October 30, 2019 · 6:00 am

Navigating the #nanowrimo website & back up your work #amwriting

Navigating the new website at www.nanowrimo.org can be confusing, especially to those of us who are used to the old site.

Many features we have used and loved are not available, but the good developers have included many new features that really are nice. The following screenshots will help you find your way around in the website:

First, go to www.nanowrimo.org and either sign in or sign up.

This is the landing page:

This is  what  my  profile  looks  like:

You can play around with your personal page a little to get used to it. Give a short bio, pick a genre, and give a rundown of your intended project. With that done you’re good to go.If you’re feeling really creative, add a header and make a placeholder book cover—have fun and go wild.

Next, check out the community tabs:

Your regional page will look different from ours, but it will be there in the Community tab:And don’t forget to check out the national forums, also on the Community tab:

You may find the information you need in one of the many forums listed here.

Now, let’s talk about eliminating heartache and attempted suicides among authors.

Losing your files is a traumatic experience. Some authors lose several years of work in a surprise computer crash – an unimaginable tragedy. Entire manuscripts can go missing when a thumb-drive or hard drive is corrupted.

First of all, you need to save regularly. I use a file hosting service called Dropbox. I have a lot of images on file, so I pay for an expanded version, but they do have a free version that offers you as much storage as a thumb drive. I like using a file hosting service because it can’t be lost or misplaced, and is always accessible from my desktop, laptop, or Android. I work out of those files, so they are automatically saved and are where I want them when I close out.

You can use any storage system that is free to you–Google Drive, OneDrive, or a standard portable USB flash drive. 

Save regularly. Save consistently. DON’T put off saving to a backup of some sort- do it every day before you close your files.

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October 28, 2019 · 6:00 am

What’s my Genre? #NaNoWriMo2019 #amwriting

When you sign up and declare your novel at www.nanowrimo.org, you will be asked what genre you think it is. It’s perfectly fine if you don’t really know.

If you don’t really know exactly what genre your work falls into, here is a list of genres and what they represent. This list has appeared on this blog before, so if you’ve seen it before, thank you for stopping by!

First of all, the term “genre” is all about sales, and how readers choose a book to buy.

“Genre” is the label that tells the bookstore what group of books to place your book with. This will be the group where it has the best opportunity to find a reader.

Bookstores and their owners are in the business of selling books.

They understand that most customers will walk past uncounted numbers of wonderful books on their way to the shelves that contain their favorite kind of novel. On that stroll through the bookstore, they won’t even glance at anything that doesn’t shout “SEE ME? I’m Your Genre! Read ME!”

But what about all those things you’ve heard about “literary” or sci-fi” or “chick lit?”

Forget all that noise.

I left a literary fiction readers group because the moderator was an arrogant snob who violently disliked any mention of enjoyment for reading genre fiction.

And there is the opposite end of the spectrum; the friend who consistently mocks literary fiction, which she doesn’t read, as “Hokey Prose and Plotless Ugliness.”

That is not just untrue, it’s an arrogant, divisive thing to say. No genre is immune to authors who get too artsy and go off the rails with their work. And, every genre has authors who are adept at degrading the work of authors who write in other genres as if that work threatens them.

I urge you to ignore the noise generated by the people who want you to conform to their likes and dislikes. Choose what you want to write, based on what you want to read.

How to determine your genre:

First, the genre of a book is defined by setting and content. It is determined by what the author intends the reader to get out of it, their approach to telling the tale, and the way resolutions occur. Walk through the bookstore and examine how the shelves are stocked and what their literary content is. You will see the fiction books grouped like this:

Mainstream (general) fiction—Mainstream fiction is the general term that publishers and booksellers use to describe works that may appeal to the broadest range of readers and have the most likelihood of commercial success.

Mainstream authors often blend genre fiction practices with techniques considered unique to literary fiction. It will be both plot- and character-driven and may have a style of narrative that is not as lean as modern genre fiction but is not too stylistic either.

The prose of the novel will at times delve into a more literary vein than genre fiction, but the story will be driven by the events and actions that force the characters to grow.

Speculative fiction is work that offers ideas of what may be. It encompasses two genres, Science Fiction and Fantasy:

Science fiction—Futuristic settings, futuristic science and technology, space travel, time travel, faster than light travel, parallel universes, and extraterrestrial life are the core of science fiction. You should be aware that the internet is rife with purists and impurists ranting on what does or does not constitute  sci-fi.

