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Don Quixote

Don Quixote in the library Adolf Schrödter 1834

Don Quixote in the library by Adolf Schrödter 1834

Lately I have been on a Don Quixote binge. Published in two volumes, in 1605 and 1615, volume I, The Ingenious Gentleman Don Quixote of La Mancha, and volume II, The Ingenious Knight,  written by by Miguel de Cervantes Saavedrais considered the most influential work of literature from the Spanish Golden Age and the entire Spanish literary canon (a body of books traditionally accepted by scholars as the most important and influential in shaping culture.)

As a founding work of modern Western literature,and one of the earliest canonical novels, it regularly appears high on lists of the greatest works of fiction ever published, such as the Bokklubben World Library ( a series of classical books, mostly novels, published by the Norwegian Book Club since 2002) collection which cites Don Quixote as authors’ choice for the “best literary work ever written.” It is also said that the two parts of this masterpiece have been  translated into more languages than any book other than the Bible. 

Don Quixote had major influence on the literary community, as shown by direct references in Alexandre DumasThe Three Musketeers (1844) and Mark Twain’s Adventures of Huckleberry Finn (1884).

The Story:

Alonso Quixano, the protagonist of the novel (though he is not named until much later in the book), is a retired country gentleman nearing fifty years of age, living in La Mancha with his niece and housekeeper. Although he is mostly a rational man, his excessive reading of books of chivalry has produced a skewed view of reality and what we might consider dementia. In keeping with the theories of the time, not sleeping adequately–because he was reading–has caused his brain to dry. (I LOVE that!) As a result, he is easily given to anger and believes every word of these fictional books of chivalry to be true.

Don Quixote’s niece commits, what is to me, the most heinous crime–she and the Parrish curate burn his library, and lie to him, telling him it was the work of an evil magician. Criminal!!!

He decides to become a knight-errant in search of adventure. To these ends, he dons an old suit of armor, renames himself “Don Quixote”,  and renames his poor old horse “Rocinante.” Cervantes was a genius when he penned the horse–Rocinante is not only Don Quixote’s horse, but is a reflection of Don Quixote himself, ungraceful, past his prime, and in way over his head.

Don Quixote asks his neighbor, Sancho Panza, to be his squire, promising to make him governor of an island. Sancho agrees, and the pair sneak off in the early dawn. At this point their adventures begin, starting with Don Quixote’s attack on the windmills.

Miguel de Cervantes Saavedra created a wonderful, hilarious masterpiece when he penned Don Quixote. Even in today’s society the plot is relevant and and the characters leap off the pages. The extremes of the human condition are all laid out in glorious prose that has been beautifully translated to English in 2003 by Edith Grossman. The New York Times called Grossman’s translation a “major literary achievement.”

In the original version of Don Quixote there are basically two different types of Castilian Spanish: Old Castilian is spoken only by Don Quixote, while the rest of the roles speak a modern version of Spanish. The Old Castilian of Don Quixote is for comic relief – he copies the language spoken in the chivalric books that made him crazy; and many times, when he talks nobody is able to understand him because his language is too old. This comedic effect translates well to Modern English when the translator has Don Quixote use  Shakespearean English phrases.

I write fantasy, and I read widely. But to those purists who decry the work of genre fiction writers as being “created for the masses,” I would like to say this: it is quite clear that the modern perception of “fantasy” as having no literary merit is complete hogwash when you look at the books that make up the western cannon of great literature. ALL of them are fantasies of one sort or another, beginning with Don Quixote and going forward, and all of them were created for the enjoyment of the masses.

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Heart Search 3-Betrayal, Carlie Cullen

Betrayal front coverI read voraciously, in all genres and one of my not-so-secret vices is the occasional lust for a good paranormal fantasy.

One of my favorite authors in that genre is Carlie M.A. Cullen, who just happens have a new book coming out in her Heart Search Trilogy. Today she is revealing the cover for the final book in the series–and as with the first two covers, I  really love it. It totally speaks to the book’s dark theme. Her cover artist is Nicole Antonia Carro, who is one of the best indie graphic designers in the business, and an accomplished author in her own right.

I was fortunate enough to be one of the first to read this manuscript, and it is quite the finish to a bold trilogy.

