Tag Archives: Editing

Write write write…

225px-Ff12castRight now I am writing two fantasies, both based in  the world of Neveyah, which was originally designed for an old-school RPG that didn’t get built.

When I write in Neveyah, I find myself gaming more during my downtime than reading. Dragon Age, Final Fantasy–those are my games.  Anything where I can go out and hack, slash, and throw a little magic around, while great music and wonderful storylines unfold–those are the games that intrigue me.  Anything to get to that all important cut scene!

Not only am I writing the 3rd and 4th books in the Tower of Bones series, I am in the re-editing process for Tower of Bones, the first book in the series. It has been a slow process, as my editor in England has been unwell, and has also had her own wonderful work to write. But it is getting there, and when it is republished, it will be what it should have been when it was originally written.

When I first started this gig, I knew I wanted to be an indie, even though I knew it would be hard, and my sales would be miserable. The point for me was that I could be published and have some control over my work.

What I didn’t realize, is that your friends, wonderful people that they are, are not editors. They don’t really notice anything but the most glaring errors, and they miss a great many of those! Places where you have repeated yourself ad nauseam, and places that are phrased in a confusing way are skipped over.  Large plotholes, clichés, and intriguing auto-correct mistakes get missed when your eager-to-help friends try to edit your work.

You see–very rarely are you BFFs with an editor to begin with–although, through this process, I have become BFFs with MY editors.

Your friends know they don’t like what you wrote, but they don’t know why, so they plow through it as fast as they can just to get the misery done with. They will spot a few problems, which helps, but isn’t going to make your ms readable.

Oh, they aren’t going to tell you that, but they will think it. “This is really different. I’m a little confused about the dog who was an arsonist, but it’s really…unique.”

Do hire an editor. Even if you plan to submit it to a large publisher, do this, so that what you submit will be the best you can offer them.

SO, right now I am working on two books, one that runs concurrent with Forbidden Road, detailing events involving Edwin’s father, John Farmer, and also the follow-up to Forbidden Road, concluding that tale. I am also occasionally working on the rewrite of The Last Good Knight, which is what  Julian Lackland’s story was originally, and is the book Huw the Bard evolved from.  That one is complete, but it needs to sit on the back-burner for a spell while I gain some perspective on it.  Then I will go through it one more time and find an editor for it.

Then, there is Mountains of the Moon, which is in the editing queue.  Not sure if that will be done anytime soon, but rushing to publish is no longer my thing.

Goodness knows how all this will come together, but I love it.

 

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Conveying the Mood

Something I’ve lately realized is that every author, even my favorite, has what I think of as ‘fall-back’ tricks they use when describing certain scenes, little quirks and twists of words that are as personal and unique as a signature. The great authors can get away with this, because their stories are just so darned compelling that we don’t notice or don’t care.

I’ve had to face it–when I, as an author, make a habit of resorting to writing my characters with excessive shrugging or sighing, it’s clear I’ve run out of ideas. I recently had a wonderful discussion with several other authors who have noticed this phenomenon in their own work. After that discussion, I found myself wondering how to maintain speed in my writing when I am in the zone, but still have a variety of words and ideas available to me for describing mood and emotion.

So–since tattoos are expensive, and my palm isn’t really large enough to contain a really good table of visual cues, I resorted to my handy-dandy Excel program, and created one there.

What I discovered while compiling this, is that my little brain is quite limited. I had to struggle to picture what these moods and emotions looked like.  Once I had the facial expression in my mind, it was easier to imagine how a character might appear to an observer.

What these cues do is help me come up with a fresh description when I want to show something that may happen frequently within a group of characters. I don’t necessarily use these cues verbatim as they are written here, but they do give my mind a jumping off point and I can extrapolate from there.

Please feel free to: right click> save as> png or jpeg and print it out for your own use.

Conveying Mood and Emotion in Writing

 

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What does “Submission-Ready” mean?

Gamalost-NorwegianOldCheeseI’m not talking bondage here, friends, so get your mind out of the erotica.

