Category Archives: Self Publishing

Friday Interview: Carlie M.A. Cullen

Photo of CarlieAs I promised a while back, today Carlie M A Cullen, author of The Heart Search trilogy, has consented to answer a few questions for us. She is a lovely, talented woman who has been one of my editors for several years now!

CC: Hi Connie! It’s lovely to be here. Thank you for the tea.

CJJ: Hello, and you’re welcome! Tell us a little of early life and how you began writing:

CC: I grew up as an only child. My parents worked full time and both had second jobs. As a result I was left to create my own entertainment. I loved the tales of Hans Christian Andersen and started to write my own fairy tales. I found myself disappearing into the stories I created and it made me feel less lonely. From there, I progresses to writing longer short stories and poems. It’s something I’ve continued to do into adulthood.

CJJ: As you know, I love this series. Tell us about your most recent book.

CC: I hope you’re not after any spoilers, Connie! [laughs] Heart Search: Betrayal is the final book in the trilogy and takes Remy and Joshua’s story to its natural conclusion. However, it’s not all hearts and flowers – far from it. There is a traitor who is passing copious amounts of information to someone who has a massive grudge against the coven, and who they are in league with. But there are four possible suspects. Which one is it and can the coven discover their identity before it’s too late? There are many twists and turns along the way, some good and some terrible. Certain characters really shine and there’s the discovery of new talents along the way. Unfortunately there are casualties, some of which may shock my readers.

CJJ: The story line in Betrayal is quite divergent from the previous two books. How did you come to write this novel?

CC: When I reached the halfway point in the first book, Heart Search: Lost, I knew there was too much of a story for just one. It was at that point I realized Heart Search would turn into a trilogy. I couldn’t leave the world I’d created and made the decision to complete the trilogy before moving onto other stories I had in my head.

CJJ: I always have that problem too. I think some stories are just larger than we originally thought. So, do you have a specific ‘Creative Process’ that you follow, such as outlining or do you ‘wing it’?

CC: It depends on what I’m writing really. With Heart Search, I had the first twelve chapters meticulously outlined, but around chapter five my characters decided they were going to take over and make me tell their story their way. I threw away the outline and have ‘winged it’ ever since. As I wrote this based on current day, it was easy to do.

With my next book, I’ve had to do some extensive world building and creating magic systems and the like before I began writing. However, as far as the story goes, again I’m winging it and seeing where my muse and characters takes me.

CJJ: Well your muse is taking you to some wonderful places! In your opinion, how does your work differ from others of its genre?

CC: I can only really talk about the Heart Search trilogy here. In the first book you have two POV’s: Remy in first person and Joshua in third person. Their stories run parallel to each other and every now and then they softly bump before going off again. I believe this is what makes it unique. In book two, I brought in extra character voices and gave them their own POV’s in third person. The final book takes even more POV’s into the mix, always in third person, whereas Remy has maintained a first person POV throughout.  I also believe (going by the reviews I’ve read) the storyline itself is completely different to what others have read before. Put all this together and that’s what I think makes my work so different from others in its genre.

CJJ: So now we get down to the question that I always wonder: Why do you write what you do?

CC: As I said earlier in the interview, I loved the Hans Christian Andersen fairy tales and that was a huge influence in my writing. Growing up I tried reading different genres, but I always came back to fantasy. There’s something so intriguing about the characters you can create, the worlds you can build, and adding to that those mystical creatures we all know so well: fairies, goblins, dragons, vampires, et al. It seemed only natural for me to write in this genre. It’s where I’m in my comfort zone.

CJJ: I know why I chose the indie route for my work, but I’m curious as to why you’ve chosen this path.

CC: Originally, I wanted the dream of getting an agent and a decent publishing deal, but I was new to the industry and quite naïve. After a few rejections, I decided that after all my hard work on the book it would be nice to give people a chance to read it. In addition, I had people I knew asking me for it. It was about that time I joined Myrddin Publishing. Everyone was so supportive from day one so I published it through them and haven’t looked back since.

Now I know more about the industry, I’m really glad I’ve taken this path. I have so much more control over where my books are sold, what sort of cover I want, what price to charge, and how much I want in royalties that I think I’d now be too stifled by a major publisher.

CJJ: I agree! Being a part of the Myrddin Group has been a blessing to me too, considering the assistance we give each other in every aspect of bringing a book to market. And the fact that you really are in control of your own work and profits makes this an adventure!  So what advice would you offer an author trying to decide whether to go indie or take the traditional path?