What I find most intriguing about this series is that it revolves around people who have become vampires, and who no longer think the way humans do. But despite the real difference that having the kind of power they have makes in the way they view the world, they are family oriented and deeply committed to each other.

I’ve never considered writing about vampires and likely won’t, as my creativity doesn’t turn that way right now, but I confess I am curious about many things in regard to the conception of this series. To that end, I will be interviewing Carlie at a later date, and she has promised to answer most of my questions.

In the meantime here are the particulars for this book that is so beautifully covered:

Blurb for Heart Search: Betrayal

One bite started it all . . .

Joshua, Remy, and the twins are settled in their new life. However, life doesn’t always run smoothly. An argument between Becky and her twin causes unforeseen circumstances, an admission by Samir almost costs him his life, and the traitor provides critical information to Liam. But who is it?

As Jakki’s visions begin to focus on the turncoat’s activities, a member of the coven disappears, and others find themselves endangered.

And when Liam’s coven attacks, who will endure?

Fate continues to toy with mortals and immortals alike, and as more hearts descend into darkness, can they overcome the dangers they face and survive?

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Carlie M.A. Cullen, Author

Photo of CarlieCarlie M A Cullen was born in London. She grew up in Hertfordshire where she first discovered her love of books and writing.

She has always written in some form or another, but started to write novels in 2011. Her first book was published by Myrddin Publishing in 2012. She writes in the Fantasy/Paranormal Romance genres for New Adult and Adult.

Carlie is also a principal editor for Eagle Eye Editors.

Carlie also holds the reins of a writing group called Writebulb. They have published four anthologies so far, two for adults and two for children, all of which raise money for a local hospice.

Carlie currently lives in Essex, UK with her daughter

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You can find Carlie’s books at:

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You can connect with Carlie via these social links:

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Do take a look at her books–if you are a fan of paranormal romances, these books are a fun read, filled with characters that are larger-than-life, and adventures into the dark and mysterious world of the immortals who surround us.

Editors Note: I did make a typo in the Title of this post.  It is Heart Search : Betrayal, not Betrayed as was originally posted.

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To blurb or not to blurb

Blurb definitionOne of the things that sucks about being an indie is that you have to sell your books. I know that seems pretty obvious, but but it’s harder than it looks! In the old days, every book had a blurb on the back of it, or inside the flap on the dust jacket, and that blurb gave us just enough intriguing insight into the book that we bought it.

Here in the US, the word blurb originated in 1907. American humorist Gelett Burgess’s short 1906 book Are You a Bromide? was presented in a limited edition to an annual publishers’ trade association dinner. The custom at such events was to have a dust jacket promoting the work–they did things right in those days! His definition of “blurb” was “a flamboyant advertisement; an inspired testimonial.”

Blurbs can and do sell books.

wool by hugh howeyBut what will sell books? Let’s take a look at Wool, by Hugh Howey:

This is the story of mankind clawing for survival, of mankind on the edge. The world outside has grown unkind, the view of it limited, talk of it forbidden. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they profess to want: They are allowed outside.

f scott fitzgerald The Great GatsbyOr F. Scott Fitzgerald‘s classic novel, The Great Gatsby:

“Whenever you feel like criticizing any one,” he told me, “just remember that all the people in this world haven’t had the advantages that you’ve had.”

He didn’t say any more, but we’ve always been unusually communicative in a reserved way, and I understood that he meant a great deal more than that. In consequence, I’m inclined to reserve all judgments, a habit that has opened up many curious natures to me and also made me the victim of not a few veteran bores. The abnormal mind is quick to detect and attach itself to this quality when it appears in a normal person, and so it came about that in college I was unjustly accused of being a politician, because I was privy to the secret griefs of wild, unknown men. Most of the confidences were unsought — frequently I have feigned sleep, preoccupation, or a hostile levity when I realized by some unmistakable sign that an intimate revelation was quivering on the horizon; for the intimate revelations of young men, or at least the terms in which they express them, are usually plagiaristic and marred by obvious suppressions. Reserving judgments is a matter of infinite hope. I am still a little afraid of missing something if I forget that, as my father snobbishly suggested, and I snobbishly repeat, a sense of the fundamental decencies is parcelled out unequally at birth.