I’m talking about a manuscript with the potential to be made into something publishable.

I see a lot of manuscripts. Some are quite promising, some not so much. Literally anyone can write and publish a book nowadays, but not everyone can write a book others will want to read–THAT is a craft, and there are many who don’t feel the need to learn it before they submit their work to an editor or a publisher.  The quality of their work stinks like gamalost cheese, but they have the gall to wonder why the Big 6 haven’t snapped it up.

gibberish-american businesses onlineIt is important to learn the craft of writing, if you want readers to enjoy your work. Spend the time to learn the mechanics of the language you are writing in. However, if you are simply writing a pretentious pseudo-literary art piece, fine–go on and have at it–no one will ever read it, and you can feel superior for having written it. If you dare to compare yourself to James Joyce I will run you out of the writing group quicker than you can say Ulysses.

Before you submit your manuscript, take the time to make it submission-ready:

1. Properly format it: Set the indents, use a serif font of .11 or .12, double-space it with no extra space between the paragraphs, and do not justify it.

2. Hire an editor to help you straighten out the flaws YOU can’t see.

3. Go to the publisher’s website and find out what their submission guidelines are and FOLLOW THEM. (Yes, they apply to EVERYONE, no matter how famous, even  you.) If you skip this step, you will wait a year to hear that your ms has been rejected, and they won’t tell you why.  It’s not worth their time to teach you how to be a writer–you have to learn that on your own.

For a more in-depth description of this whole process, see my series “WORD-A Shifty Beast.”

learn something newTry to learn something new every day in your writing life, and with each success you have, try to keep some humility.  You will grow as an author, your work will remain fresh, and I will continue to beg to read it.

If you read the kind of work you want to write, you will gain inspiration from the masters in your genre. When I am not writing or editing, I am reading. And when I have the chance to read for pleasure, I read epic fantasy, paranormal fantasy and science fiction. When I find a book that rings my bells, I talk about it, and blog about it. Conversely, if I hated it, I never mention it again.

Yep–I’m that kind of a reader.

 

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Dear Sir or Madam

GerundsThere are times when the vagaries of modern English (previous error in capitalization edited by Stephen Swartz) get in the way of reading what could be a great novel.  Some weeks I see six or seven books, both indie and traditionally published, before I find one book worth reviewing for my book review blog, Best in Fantasy.

As authors, we are all overcome with the urge to shout to the world, to immediately show the world our precious child, to rush to publish it now.  It is the rare author who can write prose that is fit to read in his first draft–if that author actually exists, I’ve never read his work.

For the indie, this is fatal.

This is why I highly recommend hiring a reputable editorial service to go over your manuscript, even if you plan to submit it to a publisher. After all, why not submit the best work you can, rather than risk being stuck in the slush pile?

An editor will have several reference manuals at his/her hand, and will help you realize your vision, whittling away at the block of granite you gave birth to and love so much, carving away the unnecessary and extraneous words and cliches  until the book emerges in all its glory.

honorificsWhen I am editing, I refer to The Chicago Manual of Style, the Oxford A-Z of Grammar & Punctuation, and of course, Strunk and White’s Elements of Style. As I have been through the process of being edited and hate that horrible feeling of being called to task on silly things, I often refer to these books when I am second guessing myself in my own work.

What are the silly things, you ask?  They are things we learned in grammar school but forgot as we grew older and didn’t use them.  Small things like when to capitalize an honorific title, and when not to–something that crops ups regularly in my work as I often write in a medieval setting.

I’ve found it helpful to use the control -f (find) function in WORD to locate every possible mangling I might have made of a particular word. Then I look at and replace each instance on an individual basis. (NEVER click replace all!)

KinshipConsistency is important, so  we must know when to capitalize titles and honorifics–words like king, and majesty, or even lord. Also, when to capitalize familial titles such as father, mother, son and aunt.  If you are determined to do it wrong, at least have your roommate ensure that you have done it that way throughout the entire manuscript, rather than sometimes one way and sometimes another, which is the normal, natural way to write a first and even second draft.