CC: This is a tricky one to answer because what’s right for one person isn’t necessarily right for another. I think the best thing they could do is talk to other authors, some who are indie and some who have gone the traditional route. Ask them about the pros and cons of both and then they can make an informed decision that’s best for them.

I wish I’d done that in the beginning as I was so green it was ridiculous, but I was one of the lucky ones who met some wonderful indie authors who helped me along the way.

But going back to the question, do your homework and don’t make any snap decisions or judgments that you may later regret.

CJJ: Very good advice! Thank you for taking the time from your busy schedule to visit with me, and for sharing your wisdom!

Alice in Wonderland Tea SetCC: Thanks so much for inviting me, Connie. I’ve really enjoyed chatting with you. Now, is there any more tea brewing?

CJJ: Yes, actually. This is a lovely citrus Lady Grey, I hope you like it! This tea set is my Alice in Wonderland set, which my children gave me last year!

>>>—<<<

Betrayal front coverCarlie M A Cullen was born in London. She grew up in Hertfordshire where she first discovered her love of books and writing.

She has always written in some form or another, but started to write novels in 2011. Her first book was published by Myrddin Publishing in 2012. She writes in the Fantasy/Paranormal Romance genres for New Adult and Adult.

Carlie is also a principal editor for Eagle Eye Editors.

Carlie also holds the reins of a writing group called Writebulb. They have published four anthologies so far, two for adults and two for children, all of which raise money for a local hospice.

Carlie currently lives in Essex, UK with her daughter.

>>>—<<<

Links for Carlie M A Cullen

Website: http://carliemacullen.com

Twitter: @carlie2011c

Facebook: http://www.facebook.com/CarlieMACullen

Linkedin: https://www.linkedin.com/profile/view?id=240655941&trk=nav_responsive_tab_profile

Amazon: http://www.amazon.co.uk/-/e/B009MWVL5A

About.me: http://about.me/CarlieCullen

Wattpad: http://www.wattpad.com/user/CarlieCullen

Goodreads: https://www.goodreads.com/author/show/6550466.Carlie_M_A_Cullen

BOOKS:

Heart Search, book one: Lost: http://smarturl.it/HeartSearch-Lost

Heart Search, book two: Found: http://smarturl.it/HeartSearch-Found

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Comfort books, a three-course meal: 1st course, Memory, Sorrow, and Thorn

Dragonbone_ChairI’ve been reading a lot lately. I know, you’re surprised, right? Mostly I’ve been revisiting my old favorites. I have a group of what I call “comfort books.”  That is not to say these books are comfortable, because they’re quite the opposite: challenging, involving,  and at times a little horrifying. But they are books that I can go back to again and again and never be disappointed in either the writing or the tale. I always find some new thing, along with the themes and characters that enchanted me the first time I read them.

These are the books that inspired me to write, not because I thought I could write better, but because these authors were unable to keep up with my reading demand. So, in the lull between “real books” I began writing the stories I wanted to read. Today begins  the first course of this three-course meal. Two more will follow!

First up is Tad Williams’ epic masterpiece, Memory, Sorrow, and Thorn. This tale was so large he couldn’t fit it all into one book. Each book is quite large, and believe me, there is no fluff in any of them.

Stone_of_FarewellIn this gripping tale, Williams takes a traditional tale of a kitchen-boy turned hero, and turns it sideways, giving it depth and power. He puts his protagonist, who begins as Simon Mooncalf, though hell,forging strength of character and courage in a boy who always dreamed of adventure. Simon the dreamer is real, human; a man with flaws as well as strengths. As a boy he is afraid, but he is courageous when it counts. And as a warrior, Simon Snowlock is strong, and not always forgiving. He is a multilayered hero, as is the story in which he is set.

The quest for the swords of power, and the larger quest to save Osten Ard from the grip of Ineluki, the Storm King, are enclosed within the real dramas of human (and not-so-human) affairs.

What made this  series of books strike such a chord within me in the first place, was the way the world of Osten Ard reflects the history and folklore of our world. Several characters’ elements and experiences mirror the legends and mythology of Great Britain and other European cultures. I felt I knew these societies, and yet they were seen through a fractured mirror, similar, yet so different.

At the outset, the Erkynlanders are are the dominant society, and are ruled by King John Presbyter, also known as Prester John. He united them, but they’re still slightly clan-based and resemble the early medieval English of around the fifth to seventh centuries, with names that are  Saxon-ish and Biblical. It is a castle-based, feudal society right out of the dark ages. They have a religion that is similar to Christianity, as if they are a parallel reality.

