of the Solstice Month each family holds a ritual feast in their home, a feast of thanks-giving and prayers for the New Year. Every four years an extra day is added to Solstice and that day is a festival day all across Neveyah. That year is called a Long Year though it is really only one day longer.

The months are as follows:

Caprica, Aquas, Piscus,   (Winter) Begins on actual day of Winter Solstice

Arese, Taura, Geminis     (Spring)

Lunne, Leonid, Virga          (Summer)

Libre, Scorpius, Saggitus (Harvest)

Holy Month (Has no season, but would be winter)

Days of the Week:

1. Sunnaday – Minimal business is conducted; each family’s tasks for the Temple as a whole are completed, such as chopping firewood, quilting, making clothes, and preserving food. The members of the temple clergy assemble in work gangs to accomplish these tasks from which they all benefit.

Calendar Capricas 3262 Neveyah2. Lunaday

3. Tyrsday

4. Odensday

5. Torsday

6. Frosday

7. Restday – no business is conducted, and only minimal work is done on farms and other places where some work must be done seven days a week. This is a day for people to spend with their families or to pursue their personal interests.

Prague-Astronomical_clock-Clock-Old_Town_Prague-Prague_Astronomical_Clock-originalI am a good secretary–my calendar is is adjustable. If I find something doesn’t work in the time-span I am writing it for, I can adjust accordingly.  Book three is the only book in which the dates are important, but I have to be conscious of the fact that they are important, and try not to screw it up.

Now if I could only keep my own calendar straight…I know I had something planned for today…but what? Apparently I forgot to put it on my Google calendar.

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