Editors not only correct grammar, they check for consistency. They are worth their weight in gold. They’re more important than the fine artwork for the cover, more critical than the catchy blurb. We live in the wild west of the publishing business, and we find ourselves doing whatever we can on the cheap to get our book published. DON’T skimp in this area, if you value your reputation. Once you have published, it’s a pain in the backside to unpublish, have it edited, reformat it, and go through the launch all over again. Remember, we see what we meant to write, not what is actually there.

But you don’t have to listen to me–experience is the great humiliator.

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First we need a reader

Printer_in_1568-ceThanks to ease with which one can now publish a book, indie publishing  is really taking off. Many people don’t even bother submitting  manuscripts to the big publishers or courting agents. I think this is, in part, due to a perception in many writing groups that “my work will just be rejected, so why bother?”

Personally, I think this is wrong. People should continue submit good work to agents and publishers, because a big publisher can do great things for their authors.

I understand both sides of this argument, and I have received my share of rejections. I am an indie, and for me, this is the best way to go. But when I look back on my earlier work, I can clearly see why it was not accepted.  I had no idea what a finished manuscript should look like, nor did I understand how to get it to look that way. I didn’t understand a story arc.

I didn’t understand how important it is to allow trusted readers to read your work while you are writing it, to insure it flows and sustains the interest.

Some authors call these intrepid heroes “first readers,” and others in the industry are now referring to them as “beta readers.” Many editing firms offer this service as a part of their package. I can hear you now–“My Cousin Earl looked at my story and he said, ‘That’s nice.’ So I sent it  to Mud Runner Magazine and they rejected it and didn’t tell me why.”

800px-Franklin_the_printerI am sorry to tell you, but Cousin Earl may not be a good choice for this task, as he is not a true beta reader. Even though you wrote an article just jam-packed with a ton of information on the advantages of using various different types of knobby tires for off-roading, Cousin Earl will not tell you anything that may hurt your feelings. He will, however, tell his wife that their kid could write a better article on four-wheeling than you did, but he’s not going to tell you. (Unless you get too drunk on Cousin Grace’s eggnog at the family Christmas party, and accidentally knock over their Christmas tree.)

I wish I had a good response for people who say things like, “But I don’t need an editor! I just need someone to tell me if it’s good or not!”  Unfortunately, my responses to such declarations are not polite, so I keep them to myself, smile and say, “That’s nice.”

You DO need to hire an editor. You need one, even if you are submitting your ms to a publisher or agent, because editors proofread, correct grammar, guide you to a good story arc. I ALSO recommend you find someone who enjoys reading the genre you are writing in to read your manuscript first before you submit it.

I have a form I send along with my manuscript. I got the questions from Orson Scott Card (Ender’s Game).  Orson has also written several wonderful books on the craft of writing.  The form I now use is as follows:

Thank you for consenting to Beta read: _______________________. I am not asking for an edit, I am asking your opinion of the story, the characters and the action. This is a critical stage in the process as, once I have your feedback, I will make revisions to address issues of flow and send it to an editor for the final line-editing. These questions are from the article in ‘Writer’s Digest Guide to Writing Science Fiction and Fantasy’ by Orson Scott Card, a brilliant author in his own right.

Please make a note of the page number and the line number where you encountered a problem with the flow of the story.

1. Were you ever bored? Tell me where it got slow.

2. What did you think of the main character(s,) _______________________________?  Of the others?

3. Was there any section where you became confused? What did you have to read twice?

4. Was there any place where the story became unbelievable?

5.  What do you think will happen to the characters now?

The way you answer these questions determines the way I continue with my story.  After all, I am writing for others’ pleasure, not just for my own gratification. Even if your responses tell me things that I don’t want to hear, I heed them because I want to turn out a good story and your input is my best tool for that. So in this case, bad news is good news, because I can still rectify the problem.