To_Green_Angel_TowerPrester John is the man who united Osten Ard, and carved their society, but he is dying. Like the great Plantagenet kings of our history, he has two strong sons who have a deep-rooted quarrel, and this sets up the conflict that evolves and encompasses an entire world.

After his death, the dark secrets of Prester John’s own checkered history drive the plot, sweeping Simon up in events which he has no control over.  His growth over the course of this series makes a gripping, compelling story, as does the parallel story of Miriamele, Prester John’s granddaughter.

Green_Angel_Tower_P1The other people of Osten Ard who have recognizable real-world parallels in their names and cultures, and who have strong, absorbing story-lines are:

Binabik—a Qanuc (based on Inuit, or Eskimo)

Jiriki—Sithi (distinct from a branch of their culture, the Norns, who are the root antagonists.  Based on Asian, Japanese) Ineluki, the Storm King is Norn.

Maegwin—Hernystiri (Celtic, perhaps Irish or Welsh)

Sir Camaris—Nabbanai: I just fell in love with this tragic man. These people felt reminiscent of Renaissance Italy, quite Roman

Tiamak—Wrannamen: Indigenous tribal  people who live close to the earth,

Sludig—Rimmersmen: Norse and early Germanic , quite Viking

Also included is another culture, the Thrithings: Horse nomads, reminiscent of the Mongols.

This is not a series you can read in a day or even a week. It is easy to get completely caught up in this tale, to the point that you forget to eat, and don’t hear when the dog wants out. I originally bought The Dragonbone Chair for the artwork on the cover. It was created by the brilliant fantasy artist, Michael Whelan. All the covers in this series are incomparable, and to my great joy, so was the story within.

TadWilliams200And the best part is: Tad is writing another trilogy based in Osten Ard, set thirty years later. Quote from his blogpost of April 3, 2014 : “I guess the cat has been debagged. Several of you have seen and shared the news that, yes, I am returning to Osten Ard for a series of books called (collectively) “The Last King of Osten Ard”. It will feature many of the same characters a generation later (and many new ones as well). The book titles will be (as of now):

The Witchwood Crown
Empire of Grass
The Navigator’s Children

This is assuming I don’t do my normal try-to-squeeze-two-books-into-the-last-volume trick.”

I don’t care how you do it Tad. I am just glad you are still young, and still writing amazing books in a kijillion settings. I am waiting patiently for the emergence of this series. Do your crazy thing, madman! Take your time and do it right! I will have it on pre-order the minute it becomes available, and when it arrives on my doorstep I will dance all the way to my cozy sofa, where I will sit and read until I am forced to set the book down in order to feed the hubby. Then I will continue reading until the next meal must be served.

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Hyphens, style guides, and writing conventions

adult-footie-pjsYou need a good style guide. No, I am not suggesting that you need help with your wardrobe–those footie pajamas are awesome, and are the perfect uniform for the dedicated author. What I am suggesting is that you develop consistency in your writing, and there are guides to help you with that.

English is a completely wonky language, even for those of us who grow up speaking some form of it. My dialect is that of the western United States, specifically the Pacific Northwest, near the Canadian border. As in every other part of the world, we speak informally in our homes and with friends, but in writing, we should conform to certain standardized rules, or those who speak OTHER versions of English will not be able to follow us, despite the many similarities in our dialects.

Kathleen Cali, in an article at Learn NC, says: “Conventions are the surface features of writing — mechanics, usage, and sentence formation. Conventions are a courtesy to the reader, making writing easier to read by putting it in a form that the reader expects and is comfortable with.”

Since I am a US citizen, I use American writing conventions. In the United States, many non-journalistic professional writers use The Chicago Manual of Style, and this is the manual I use.

elements of styleA classic style guide for new authors and the general public is Strunk and White’The Elements of Style. This is a popular reference among writers just beginning in the craft. I sometimes use this guide, but as I have advanced as an editor, I find myself referring to the more in-depth Chicago Manual of Style. However, either one is excellent for the US author, and for any Europeans editing for a US author in this era of the internet and the global market for editing services.