One truth exists: If you use magic for any reason you are NOT writing any form of sci-fi.

  • Hard Sci-fi is characterized by rigorous attention to correct detail in physics, chemistry, and astrophysics. Emphasis is placed on accurately depicting worlds that more advanced technology may make possible, based on theoretical physics as we know them.
  • Soft Sci-fi is characterized by works based on social sciences such as psychology, economics, political science, sociology, and anthropology.
  • Other main sub-genres of Sci-fi include Space-operas, Cyberpunk, Time Travel, Steampunk, Alternate history, Military, Superhuman, Apocalyptic, and Post-Apocalyptic.

The main thing to remember is this—Science and Magic cannot coexist in the Genre of Science Fiction. The minute you add magic to the story, you have Fantasy.

Fantasy is a genre of speculative fiction that commonly uses magic and other supernatural phenomena as a primary plot element, theme, or setting.  Like sci-fi and literary fiction, fantasy has its share of snobs and damn fools when it comes to defining the sub-genres:

  • High fantasy—This genre is defined as fantasy fiction set in an alternative, fictional world, rather than the real, or “primary” world. It features elves, fairies, dwarves, dragons, demons, magic or sorcery, wizards or magicians, constructed languages, quests, and coming-of-age themes. The primary story arc often encompasses a multi-book series, from three to as many as twenty volumes. Sometimes the prose is literary in its style. The primary plot is resolved only slowly, as many important side quests will sidetrack the protagonists. Think William Morris and J.R.R. Tolkien.
  • Epic Fantasy—These stories are often serious in tone and epic in scope, dealing with themes of grand struggle against supernatural, evil forces. Epic fantasy shares some typical characteristics of high fantasy. It can include fantastical elements such as elves, fairies, dwarves, dragons, demons, magic or sorcery, wizards or magicians, constructed languages, quests, coming-of-age themes, many side quests, and multi-volume narratives. Tad Williams’s Memory Sorrow and Thorn is classic Epic Fantasy.
  • Paranormal Fantasy—This genre often focuses on romantic love and includes elements beyond the range of scientific explanation, blending together themes from all the speculative fiction genres. Think ghosts, vampires, and all that is supernatural.
  • Urban Fantasy—These stories can take place in historical, modern, or futuristic periods, and the settings may include some fantasy elements mixed with science. The prerequisite is that the novel must be primarily set in a city.

Horror—This genre  shocks or frightens the reader. Some horror induces a feeling of repulsion or loathing. People who read horror want to be challenged by facing their fears within the pages of a book.

Romance—Novels of this type of genre fiction place their primary focus on the relationship and romantic love between two people. There will be hardships, but Romance must have an emotionally satisfying and optimistic ending.

Mystery and Mystery/Adventure—Mystery is a genre with several subgenres.

  • “Who Dunnit” mysteries, cozy (think Agatha Christie)
  • Mystery, true crime
  • Mystery, hardboiled detective
  • Political thrillers
  • Legal thrillers
  • Medical Thrillers
  • Supernatural Mysteries
  • Romantic Mysteries

All mysteries involve a puzzle that the protagonist must solve, usually placing themselves in great danger in the process. Good mysteries have small clues embedded along the way for the reader, and also many false clues that keep the reader on the wrong track. Mystery readers want to solve the puzzle—that’s why they buy these books.

I mention Literary Fiction last because it is the most complicated and least understood genre of all.

Literary fiction can be quite adventurous with the narrative. Yes, the style of the prose has prominence and may be experimental, requiring the reader to go over certain passages more than once. Literary fiction is a work of many layers, and the people who seek out this work are not just reading the prose—they are looking for the deeper meaning of the book as a whole.

Authors who write true literary fiction deliberately craft each sentence so that each word has impact and meaning. They might employ a stylistic, almost poetic, writing style. This is because it is a love of words and how they are used that characterizes true literary fiction.

Authors in this genre will make heavy use of allegory,  and the deep exploration of themes and ideas to form the core of the piece. It may take years for an author to finish the book to their satisfaction.

I have discussed the following  three books before, but they illustrate the problem of perception—the question of what constitutes Literary Fiction.

Alexander Chee’s The Queen of the Night is a historical fantasy. However, the style and voice in which it is written make it a powerful literary work.