There are huge differences in these blurbs:

Hugh Howey (an indie) tells us about the plot of his book-and it is intriguing. I bought it based on that blurb.

(Charles Scribner’s Sons) (Fitzgerald’s original publisher) used the opening lines of the book–and that was intriguing as well.

Choosing to use the opening lines for marketing is dangerous–it could be an epic failure, for those who want to know what the book is about.

Back Cover of Mage-Guard of Hamor by L. E. Modesitt Jr.

Back Cover of Mage-Guard of Hamor by L. E. Modesitt Jr.

Even more dangerous than that is the increasing trend toward eliminating the blurb and going with nothing but recommendations mentioning other works by that author.  Let me just say now, I HATE THAT! For the love of Tolstoy–talk about the book I am going to buy, please! Any blurb, even a bad one, is better than glowing reviews by paid reviewers. 

But this trend just proves to me that the BIG PUBLISHERS are just as much as sea in the this regard as we poor indies are, small comfort though it is.

I will be writing blurbs for my own work again soon, and so I am looking at blurbs on the covers in my library, and trying to see what it was that attracted me to that particular book. I admit that many times it was the cover art, and not the blurb, but when I picked up a book by an author that was unknown to me, I read the blurb, and considered carefully whether or not to spend my dearly earned wages on that book. I was taking a risk–because what if I hated it?

It’s a conundrum.  Perhaps I can go with “One ring to rule them all…”

No… I suppose that’s been done…but it’s an awesome blurb, short and to the point….

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Fluff and Nonsense

storagecontainersI have parties for the same reason I have editors. Having a party forces me to get rid of the ‘fluff and nonsense’ that we acquire as part of modern living.

Consider the plastic container. I think of them the way I do the word ‘that’ — in other words, they have their place, but too many is just too many! Despite my best efforts they enter the house in insidious ways.

They arrive wrapped around butter (or vegan margarine,) I pick up a few to use to send leftovers home with loved ones, but more always arrive than are used–and the ones in the cupboard are never the size I need.

Then there are the glass jars–I go on binges of saving them because I don’t like plastic. But they are never the right size, and the lids get lost, and my favorite one always is full.

But lets talk about coffee cups.

coffee cupsHow the heck many does a household with two old people need? And where do these things keep coming from? But they’re like adjectives–I have far more in cupboard than are ever really needed. Some of these go with the two sets of dishes we need for when we have the family over, and this one was a gift, and this one fits perfectly in my minivan’s cup-holder….

At least maybe I can get rid of the chipped ones. But this is the one Mama liked….

Sigh.

But at least I can declutter the spare room where my grand-kids can play. Now that is an editing job worthy of a medal–the room has become my overflow room for stuff that won’t fit in the Room of Shame. The Room of Shame is my office, but it is also a warehouse for ‘mathoms’ (bear with me–I am a Tolkien freak)  Mathom is a word invented by Tolkien, constructed from an obsolete Old English word máðm “treasure, precious thing.”

Oh dear. My whole house is a warehouse for mathoms.

VasesVases–who needs twenty vases? And why am I driven to buy vases when I have more than funeral home could ever need? (Again like a favorite word–how many times  can I repeat this word before folks realize I have no imagination?) But they’re so pretty, sitting on this closet shelf where no one ever sees them….

Big family winter party=grandma cleaning house.

Grandma cleaning house is a boon to the recycling community–a van full of fluff and nonsense will go to be recycled back into the community. And on Sunday, the house will look so good, until the party starts. After the family begins to arrive, all bets are off as to how long it will take to clean up afterward.

 

 

 

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Talking with Erika M. Szabo

Field Roast holiday roast croppedWe survived another Christmas! The refrigerator is bursting with leftovers, and we had a wonderful dinner with one of our sons, and one of my brothers. Life is good! The carnivores said the turkey was good, but surprisingly to me, given the amount of teasing I endure at their hands, the Hazelnut Cranberry Holiday Roast en Croute was the star of show, with little of it being left over. The world did not stop in its orbit as the vegan meal was consumed with gusto, and no one left the table hungry!