Any author or editor who tries to tell you that one particular style guide is “the only” style guide is simply voicing an opinion, and if they are obnoxious and defensive about it, ignore them. Each style guide is an excellent reference tool, and each one plays to different requirements. But all of them are for the benefit of the reader.

chicago manual of styleThe Chicago Manual of Style is one of the oldest and most comprehensive style guides available, and for me in my role as an editor, it’s an indispensable tool because it contains information that I can’t find anywhere else. While I could easily access it all via the online version, I do like having my large book at my fingertips.

As a writer I rely on a style guide because  it often feels  like every rule has an exception, and knowing what those are makes huge difference in a manuscript’s consistency and readability.

For example, sometimes we don’t know if we should hyphenate or not. Or, we are unsure when to capitalize a direction or an honorific. When this occurs, our work becomes uneven and hard to read, because it’s rife with  inconsistency, hyphenating words in one place but not another. This happens because not every set of words needs to be hyphenated, and how do you know which to decorate with that dear little dash?

There are answers to these questions, in the handy-dandy style guides we have available to us.

So how DO we employ those little morsels of madness that work their way into every corner of my manuscripts? I love them!

Unfortunately, hyphens are not toys. As I discovered when creating my world of Neveyah for the Tower of Bones series, they are the gate-way drug to writer’s hell. Take my advice and do not use a hyphen unless it serves a purpose. If a compound adjective cannot be misread or its meaning is established, a hyphen is not necessary.

  • An English-speaking country
  • A time-saving device
  • A thirty-floor building
Some compounds are created on the spot to fulfill a specific need (on-the-spot creations). Permanent compounds start out as improvised compounds, but become so widely accepted that they are included in the dictionary as permanent compounds. Examples of temporary compounds that have made the transition to permanent compounds are words like  know-it-all, heart-stopping, free-for-all, and down-at-the-heels.
shark memeContext determines whether or not to hyphenate.  Ask yourself, “How will the words be interpreted by the reader if I don’t hyphenate?” Wikipedia offers the following examples:
  • Man-eating shark (as opposed to man eating shark, which could be interpreted as a man eating the meat of a shark)
  • Wild-goose chase (as opposed to wild goose chase, which could be interpreted as a goose chase that is wild)
  • Long-term contract (as opposed to long term contract, which could be interpreted as a long contract about a term)
  • Zero-liability protection (as opposed to zero liability protection, which could be interpreted as there being no liability protection).

And finally, especially if you are writing in a fantasy genre, as you are writing your tale down and creating your world, also make a style sheet that pertains to your manuscript noting what words must be capitalized and what the proper spellings for invented places are.

Refer back to it frequently, updating it as needed. I learned this the hard way. Whether it is handwritten or a WORD document, a simple directory of compound words and phrases that are unique to the world you have created will be as invaluable to you as your copy of The Elements of Style.

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Weak Prose vs Passive Voice

Book- onstruction-sign copyI read voraciously, and I read in many genres. I love books written with passion, but I don’t always love passionate writing. By that I mean—be crafty with how you deliver your descriptions, because I don’t want to be told what to think.

In various writing forums I regularly see authors complaining that Beta Readers don’t understand their ‘voice.’

Several things could cause that disconnect:

  1. The person who agreed to Beta Read for you does not read your genre, and genuinely does not like the kind of books you write. This happens all the time, so find a reader who enjoys romantic, urban fantasy, if that is what you write. A woman who reads hard sci-fi likely won’t love a fantasy-romance involving elves and vampires.
  2. Also, perhaps the person reading as a Beta Reader does not understand that Beta Reading is NOT picking a manuscript to shreds, it is giving general opinions on the manuscript as a whole. This is why I am selective as to who I share a manuscript with—the reader must be familiar with and read my genre, and understand the rules for Beta Reading, as set down by Orson Scott Card.
  3. We also must consider the possibility that we are mistaking lazy writing habits for voice. We love our glorious, elegant prose, but our reader was not as impressed. I hate it when that happens!

I had a conversation with an author who said, “My editor wants to change my voice. She won’t let me use ‘there was,’ but I don’t know how to tell my story without using it.”

She was not trying to change his voice, she was trying to encourage him to be creative and to write strong sentences.  Weak prose tells the story, holds the reader away from the immediacy of the experience.

Passive voice also tells a story, but when done well, it can be beautiful and immersive.

What is passive voice? I absolutely adore this paragraph from the American Bar Association website article “Writing Clear and Effective Legal Prose” by George D. Gopen:

“Lawyers cannot write sophisticated, powerful prose without a skillful use of the passive voice. I could offer you a theological proof: God would not have created the passive had it no use. Or perhaps you might prefer the Darwinian argument: The passive could not have survived unless it was fittest for something. But I prefer this circular reasoning: The passive is better than the active in all cases in which the passive does a better job than the active. It only remains to learn what those cases are.”