The same goes for George Saunders’ work. Tenth of December is technically sci-fi, and Lincoln in the Bardo is historical fantasy, but it is his style and voice that makes George Sanders literary.

Neil Gaiman’s book, Stardust, is a poster child for the “that’s not literary/yes it is” debate. The prose is literary and poetic; the narrative has a relaxed, meandering yet thought provoking style to it. Yet, it is an out and out fantasy.

I consider it literary.

If you want to know what genre you should write, my advice is to choose to write in the genre that you gravitate to when you enter a bookstore.

Thus, I write fantasy.

And science fiction.

And mainstream.

And poetry.

The genre in which I habitually write depends on the whim of the moment.

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October 25, 2019 · 6:00 am

#FineArtFriday: The Last Supper by Sister Plautilla Nelli (1524–1588)

The Last Supper by Sister Plautilla Nelli  (1524–1588)

Date: 16th century

Medium: oil

Collection: Basilica of Santa Maria Novella

What I love about this painting:

The Last Supper, a 7×2-meter oil-on-canvas, preserved in the Basilica of Santa Maria Novella, is the only signed work by Plautilla Nelli known to survive. Her signature, in the upper left corner, reads S. Plavtil – La Ora Te Pro Pictora (Sister Plavtil, Pray for the Paintress).

I love the intimacy of this composition. Jesus hold bread in his left hand as he comforts Saint John.

According to Karen Chernick for her article of October 17, 2019 in Atlas Obscura:

Nelli didn’t paint her “Last Supper” background to look like the dining hall it was designed for, a trick other artists used to make the scene relatable. Instead, she showed Jesus and his apostles dining on the same food that Santa Caterina’s Domincan nuns ate: a whole roasted lamb, bread, wine, heads of lettuce, and fresh fava beans—the last two dishes unprecedented in any depiction of Christ’s last meal. The fava beans were a wink to local cuisine, a Florentine specialty normally eaten by peasants (and nuns).

“Pray for the Paintress,” is a thought I will keep in my heart.

About this painting, via Wikipedia:

Plautilla Nelli’s Last Supper is a first in the history of art rendered by a woman. Painted in the 1560’s, Last Supper was under restoration for four years.[11] The work went on exhibit in October 2019.[12] No female artist had ever painted this subject before Nelli. Florence has the richest tradition of paintings with the theme of last supper in the world. Nelli’s Last Supper, her most significant work because of its size and subject, is a seven-meter long, oil on canvas. After restoration her Last Supper will be exhibited at the Santa Maria Novella Museum in Florence across from Alessandro Allori’s painting with the same theme, also painted in the sixteenth century.

About the Artist (via Wikipedia)

Sister Plautilla Nelli (1524–1588) was a self-taught nun-artist and the first-known female Renaissance painter of Florence. She was a nun of the Dominican convent of St. Catherine of Siena located in Piazza San Marco, Florence, and was heavily influenced by the teachings of Savonarola and by the artwork of Fra Bartolomeo.

Pulisena Margherita Nelli was born into a wealthy family in the San Felice area of Florence. Her father, Piero di Luca Nelli, was a successful fabric merchant and her ancestors originated from the Tuscan valley area of Mugello, as did the Medici dynasty. There is a modern-day street in Florence, Via del Canto de’ Nelli, in the San Lorenzo district, named for her family, and the New Sacristy of the Church of San Lorenzo is the original site of her family homes.[1]

She became a nun at the age of fourteen, taking on the name Suor Plautilla, at the convent of Santa Caterina di Cafaggio; she would later be prioress on three occasions. The facility was managed by the Dominican friars of San Marco, led by Savonarola. About half of all educated girls in that era were placed into convents to avoid the cost of raising a dowry. Savonarola’s preachings promoted devotional painting and drawing by religious women to avoid sloth, thus the convent became a center for nun-artists. Her sister, also a nun, Costanza, (Suor Petronilla) wrote a life of Savonarola.

Credits and Attributions:

Quote from “A Nun’s 450-Year-Old ‘Last Supper’ Makes Its Museum Debut in Florence” by Karen Chernick © 2019 Atlas Obscura. All rights reserved. https://www.atlasobscura.com/articles/first-last-supper-woman-painter-florence

Wikimedia Commons contributors, “File:Plautilla Nelli – The Last Supper.jpg,” Wikimedia Commons, the free media repository, https://commons.wikimedia.org/w/index.php?title=File:Plautilla_Nelli_-_The_Last_Supper.jpg&oldid=371023591 (accessed October 24, 2019).