Don’t ask a friend who is an editor or another author to do a casual read because they are unable to resist dicing it into small shreds and making helpful suggestions as they go, even though that is not what you are looking for with a casual read. Authors and editors are passionate about the craft and have strong opinions. Don’t ask them to read casually, because they can’t do it.

KelseyStarAdvert Now, I admit I do have many friends who are authors and who have done some beta reading for me, and while a few tend to go into great detail about things they don’t like in areas where our personal styles and tastes differ, I still get feedback that I can use to help make a better story. This is also a service many editing firms will offer, and is a “deep beta read.”

But for simple, honest opinions as to whether you have written a good story or not, I ask a non-writer who just enjoys reading for the fun of it. For me, that person is my sister, Sherrie. She is an amazing artist, and an avid reader, who understands what she likes in book and isn’t afraid to point out where she didn’t like it.

If you have a friend who fits that bill, feel free to copy the above questionnaire to a WORD document and send it as an extra attachment along with with the PDF of your manuscript. (Of course, your ms has already been formatted with line numbers, and page numbers before you send that questionnaire, right?) See The Shape of the Beast.

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Sweeney Todd, or Gutting the Beast

Anne_Anderson05 - Beauty sat down to dinner with the Beast illustration PDArt - Wikimedia CommonsThis is the 3rd and final installment in the series “WORD, A Shifty Beast,” which focuses on helping you get the most out of using Microsoft WORD as your word-processing program when writing a novel.

You have saved all your raw files in a folder labeled in such a way that you know it contains your background work. You have formatted your final manuscript exactly the way the chosen editor’s submission guidelines want. You sent in the work to the highly rated  Sweeney Todd Editing Services and Sweeney loves it!

You came to an agreement regarding payment, and you paid the first half of the editing fee. NOW you are waiting for your first email, containing those dreaded revision requests. At last the email arrives and you see one or two attachments. The email may or may not be encouraging, some editors are very businesslike and some are chatty.

The first thing you discover is that Sweeney Todd has brutally dismembered your carefully formatted manuscript into its separate chapters, and named the files according to his system. You will now use his system for naming your files. Let’s say Sweeney sent you two files:

Elf Madness-JDoe-ch1-ST edit rnd 1.docx

Elf Madness-JDoe-ch2-ST edit rnd 1.docx

This file name says: Your book–your author name–chapter–editor name-round one.  

You will create a new folder within your Elf Madness folder, this one titled EM Rnd1 Edits S.Todd, and you will save the chapters that Sweeney has sent you in this folder. They will remain exactly the way Sweeney sent them so that you can refer back to them if needed.

Now, inside the EM Rnd1 Edits S.Todd folder you will create a new folder, this one titled EM Rnd1 Edits JD complete. This sub-folder is where you will save the first round of your revisions.

Next you will open the first file Sweeney sent you, Elf Madness-JDoe-ch1-ST edit rnd 1.docx. You will immediately click ‘SAVE AS’ and you will save it as Elf Madness- ch1- rnd 1 edit JDoe complete .docx.

NOW you are ready to make your revisions as your editor has requested.

Unfortunately, this is where you find yourself looking at a sea of red or blue with your stomach churning, and fear and loathing in your heart. There is a column on the right hand side of the manuscript and it is chock full of comments, not all of them complimentary.

With a sense of disbelief you realize your beautiful manuscript was not perfect!

Prnt scrn editng tab for WORD

This is the first step to becoming a real author.

Now you will address each comment individually:

  1. On the ribbon at the top of the page, click on the Review Tab:
  1. Prnt scrn editng tab for WORD 1
  2. Next, click on the comment to highlight it. This way you can see exactly what it pertains to, and you can make that correction. Make the correction
  3. With the comment highlighted, click the Delete button, and that comment will go away. Continue doing this all the way through the chapter.