Notice how he meanders through that thought, but eventually arrives at the point? He never devolves into weak prose. This is also the way many new authors approach writing genre fiction, and is where they run afoul of their readers. Readers of genre fiction expect lean, action-oriented prose driving each scene toward a final conclusion.

So now we come to another point—what is GENRE FICTION? Modern genre fiction avoids passive voice, opting for active, pared-down sentences that have one purpose—resolving a conflict. Literary fiction often uses passive voice, but knows how to apply it correctly. Literary fiction takes the reader on a journey, often where they witness events as seen through other eyes. Both styles of writing have to be carefully crafted, and both must immerse the reader in the experience. Stephen Petite, in his article, “Literary Fiction vs Genre Fiction” says:

“An argument can be made that there are two types of fiction when it comes to novels: Genre Fiction and Literary Fiction. The former includes many subcategories such as Mystery/Thriller, Horror, Romance, Western, Fantasy, Science Fiction, etc. The latter is more difficult to classify or break apart into subcategories. To put it simply, Literary Fiction is anything that does not fit into a genre.”

The fact that literary fiction is anything that does not fit into a genre offers authors the option of writing in a more leisurely style, if that is their desire. However—do not mistake bad craftsmanship for literary style.

I read genre fiction for entertainment, for a riveting story, an escape from reality.

Literary fiction is not about escaping from reality. It seeks to better understand the world and delivers real emotional responses, often though situations that are rooted in fantasy. I often read and enjoy literary fiction.

the night circus by erin morgensternDo you see the crossover there? Some fantasy qualifies as literary fiction because of the way in which the story is delivered. Erin Morgenstern’s beautiful fantasy, The Night Circus is a perfect example of this cross-over. Genre fantasy purists decry her lush, beautiful prose, and lack of direct conflict between the two magicians, while readers of literary fiction enjoy her lush, beautiful prose, and the deeper story that underlies the politely waged war between two magicians.

Know who your readers are. Select your beta readers from people who read in the genre you think you are writing for. It’s likely you are writing for yourself, so identify the sort of books you gravitate to, and choose your readers accordingly. If you’ve chosen the right beta readers, you will also know what your chosen market will be.

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Create a Hyperlinked Table of Contents

TOC 1One great convenience that an indie author can place in their Kindle, Nook or Smashwords e-book is a Hyperlinked Table of Contents. This is something I use all the time –it allows me to easily page back and forth.

The one I am using for this is an ancient file for the book that spawned Huw the Bard,  so ignore the page numbers. In those days I didn’t know that page numbers are like prisoners—they just weigh you down!  If you have seen my previous post on this subject you can quit now and I won’t hold it against you.  However, if you are in the middle of formatting your first manuscript, this post may be of use to you!

For print versions, I keep costs down by not wasting precious pages on something the reader won’t use. However, printed technical manuals, textbooks, and cookbooks must include a TOC. In print books, every page you can do without when publishing your novel in paper form will keep the final cost down and make your paperback more affordable for your prospective reader. Very few people will pay $18.99 for a book by an unknown author.

The first thing you want to do is create a bookmark.  First highlight the words  “Table of Contents” and then go to your ‘Insert’ tab.  Click on ‘Bookmark’in that ribbon. Type in the words ref_TOC

TOC 2

Then click “Add”.  In every ms it is important to name the Table of Contents bookmark exactly that, including the underscore, because that’s what Smashwords looks for and it is simply a good practice to have a uniform system for naming files.

Now it’s time to bookmark  the prologue. Scroll down to your prologue and do it exactly the same way as you bookmarked the TOC, but for this ms let’s name it BR_prologue. You will name yours with your ms initials and the word prologue. If you have no prologue, skip this step.  See the picture below:

TOC 3

As long as you are there, with the chapter title highlighted, click “insert Hyperlink” on the ribbon. On the left, you want to ‘Link to:’  “Place in this Document”.  That will bring up your bookmarks. Select ‘ref_TOC’  and click OK.  This will turn your heading blue, which is called a ‘hyperlinky’. Press control and click on the link. it will take you back to the table of contents. Once you have used the hyperlinky it will turn purple. How cool is that! This is how that screen looks:

TOC 4

Now that you are back at the Table of Contents, highlight “Prologue and click “insert Hyperlink” on the ribbon. On the left, you want to ‘Link to:’  “Place in this Document”. That will bring up your bookmarks. Select ‘BR_prologue’  and click OK.  That will turn it blue. Press control and click on the link. it will take you back to the heading of your prologue.