I’m always intrigued by the way other authors think, and today, Erika M Szabo, author of The Ancestors’s Secrets series, has consented to answer a few questions for us.

CJJ: Tell us a little of early life and how you began writing:

ES: I became an avid reader at a very early age, thanks to my dad who introduced me to many great books. I started writing educational books twelve years ago when I received my PhD in Alternative Medicine. I love animals, therefore I created the Read for Animals anthology series and published two books with authors and poets to help animals. The story idea for Ancestor’s Secrets series came from my Hun heritage, from the legends and history. I created a magical, fantasy world using bits of real historical facts and incorporating real life events from my years of working as a trauma nurse into the story.

CJJ: I love that you are able to draw on your heritage for your work. Tell us about your most recent book.

ES:  In the Ancestor’s Secrets series, present and past blends into a paranormal fantasy tale with intriguing clan secrets, magical heritage, love triangle and Ilona’s exciting and dangerous life in a secret society. Ilona is a young doctor settled into a world of logic and reason. She inherits a world of traditions, well-kept secrets and magical powers, and is left to piece together her clan’s past, using nursery rhymes taught to her by her mother. Learning some of the secrets not only confuses her, but places her in mortal danger.  When a sinister man appears, Ilona connects his presence to a series of mysterious deaths. He can influence others to kill her, but why can’t he touch her? There are clues around every corner, and the elusive answers draw her further into the hidden world of her people.  As if the mysteries aren’t enough, her life becomes more complicated when she meets a dashing stranger. Although he saves her life by putting his own life in danger, she senses evil in him. The first book of The Ancestor’s Secrets series raises questions such as: what if there is a secret society exists hidden among us with its strict rules and fiercely enforced laws, and certain members come to possess magical powers? What if finding love, despite the obstacles thrown our way, is possible? What if we could have the power to visit the ancestors in the past and create our own future?

CJJ: That sounds intriguing! How did you come to write this novel?

ES: On a rainy afternoon I couldn’t find any new book to read. I was moping around, browsing my bookshelves, mumbling to myself. After a while my daughter had enough and snapped at me, “Mom, stop whining! If you haven’t a book to read, then write one.” Her challenge shocked me, but I started playing with the idea. I’ve never excelled in following rules or formulas, so I discarded the instructions I found in “how to write fiction” books, and made up my personal rules. At first, I started playing with the story just for my own enjoyment, I thought, writing the swirling ideas in my head was far better than being haunted by them. I kept writing for months, and soon I realized that I never had so much fun doing anything in my life before.

CJJ: I always wonder, and my reader do too, do you have a specific ‘Creative Process’ that you follow, such as outlining or do you ‘wing it’?

ES:  When I started writing the novel series, I only had a vague outline of the story in my mind, and I kind of let the story develop on its own. Some parts are totally different now than I had originally planned.

CJJ: Many of us write fantasy, but how does your work differ from others of its genre?

ES: The Ancestors’ Secret series is an epic fantasy, heroic romance series written mostly in diary style with paranormal magical powers, ancient legends, love triangle and time travel.

CJJ: We each write for our own reasons, but why do you write what you do?

ES:  My favorite genre to read I love to read is magical realism/fantasy stories, therefore it is my favorite genre to write as well.

CJJ: I know why I chose the indie route for my work, but I’m curious as to why you’ve chosen this path.

ES: The first edition of my novel series was published by a traditional publisher. I was not satisfied with the editing, book cover, formatting, as well as the full control they had on the story. I decided to break the contract, form my own publishing company and edit, format and publish the story the way I like it.

CJJ: I had a similar experience! What advice would you offer an author trying to decide whether to go indie or take the traditional path?

ES:  Both have advantages and disadvantages. If your book is accepted by a traditional publisher, read the fine lines of the contract and if it doesn’t suit you, then go indie.