Prnt scrn editng tab for WORD 3

Suddenly, you have come to a place, where what you have written is what you want to keep – “OH NO!!!” But all is not lost. Leave Sweeney’s comment there and highlight the part you want to keep. At the top of the page, click ‘New Comment.’ In the comment box that will open below Sweeney’s comment, explain why you want that particular thing to stay. When your editor opens that file for the second round of edits, he will see what you said, and will proceed accordingly.

Prnt scrn editng tab for WORD 4

You will attach the revised file to an email and return it to Sweeney promptly. This way he will see you are serious about your book. He will take your revised file, and that will be the basis for the next round of editing. This will be repeated until you have completed to entire process according to your agreement with Mr. Todd.

This is the way the editing process that I have been involved in works.  My editors NEVER make changes in my manuscript for me–they make suggestions and I am responsible for making those changes and sending the revisions back to them. I’ve experienced this process both ways, and having an editor who goes in and makes  changes and doesn’t show you what those changes are, OR ask your opinion regarding those changes is simply NOT acceptable. I will never again allow such a thing to happen to my work.

I currently have 3 manuscripts in the editing mill. I find it’s like getting a tattoo—it hurts like hell and you can’t wait until it’s over, but before it has even healed, you’re already planning your next one. (Do you like my Tolstoy tattoo?)

I hope this series on how an author can use Microsoft WORD has helped you get your own manuscript ready for the submission process. It is the most commonly used word-processing program and is actually not too difficult to learn the basics of.  Every word-processing program has a learning-curve, and some programs, while free, don’t offer an author or the editor the ability to do the simple things WORD does.  Most editors agents and publishers only accept WORD files, if they are accepting electronic submissions.

 

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Formatting or The Shape of the Beast

Anne_Anderson05 - Beauty sat down to dinner with the Beast illustration PDArt - Wikimedia CommonsThis is the 2nd post in the series on using Microsoft WORD, “WORD—A Shifty Beast”.  The first post covered naming files and version control.  This post focuses on using the tools WORD gives you to format paragraphs and line spacing, making your manuscript ready for submission to an editor.

Often, an inexperienced author will submit a manuscript rife with the most bizarre formatting. He is terribly surprised and hurt when it is rejected and returned with a bland form letter that tells him nothing of why it was not acceptable. Rejections are rarely returned with an explanation of why, so the author is left to guess what they did wrong.

Most editors don’t have time to deal with badly formatted manuscripts and these submissions are not even considered.  All agents, editors and publishing companies have specific, standardized formatting they want you to use, and these guidelines are posted on their websites.

For the most part this formatting is basically the same from company to company, so once you know what the industry standard is, it’s easy to make your manuscript submission-ready, at least in the area of formatting.

First of all, running across the top of the page is something called the ribbon, and this is your toolbox. Everything you need to create a manuscript is right there, waiting for you to learn to use it. On the right hand side, by the question mark is a tiny arrow for expanding or hiding the ribbon – and we are going to expand it so we have access to all the tools we will need.

Ribbon 2 - formatting for editors and submissions

First, we must select the font. Microsoft WORD has many fancy fonts you can choose from and also has many sizes.

You don’t want fancy.

Stick with the industry standard fonts: Times New Roman or Courier in 10, 11 or 12 pt.  Most say .11 is fine – for me, in a printout .10 is too small for my elderly eyes, I prefer .12.

209px-Serif_and_sans-serif_03.svg

These are called ‘Serif’ fonts, because they have little extensions that make them easier to read when in a wall of words.

To change your fonts, open your manuscript document, and Click on the tab marked ‘Home’.  In the upper right-hand corner of the ribbon across the top of the page in the editing group, click:

select> select all. This will highlight the entire manuscript.

With the ms still highlighted, go to the font group, on the left-hand end of the ribbon. The default font, or predesigned value or setting, will probably say ‘Calibri (Body)’ and the size will be .11.

fonts post 2 of word series

You can change this by clicking on the menu and accessing the menu. Scroll down to Times New Roman, as it is the easiest on the eyes. Click on that and the font for the entire ms will be that font. Any errors can be undone by clicking the back-arrow.  Once you are satisfied with your changes, click save.