Do this for the entire table of contents, always remembering to link your chapter heading back to “ref_TOC”, and test each link as you go.  Four more pictures just to help you remember:

TOC 5

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TOC 6

—-

TOC 7

—-

TOC 8

—-

I hope this helps you in formatting your eBook manuscript. All my books have Smart TOCs. I build the TOC into my final formatted manuscripts when I am assembling the final proofed chapters and inserting maps.

On a side note, a hyperlinked TOC is an incredibly useful tool to help you navigate within any long manuscript whether you intend to publish it or not. Although I had used bookmarks before in the course of my work, when I first began this journey I had no  idea that the fancy TOCs I admired so in other people’s e-books were such a simple thing to create.

But that’s the way it always goes–things that seem like they should be hard are often the most simple, while something that should be easy turns into a drama of epic proportions.

Here’s to less drama and more simplicity! Learning how to format an e-book isn’t really that hard, and the wonderful people at both Smashwords and at Amazon have a lot of information freely available to you. Remember, as an indie, you are your own publisher, and what you put out there has to be the best you can make it.

Making use of the free information that is out there on the internet can only help you in this regard!

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Heart Search book three: Betrayal

Betrayal front cover Today is the release of a book that I had a great time being a part of–Heart Search  book three: Betrayal, by UK author, Carlie M. A. Cullen. I had the privilege of being a structural editor for this, and it was a project I really enjoyed.

Where to start? It is the third book in a trilogy, and so it picks at the end of the previous book, of course–but a new reader could start with this book and not feel too confused.

For me, this book is a roller-coaster of events and emotion, as Samir’s and Joshua’s covens prepare to defend themselves from an upstart rival’s attempted takeover. The disappearance and kidnapping of Erika casts suspicion on several people, and the discovery of a traitor in their midst is an unpleasant monkey-wrench tossed into the works, making it difficult for Samir and Joshua to know who to trust.

Their enemy, Liam, is a low-class thug who has no problem starting the equivalent of a gang-war within the vampires’ society. His heavy-handed bullying of his subordinates and cruelty to his victims is evidence of that. His second in command, Max, is much smarter vampire, a man who could have been quite decent under other circumstances and isn’t quite sure that his maker is all that sane.

Phoenix, the hidden traitor in their midst is an arrogant, self-absorbed twit, and definitely a jerk. The traitor claims to care for the person handed over as a hostage, but does it anyway, knowing the hostage will not be treated well. Phoenix manages to cause nothing but trouble before their identity is finally revealed.

Remy’s sudden separation from her family has her twin in an uproar. Her emotional instability affects Becky, her twin, as do other aspects of her life, although neither woman is aware of that connection. The stilted, angry phone conversations between the two only serve to complicate things.

This book has many, many threads that are woven together to create a compelling story of intrigue, Stockholm Syndrome, and the arrogance that comes with immortality. It is filled with strong characters and inventive plot twists—some creepy, some chilling, and some downright horrifying.

It’s a paranormal romance, so some graphic sex and a great deal of violence make this book definitely an adult read.

When launching a new book, marketing is always a tough thing for an indie. I must say, Carlie has really stepped up for this:

She is putting forth a Raffle Copter Giveaway of some gorgeous Heart Search themed jewelry.

heart search jewelry

That is some fabulous bling for her loyal fans!

Another thing that Carlie Cullen had done for marketing is she has created a really awesome book trailer for YouTube, The trailer is very noir, and really shows the atmosphere of the books:

Heart Search book three: Betrayal Trailer

These are really good marketing tools, and I feel sure her investments will pay off in the long run with good initial sales.

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Don Quixote

Don Quixote in the library Adolf Schrödter 1834

Don Quixote in the library by Adolf Schrödter 1834

Lately I have been on a Don Quixote binge. Published in two volumes, in 1605 and 1615, volume I, The Ingenious Gentleman Don Quixote of La Mancha, and volume II, The Ingenious Knight,  written by by Miguel de Cervantes Saavedrais considered the most influential work of literature from the Spanish Golden Age and the entire Spanish literary canon (a body of books traditionally accepted by scholars as the most important and influential in shaping culture.)