I so agree with you, Erika!  Thank you for visiting today, and I can’t wait to read these books!

erika szabo protectedbythefalconebookBook 1, Protected By The Falcon

Ilona is a doctor and is ruled by logic, yet when she starts to develop unusual powers, her beliefs change and she’s thrown into a world of mysteries, traditions and secrets. Nursery rhymes taught by her mother lead her to discover her clan’s past, which still exist with its fiercely enforced laws. A dangerous dark man stalks Ilona who is unexpectedly rescued by a handsome stranger, Zoltan. As their relationship grows, her feelings for best friend, Bela, starts to fade. When her life and the future of her people become threatened, she must gather all her courage and use her inherited powers to fight back. Infused with Hungarian legend, the twisting plot keeps the reader turning the pages of this extraordinary fantasy story. The Ancestors’ Secret series is an epic fantasy, heroic romance series with magical powers, ancient legends, love triangle and time travel that is a great read for fantasy lovers and also suitable for young adults.

http://www.amazon.com/Protected-Falcon-Ancestors-Secrets-Book-ebook/dp/B00LNBSKIY

erika m szabo ChosenbytheSwordebook (2)Book 2, Chosen By The Sword

In book one, Protected By The Falcon, Ilona is thrust from her easy and steady life and forced to face the unknown, which prompts her to discover the ancient tribal secrets. The rules of her ancient Hun clan that still exist with strict laws suffocate her, but she is resourceful and daring. She discovers secrets and obtains unimaginable powers to protect her sister, who bears the next leader of the clan. If she does not succeed, the fate of her people is at stake. She must sort through her own feelings about the men in her life. Will she choose Bela, her best friend, or the handsome and noble Zoltan? From the time when her people were nomads, the castles of the 14th century to the present, travel through time with Ilona as she struggles to overcome the obstacles placed in her path by ruthless individuals who want to inflict their rule on the Hun clan. The Ancestors’ Secret series is an epic fantasy, heroic romance series with paranormal magical powers, ancient legends, love triangle and time travel that is also suitable for young adults.

http://www.amazon.com/Chosen-Sword-Ancestors-Secrets-Book-ebook/dp/B00RAGLWVI

Short Bio of Erika M. Szabo:

ErikaMSzabo I became an avid reader at a very early age, thanks to my dad who introduced me to many great books. The writing bug bit me much later, on a rainy afternoon, when I couldn’t find any new book to read. My daughter had enough of my moping around and snapped at me, “Mom, stop whining! If you haven’t a book to read, then write one.” Her challenge shocked me, but I started playing with the idea. What if there is a secret society with strict rules and laws exist hidden among us? What if certain members come to possess magical powers? What if those abilities could be used to do good or evil? I’ve never excelled in following rules or formulas, so I discarded the instructions I found in “how to write fiction” books, and made up my personal rules. At first, I started playing with the story just for my own enjoyment, I thought, writing the swirling ideas in my head was far better than being haunted by them. I kept writing for months, and soon I realized that I never had so much fun doing anything in my life before.

If you are interested in seeing more of Erika’s work, here are her links:

WEBSITE: http://www.authorerikamszabo.com  

FACEBOOK: https://www.facebook.com/Erika.M.Szabo.ND.Author

TWITTER: https://twitter.com/ErikaMSzabo

LINKEDIN: http://www.lnkd.in/N64qzw

GOOGLE: https://plus.google.com/112402888400847638099/posts   

PINTEREST http://www.pinterest.com/erikamszabo/

SMASHWORDS https://www.smashwords.com/profile/view/GoldenBoxBooks

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Winter’s Heart

HolidayTree2012Web Olympia Downtown Association

Olympia Downtown Association

I love the way the Christmas lights  light up the dark streets at this time of the year. It removes a little of the creepy ‘horror movie’ factor from being downtown at night. Why can’t we have them on the bare trees all winter long? They make the long, dark nights feel so much kinder.

It rains a lot here, some years more than others. This year seems to be a ‘more’ year, but that’s what we like up here. Something about the  gloomy days fires my desire to write. The climate of Northern Waldeyn in my book, Huw the Bard, is inspired by the weather here in the great Northwest, as are the forests and the mountainous countryside. Even the waterfalls are inspired by those that can be found here in my home state of Washington.

We made the weekend journey north to see our kids and drop off presents for our grandkids this weekend, slogging up I-5 in the pouring rain and heavy traffic. It’s not too bad if you aren’t in a hurry-so I never make that trip with high expectations of arriving anywhere in a timely fashion–it can’t be done. Far too many vehicles clog the lone artery that connects Olympia Washington with Vancouver, British Columbia to the North, and San Diego, California to the South.