Now we are going to format our paragraphs and line spacing. Standard manuscript format means margins of 1 inch all the way around; indented paragraphs; double-spaced text. Do not justify the text. In justified text, the spaces between words, and, to a far lesser extent, between glyphs or letters (known as “tracking”), are stretched or sometimes compressed in order to make the text align with both the left and right margins. This gives you straight margins on both sides, but this is not the time or place for this type of alignment.

Do NOT ever use the tab key or the space bar to indent your paragraphs. You have no idea what a crapped-up mess that makes out of a manuscript. (That’s editor-speak for a stinking disaster.)  You may have to go in and remove these tabs by hand and it’s a tedious job, but do it now, if you have been using the tab key.

Instead of the tab key, a professional author uses the simple formatting tool:

Locating the formatting tool:

The ribbon- formatting tool

Still on the home tab, look in the group labeled ‘Paragraph’. On the lower right-hand side of that group is a small grey square. Click on it .  A pop-out menu will appear, and this is where you format your paragraphs.

  1. On the indents and spacing tab of the menu: Use standard alignment, align LEFT. The reason we use this format is we are not looking at a finished product here.  We are looking at a rough draft that will be sliced, diced and otherwise mutilated many times before we get to the final product.

The picture below has it all clearly marked out:

paragraph formatting for editors and submissions

1.  Indentation: leave that alone or reset both numbers to ‘0’ if you have inadvertently altered it.

2.  Where it says ‘Special’: on drop-down menu select ‘first line’. On the ‘By’ menu, select ‘0.5’

3. ‘Spacing’: set both before and after to ‘0’.

4. ‘Line Spacing’: set to ‘double’

The editor needs to receive his version double-spaced so he can insert comments as needed in the reviewing pane, which will be on the right side of the page when you receive your work back for revisions. Having it double-spaced allows for longer comments.

doublespaced, aligned lft with comments prnt scrn for lirf

Now we need to make the “Header.”  This is the heading at the top of each page of a word-processed or faxed document, usually automatically inserted and, in this case, consisting of the title of the book and your name.

header

We insert this by opening the “insert” tab, and clicking on “header.”  This opens up a new menu:

 header menu

Next we add the page numbers. We put these at the bottom right of the page, using this menu:

page number

This is how it looks:

footer page number

SO once we have all these things done, we will have a manuscript that looks like this:

Full ms ready for submission

This manuscript is submission ready, and is:

  1. Aligned left
  2. Has 1 in. margins
  3. Is double-spaced
  4. Has indented paragraphs
  5. Header contains title and author name
  6. Footer has page number
  7. First page contains the author’s mailing address and contact information in upper left hand corner

This may seem like overkill to you, but I assure you, if you are really serious about submitting your work to agents, editors, or publishers, it must be in as professional a format as is possible.

One fun way to become more fluent with WORD is to open a new document, and save it as “WORD practice file”

Type a paragraph, and then go through the above steps, practicing formatting your work.  Use this document to get to know where everything is on the ribbon, and keep playing with it until you have developed your self-confidence on a document that won’t matter if you mess it up.  It’s actually kind of fun, seeing what options WORD has for making pretty documents as well as simple ones.

Just don’t get too fancy with formatting your novel before you submit it to an editor because no matter how pretty you make that manuscript, if it doesn’t follow the submission guidelines for the place you are submitting it, you have simply wasted your time.

The next post in this series will examine the review tab, and take us through the editing process, showing you how your editor uses WORD during the editing process to guide you to a better manuscript, and what your editor expects from you when you send back revisions.

Ohh…the agony….

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Heart Search Blog Tour

I am a part of something I have never done before!  I am a stop on a blog tour!  A dear friend of mine, Carlie M.A. Cullen is publishing her first book, Heart Search.  I have a ‘badge’ for my blog and everything!

Carlie, along with Alison DeLuca, is my editor.  She gently guides me through the terrible swamps and dead-end roads of writing, and was the lead editor on Forbidden Road, the soon-to-be published sequel to Tower of Bones.