As a founding work of modern Western literature,and one of the earliest canonical novels, it regularly appears high on lists of the greatest works of fiction ever published, such as the Bokklubben World Library ( a series of classical books, mostly novels, published by the Norwegian Book Club since 2002) collection which cites Don Quixote as authors’ choice for the “best literary work ever written.” It is also said that the two parts of this masterpiece have been  translated into more languages than any book other than the Bible. 

Don Quixote had major influence on the literary community, as shown by direct references in Alexandre DumasThe Three Musketeers (1844) and Mark Twain’s Adventures of Huckleberry Finn (1884).

The Story:

Alonso Quixano, the protagonist of the novel (though he is not named until much later in the book), is a retired country gentleman nearing fifty years of age, living in La Mancha with his niece and housekeeper. Although he is mostly a rational man, his excessive reading of books of chivalry has produced a skewed view of reality and what we might consider dementia. In keeping with the theories of the time, not sleeping adequately–because he was reading–has caused his brain to dry. (I LOVE that!) As a result, he is easily given to anger and believes every word of these fictional books of chivalry to be true.

Don Quixote’s niece commits, what is to me, the most heinous crime–she and the Parrish curate burn his library, and lie to him, telling him it was the work of an evil magician. Criminal!!!

He decides to become a knight-errant in search of adventure. To these ends, he dons an old suit of armor, renames himself “Don Quixote”,  and renames his poor old horse “Rocinante.” Cervantes was a genius when he penned the horse–Rocinante is not only Don Quixote’s horse, but is a reflection of Don Quixote himself, ungraceful, past his prime, and in way over his head.

Don Quixote asks his neighbor, Sancho Panza, to be his squire, promising to make him governor of an island. Sancho agrees, and the pair sneak off in the early dawn. At this point their adventures begin, starting with Don Quixote’s attack on the windmills.

Miguel de Cervantes Saavedra created a wonderful, hilarious masterpiece when he penned Don Quixote. Even in today’s society the plot is relevant and and the characters leap off the pages. The extremes of the human condition are all laid out in glorious prose that has been beautifully translated to English in 2003 by Edith Grossman. The New York Times called Grossman’s translation a “major literary achievement.”

In the original version of Don Quixote there are basically two different types of Castilian Spanish: Old Castilian is spoken only by Don Quixote, while the rest of the roles speak a modern version of Spanish. The Old Castilian of Don Quixote is for comic relief – he copies the language spoken in the chivalric books that made him crazy; and many times, when he talks nobody is able to understand him because his language is too old. This comedic effect translates well to Modern English when the translator has Don Quixote use  Shakespearean English phrases.

I write fantasy, and I read widely. But to those purists who decry the work of genre fiction writers as being “created for the masses,” I would like to say this: it is quite clear that the modern perception of “fantasy” as having no literary merit is complete hogwash when you look at the books that make up the western cannon of great literature. ALL of them are fantasies of one sort or another, beginning with Don Quixote and going forward, and all of them were created for the enjoyment of the masses.

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Heart Search 3-Betrayal, Carlie Cullen

Betrayal front coverI read voraciously, in all genres and one of my not-so-secret vices is the occasional lust for a good paranormal fantasy.

One of my favorite authors in that genre is Carlie M.A. Cullen, who just happens have a new book coming out in her Heart Search Trilogy. Today she is revealing the cover for the final book in the series–and as with the first two covers, I  really love it. It totally speaks to the book’s dark theme. Her cover artist is Nicole Antonia Carro, who is one of the best indie graphic designers in the business, and an accomplished author in her own right.

I was fortunate enough to be one of the first to read this manuscript, and it is quite the finish to a bold trilogy.

What I find most intriguing about this series is that it revolves around people who have become vampires, and who no longer think the way humans do. But despite the real difference that having the kind of power they have makes in the way they view the world, they are family oriented and deeply committed to each other.

I’ve never considered writing about vampires and likely won’t, as my creativity doesn’t turn that way right now, but I confess I am curious about many things in regard to the conception of this series. To that end, I will be interviewing Carlie at a later date, and she has promised to answer most of my questions.

In the meantime here are the particulars for this book that is so beautifully covered:

Blurb for Heart Search: Betrayal

One bite started it all . . .

Joshua, Remy, and the twins are settled in their new life. However, life doesn’t always run smoothly. An argument between Becky and her twin causes unforeseen circumstances, an admission by Samir almost costs him his life, and the traitor provides critical information to Liam. But who is it?

As Jakki’s visions begin to focus on the turncoat’s activities, a member of the coven disappears, and others find themselves endangered.