With our traveling done, and the winter solstice past us, we’re just preparing for our small Christmas day celebration here at Casa del Jasperson. After Christmas, I intend to settle in and get serious about writing again. I’ve been editing a wonderful book, which is a pleasure. I also have several irons in the fire, so to speak–the third book in the Tower of Bones series, Mountains of the Moon, is in the middle of the editing process at Eagle Eye Editors. MOTM is a prequel to Tower of Bones, and is a lighthearted book.

I’m in the final stages of reformatting Tower of Bones to be republished sometime in early 2015–new cover, new maps, all new interior, and Forbidden Road also has a new cover, new maps and a newly reformatted interior. I am still working on the cover for Mountains of the Moon, but I have an idea of what I want to do. The design studio in my Room of Shame is cranking out artwork as fast as I can think it up.

I’ve gotten the two followup books to Forbidden Road through the rough draft stage and into to the final fleshing out. The Wayward Son, and Valley of Sorrows had to be written concurrently, and the story line necessitated a name change in the earlier books, as a minor character became a major character, and her name was nearly identical to that of another major character. Since I had already pulled the two earlier books for reformatting, I decided to just take the plunge, and make that change globally. The Wayward Son is the story of John Farmer’s redemption, and takes place during the same months as Forbidden Road.

I’ve learned how to make vectors, and am getting the hang of creating digital art, and have found that I have a talent for graphic design. At least I like my pretty pictures.

All in all, it’s going to be a busy year. I can hardly wait to see what is going to come along next–maybe I’ll take up alpaca ranching. I’ve never done that before. They can’t be any worse than sheep…which were a pain, if you want the truth.

Okay. No alpacas. But they are awfully cute.

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The Queen of Bags

father-christmas-saint-02I love the sights and scents of the holiday season. Cookies baking, houses on our street with lighted displays–you don’t have to go wild to make a huge impression. My dear hubby always puts a few decorations out, little trees made of white lights and lighted candy-canes.

All up and down our neighborhood, homes are decorated for the season. Anyone driving through our little valley will see some ambitious displays. Our home is really quite simple in its holiday decorating–a tree, candles, a cute centerpiece for the table. We keep it simple because we have to tear it down and put it all away over New Year’s day, and that rapidly becomes a bore.  It’s work, and I don’t like anything that falls into the category of labor. But I love looking at other people’s efforts!

christmas-gift-bagsWrapping the presents is also a bore, but I am now the queen of bags! I love that all I have to do is remove the price-tag, fold a little tissue around it and stuff it in a bag. Jam a little tissue in the top and voila! Christmas is served! No more tape sticking to the wrong place, and no more hunting for the scissors I just set down.

Just lazy me, blowing through wrapping the pile of presents like a sleigh through snow!

We have a lot of grand-kids. We’ll make sure their gifts arrive at their houses before the big day. It’s sad when their presents are out from under our tree and under the trees in their homes because our tree looks a bit lonely. But not for long–we’ll soon have a few bags under there, just a little something for the two old people to enjoy on their quiet Christmas morning.

Field Roast holiday roastIt doesn’t take a lot to make the place feel festive. A little here and there, and the house feels warmer, cozier. An atmosphere of peace and well-being. I will roast a turkey breast for my hubby because he is a carnivore, but I will make a vegan entrée for me, a Hazelnut-Cranberry Roast made by the Seattle-based Field Roast Company. Everything I cook will be vegan except Greg’s turkey, and it will be delicious.

I make all the traditional dishes, substituting Earth Balance vegan margarine and almond or rice milk for the dairy. I use vegetable broth to make the cranberry-walnut stuffing. Anyone can eat well, if they choose to, and it’s not anymore expensive than eating junk-food, cheaper if you want to know the truth.