Carlie’s personal style of writing is very different from mine. Her tale is thick with description and her characters are drawn from today’s urban society and set in the real world (if vampires existed).  My tales are made with people who could exist, set in a world that may exist if Roger Zelazney was right (he said that if you can imagine a world, it probably exists).

Yet I believe it is the radical difference in our personal writing style which lends dimension to my work when she has her red pen in hand.

The way we work together is this: I send her the full ms in a form that is as perfect as I can make it.  This is called making a manuscript ‘submission ready’.  When I send it to her, I have been over and over it, looking for errors and inadvertent inconsistencies, and trying to make sure there are no contradictions in the spelling of made-up names, and capitalizations.  Also, I have already done my best to make sure I have used ‘closed quotes’  for each instance of dialogue, and checked and double-checked my punctuation.  When I send this in, it is as neat and ready to go as I can make it.  I have corrected everything I can find, and can’t see where it needs improvement.

She cuts my completed ms into chapters, making sure I have not mis-numbered them (which has happened!) and sharpens her red pencil and her teeth! As she finishes each chapter she sends it back to me with her suggestions and comments in the right hand side. I return it to her with the corrections and we repeat the process.

Despite my best efforts in making it submission-ready, there will be instances of all sorts of manuscript-mayhem. It is my line-editor’s job to find these nuggets of no-no and guide me in eliminating them.  Not only will she find the contradictions and punctuation errors, she will find the instances where a word has been used either in the wrong context or is simply awkward when used in that way.  She will help me rephrase ungainly ideas in a better way, or even suggest I eliminate them as they may be redundant or not necessary.

She finds and points out the overuse of certain words, such as ‘that’ or ‘had’.  These are words we habitually use in conversation and don’t realize how frequently we say them.  When they are written and appear 6 or 7 times in one paragraph they leap out at the reader and are annoying. They are insidious to the author, because they fade into the background when the author is reading his own work.  Thus it takes the eye of the editor to guide the writer through eliminating these ‘speed-bump words’ as I like to think of them.

She does this for me in as kind and gentle a way as is possible, while still getting the job done.  She builds my self-confidence while tearing apart my cherished manuscript and reassembling it in a way which actually reads the way I always thought it did.

To go through the process of having your manuscript edited is a humbling thing.  I don’t know how a person can produce a decent book with no outside input to shine a little light in the cluttered closets full of prose that will pop up in every manuscript. A completed, submission-ready manuscript is Chaos Theory realized. It is only through the objective eye of the editor that our book is made readable.

Now, I am sure you know Carlie, too, has an editor. Her editor is the wonderful Maria V. A. Johnson, and Maria does for Carlie what Carlie does for me.  Maria is an awesome editor and Carlie is fortunate to have her to guide her through the process.

It all comes full circle.

I also work as an editor. I’ve been privileged to work with such wonderful and diverse authors as Ross M. Kitson and Shaun Allan. My role as an editor is to do for them what Carlie does for me; in essence I smooth out the rough spots and let their wonderful work shine with their voices telling their tales in their own way.

I love editing as much as I love writing.  To be an intimate part of another author’s dream is an experience I treasure. To have had the experience of being edited was exhilarating.  To see my editor’s own book finally released is nothing short of awesome – I can’t wait to read it!

Heart Search, by Carlie M.A. Cullen

One bite starts it all . . .

When Joshua Grant vanishes days before his
wedding his fiancée Remy is left with only bruises, scratch marks and a hastily
written note. Heartbroken, she sets off alone to find him and begins a long
journey where strange things begin to happen.

As Joshua descends into his
new immortal life he indulges his thirst for blood and explores his superhuman
strength and amazing new talents while becoming embroiled in coven politics
which threaten to destroy him. But Remy discovers a strength of her own on her
quest to bring Joshua home.

Fate toys with mortals and immortals alike,
as two hearts torn apart by darkness face ordeals which test them to their
limits

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