And when Liam’s coven attacks, who will endure?

Fate continues to toy with mortals and immortals alike, and as more hearts descend into darkness, can they overcome the dangers they face and survive?

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Carlie M.A. Cullen, Author

Photo of CarlieCarlie M A Cullen was born in London. She grew up in Hertfordshire where she first discovered her love of books and writing.

She has always written in some form or another, but started to write novels in 2011. Her first book was published by Myrddin Publishing in 2012. She writes in the Fantasy/Paranormal Romance genres for New Adult and Adult.

Carlie is also a principal editor for Eagle Eye Editors.

Carlie also holds the reins of a writing group called Writebulb. They have published four anthologies so far, two for adults and two for children, all of which raise money for a local hospice.

Carlie currently lives in Essex, UK with her daughter

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You can find Carlie’s books at:

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You can connect with Carlie via these social links:

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Do take a look at her books–if you are a fan of paranormal romances, these books are a fun read, filled with characters that are larger-than-life, and adventures into the dark and mysterious world of the immortals who surround us.

Editors Note: I did make a typo in the Title of this post.  It is Heart Search : Betrayal, not Betrayed as was originally posted.

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Final Fantasy XV and Unremembered Things

225px-Ff12castI’m just going to come out and say it–I play console-based RPG video games, and I love it. I am still playing Final Fantasy XII, and finding new things to love about it.

I’m not a huge fan of first-person-shooter games, because I prefer swords and magic,  although I do like a good story-line with well-developed characters. That’s why I am a true Final Fantasy Fanatic–the stories are intricate and compelling, and the characters are multifaceted and strike a chord in the player’s psyche.

So I am quite intrigued by the upcoming release of Final Fantasy XV. Off the top, it looks a bit reminiscent of Final Fantasy VIII in that there are many elements of the first-person shooter in it, and the characters appear to be more real-world.

One of the things that interests me about this upcoming game is the dynamic weather system, with transient effects such as rain affecting things such as the characters’ clothing. In Final Fantasy XII, the  changing weather is an integral part of the game, and the type of creatures encountered changes when the weather does.

FF_XV_screenshotAnother element that intrigues me is Time: a day-and-night time system will affect the appearance of monsters on the world map. One in-game day equates to one hour real-time, and characters who do not sleep have decreased combat ability. Just like in the watershed RPG Final Fantasy VI, camping during the night is necessary for characters to maintain combat performance and level up. The cool thing here is that experience points earned in battle during the day are converted into new levels during camping periods. Camps form a safe haven during exploration, and cooking in them using ingredients from both towns and the wilds grants character bonuses. I expect that no time will be wasted by actually cooking, but I like the notion that the characters must adhere to real-world constraints, or become sickly.

The gamers’ website, VG24-7 released some screen-shots of the action on their  Monday, Jan . 26, 2015 blogpost , and I like the look of this thing. It will be released for PlayStation 4, which I currently do not own, and it may push me to get one.

5squallAs you can imagine, I normally go more for sword and sorcery games, but I adored Final Fantasy VIII, in which the main character, Squall Leonhart, used a gun-sword, and the characters were set in a more real-world type of society. You have to admit, that is an awesome concept for a weapon. Even I would never have thought that one up!

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Since we are talking about new releases, and my other passion is books, Rachel Tsoumbakos has a new book that will be coming out soon, and it looks as awesome as her previous books. It’s called Unremembered Things, and I must admit that title has me quite intrigued. For an excerpt and a chance to enter the Rafflecopter Giveaway of some pretty awesome prizes, check out  Carlie M.A. Cullen‘s blog today! But wow! What a cover:

unremembered_things_cover_for_kindle

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The wisdom of the ages

Caution this sign has sharp edges meme funny-image-2598-600x512

Memes–the internet is rife with them. I love them! Snarky little one-liners, inspiring quotes, cute kitty pictures–memes are the guru at the top of the mountain, waiting to dispense the wisdom of the ages! I especially love book-oriented memes. How do these people know what I am thinking?

book hangover

Wow meme writer–I know! I have the same trouble!

i read because meme

True dat!

And my personal favorite:

BQ5

Ooohh!  Here’s a good one for all you devoted Percy Jackson fans!!

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But life isn’t complete without a Harry Potter meme!

piseed-off-harry-meme-generator-harry-potter-grammar-wizard-gets-really-ticked-off-when-people-don-t-use-commas-correctly-2cdeb5

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