This is my recipe for:

onion and mushroom gravyONION AND MUSHROOM GRAVY

Ingredients:

  •  3/4 cup white or button mushrooms, chopped
  • 1 small yellow or white onion, minced
  • 1/4 cup vegan margarine
  • 2 1/2 cups vegetable broth
  • 2 tbsp soy sauce
  • 1/4 cup flour
  • 1 tbsp poultry seasoning (or 1/2 tsp each of sage, thyme and marjoram)
  • salt and pepper to taste

Preparation: 

In a large skillet, melt the vegan margarine and add onion and mushrooms. Sauté for just a minute or two over high heat.

Reduce heat to medium and add vegetable broth and soy sauce. Slowly add flour, stirring well to combine and prevent lumps from forming. Bring to a simmer or a low boil, then reduce heat.

santa in snow stormI love this time of year. Great food, all the Christmas lights and decorations–I kind of go nuts. When we take the presents round to our children’s homes I feel a sense of having succeeded–they have new traditions for their children, combined some from our past. I feel a sense of continuity–We’re the grandparents now, the old-fashioned ones, the ones who always have time for a cuddle and never deny a grandchild a cookie when he wants one.

We’re always there, slightly in the way of Mom getting things done, but trying not to be. We’re happy to be mauled, sat on, have our hair brushed, even our toe-nails painted if that’s what makes a child happy. We’ll play Legos with them until the cows come home, so their parents can get the real work of the holidays done.

When their parents were small, our parents were there for them, being the old, wise people who loved our children as unconditionally as we love our grandchildren. 

In this holiday dance, the circle is complete.

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Sinking the Hook

book-cover-middlemarchThe books that ring my bells all start out with a really great hook–in some cases the first line is the clincher, but most definitely by the time the first page has passed, I am hooked and ready to be enthralled.

Some of the best first lines ever: George Eliott’s Middlemarch starts, “Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress.” That line makes you want to know Miss Brooke. And who is the observer who chronicles this?

How about this first line from Ulysses, by the king of great lines, James Joyce: “Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed.”

pride and prejudiceOr, take this quote from the Guardian regarding the first line of Jane Austen’s Pride and Prejudice“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” The one everyone knows (and quotes). Parodied, spoofed, and misremembered, Austen’s celebrated zinger remains the archetypal First Line for an archetypal tale. Only Dickens comes close, with the beginning of A Tale of Two Cities: “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light etc…” 

Good first lines are critical. They have a singular duty, to involve the reader and kidnap them for the length of the book. Our first lines must make the reader beg to know what will happen next.  We have to think about that first line, those first paragraphs, and how to land our reader.

TheEyeOfTheWorldDoes your first line have to introduce your main character? I think not. Dickens introduced an era in his opening lines, and it works. In his Wheel of Time series, Robert Jordan frequently opened with a glimpse into the side of evil, illuminating that which Rand Al Thor must somehow prevail against, and that always hooked me.

Regardless of what you introduce, the hook MUST pertain to the tale. It must reveal something about the book in such a way that it sticks with the reader. Do not waste time in getting to the plot, because even a good hook cannot save a bad novel.

The first pages of books that intrigue me introduce a “dramatic question” and even if the reader doesn’t realize it, that question can often be answered with a yes or a no–will the hero succeed? Will good conquer evil? Will love triumph? What the hell happened to drive Lews Therin Telemon mad and what will happen next?

Consider these things when writing the opening paragraphs:

1. The opening lines set the tone for the story

2. The opening lines introduce the dramatic question that is the core of the story

3. The opening lines introduce the sense of place, the setting of the story.

Ask yourself where the story truly begins, and start there. What came before that can be cut from the final draft, as it is just background information that is necessary for your reference.

I think it’s good to read books outside your genre, and read them with the idea of understanding what makes them classics. Read literary fiction, read romance, read sci-fi–read widely if only to see what a different genre is about, how it is different from what you write. In all fiction, the first pages are the ones that kidnap the reader. Covers and blurbs may sell the book, but the first pages plunge the reader into your world.

 

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The author’s voice

Brunhild_(Postkarte),_G._Bussiere,_1897All authors have a voice, although many can’t sing. I have 8 good notes and I’m not afraid to use them in singing the odd song now and again. Tad Williams can sing, and has the cd to prove it.

But what do I really mean when I speak of an author’s voice?

We become attached to certain authors because when we read their works, we hear their “voice.” We hear them speaking to us.

Each author writes with a certain style, or in other words, the words he or she habitually uses that makes his or her writing unique. “Voice” conveys the author’s attitude, personality, and character.

You have all heard me say that having a manuscript properly edited before publishing it is crucial for the indie author’s credibility. You may ask, “what is this process, and how do I retain my voice, and control of my work when someone else is intent on hijacking it?”

First of all, a good editor will never try to hijack your work. Writers intentionally use symbolism and thematic consistency. We sometimes intentionally repeat certain words for emphasis. These things are significant to us, and a good editor will recognize that.

So what does an editor look for in a manuscript?

Indies are looking for an editor who “helps a writer develop a book from idea or outline or initial draft. Makes sure the book will meet the needs of the publisher and its readers. Will work with the author through any number of drafts. Often works with writers of non-fiction. Guides the writer in topics to be covered in or omitted from the book.” quoted from the Editors Blog.

In other words indies want a structural editor.  What will this editor do for them?

The professional freelance editor will read your manuscript, looking for the rough spots and inconsistencies that work their way into every final draft. They will suggest you correct certain grammatical errors and habits that interfere with the flow of your work, and give you an idea of how those corrections could be made. They will also point out things that are unnecessary background–info-dumps that have slipped through, and suggest you remove them.

Also a structural editor may suggest that a section be moved to a different, more appropriate place in the manuscript. This editor will devote a month or more of their time to your manuscript. This is a hefty commitment on their part, and is one that is not lightly made.

Raymond chandler quote split infinitivesA good editor will not try to take over your manuscript and erase your voice.

You, as the author, have the final say on your manuscript–it is after all your intellectual property. If you don’t want to change something you feel is intrinsic to what you are trying to express, you don’t have to.

Sometimes editors don’t see the forest for the trees–and a good conversation with the author will straighten those areas out. If your editor does not respond to your emails, or indicate in some way that they have heard your concerns, you should not work with them.  

The best part of being an indie is having the control of your work. A good relationship with your editor is crucial to turning out a good product.

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The other side of the coin

Water_for_elephantsWriting is about so much more than merely laying words down on a page.   Most people can do that, and can even whack out a creditable paragraph or two. But sustaining the momentum and carrying that vision through an entire novel is quite another thing.

I’ve read several disparaging blogposts where the authors have expressed their scorn and disdain of Nation Novel Writing Month, and that is fine, if it makes them feel noble and slightly more pure than the rest of us mundane hacks. But they are overlooking one important notion, and that is that to write a novel one must start a novel. If it takes a special month of writing and a group frenzy to get some people fired up about an idea they’ve had rolling around in their heads, who am I to complain?  I am a reader as much as I am an author, and I say the more the merrier!

Take a look at some of the most well-known NaNo Novels of all time:

the night circus by erin morgensternWater for Elephants, by Sara Gruen. On the best-seller lists for over a year, turned into a movie starring Reese Witherspoon and Robert Pattinson, started as a NaNo novel.

The Night Circus, by Erin Morgenstern. What eventually became The Night Circus began life in 2004, seven years before it was finally published, started as a NaNo novel.

Wool, by Hugh Howey. Howey’s dystopian sci-fi novel is one of those credited with putting self-publishing on the map, started as a NaNo novel.

So don’t give me any of your “poo-poo on the contest” crap. Whatever gets a writer fired up and writing is fine by me!

I think the notion that anyone with an idea can sit down and write a book in 30 days bothers some authors, as they feel rather threatened by the number of books being published post NaNoWriMo.  Fear and Loathing, we call that in the industry. It’s irrational, but then no one ever accused authors of being rational!

WoolMost people who begin a novel in November do not reach their goal of 50,000 words. They do not have the discipline to sit down every day and dedicate a portion of their time to this project. And some people just are not good writers. But so what? The cream always rises to the top, my grandma used to say.

Because of NaNoWriMo, thousands of people are now embarking on learning a craft, committing their time and resources to educating themselves about how to write a novel that others will want to read. Several years  down the road, who knows what wonderful works of fiction will have emerged from this year’s madness?

I only know that I am always looking for a good book, and so I will be first in line, hoping to be blown away by a fresh, new work of art.

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