Wikipedia contributors, “Plautilla Nelli,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Plautilla_Nelli&oldid=922398829 (accessed October 24, 2019).

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October 23, 2019 · 6:00 am

Update on Work in Progress #amwriting

My works in progress are coming along as I hoped they would. The outline and character studies are finished for my November novel, so I should have no trouble getting that off the ground on November 1st.

I am doing a major structural rewrite on Heaven’s Altar, a new novel set in Neveyah, and that is going well.

Julian Lackland is in the formatting stage at last. His story completes the 3-book Billy’s Revenge collection of stand-alone medieval fantasy novels.

I am looking forward to the great month of November, as I can hardly wait to get started on my project.

The short story mill in my head still seems to produce something every month or so. I like to think of them as “palate cleansers” since they are completely different from the main area of focus and sort of clear the cobwebs from my head.

I have a list of resources for beginners to bookmark that will make writing their NaNoWriMo novels easier. In my mind, any resource that is free is good.

  • Fantasy/Real Name Generator (some are unpronounceable, but all are fun)
  • Thesaurus.Com (quickly find words that mean the same as “sword” etc., so you don’t have too many “crutch” words.
  • Oxford Dictionary (Spell it right and use in the proper context!)
  • Wikipedia (research is a time sink to beat all time sinks, but if you’re in a hurry for quick info, you might find it here.)

Three websites a beginner should go to if they want instant answers about grammar in plain English:

Instant gratification is good when you are in the zone and short on time.

The rules I follow to both get my wordcount and enjoy NaNoWriMo:

    1. Write at least 1,670 words every day (three more than is required) This takes me about 2 hours – I’m not fast at this.
    2. Write every day, no matter if you have an idea worth writing about or not. If you are stuck, write about how your day went and how you are feeling about things that are happening in your life, or write that grocery list. Just write, and think about where you want to take your real story. Write about what you would like to see happen in that story.
    3. Check in at www.nanowrimo.org to see what’s happening in your region. Someone there will be able to answer any questions you may have, and the local threads will keep you in contact with other writers.
    4. Attend a write-in if your region is having any, or join a virtual write-in at NaNoWriMo on Facebook. This will keep you enthused about your project.
    5. Delete nothing. Passages you want to delete later can be highlighted, and the font turned to red or blue, so you can easily separate them out later.
    6. Remember, not every story is a novel. If your story comes to an end, draw a line at the bottom of the page and start a new story, in the same manuscript. You can always separate the stories later, and that way you won’t lose your word count.
    7. Validate your word count at www.nanowrimo.org every day. Your word processing program will sometimes count the words differently than the official validator. Validating daily will let you know if you are officially on track.

Why should you write in November?

Write because you have an idea that could make a good story. Write the book you want to read but no one else is writing.

Write fan-fiction.

Above all, have fun writing.

If you can’t write 1,667 words a day, write as much as you can and don’t feel guilty. The novel is the important thing and if you can’t get 50,000 words in 30 days, all is not lost. There are 320 more days in the year to come, so keep the habit of writing daily.

Stay in love with your characters and have fun writing your story.

In the end, the story is what counts.

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October 21, 2019 · 6:00 am

Time Management #NaNoWriMo2019 #amwriting

If you are planning to write a 50,000 word novel in the month of November, you will need to develop some time management skills.

Writing daily is easier once it becomes a behavioral habit. Making the best use of your time requires a little self-discipline.

Most of us have jobs and a family, so our time for personal projects can be limited.

First, you must give yourself permission to write.

Your perception that it is selfish will be your biggest hurdle. Trust me, it is not asking too much of your family for you to have some time every day that is sacred and dedicated to writing.

When I first began writing, I was in high school. I wrote some short stories, but mostly I wrote poetry and lyrics for songs. Later I married the bass player in a heavy metal band and began writing songs with him.

During the 1980s and 1990s, as the single mother of three children, I held down three part-time jobs. I couldn’t afford cable, so with only four channels via the antenna, TV was pretty minimal at our house. Card games, dominoes, books, and the library were our usual evening entertainment.

It was during this time that I began to write fiction seriously. We read books so quickly that the library couldn’t stock new ones in our areas of interest fast enough for us. So, when my children were doing their homework, I sat in front of my second-hand IBM Selectric typewriter and pecked out fairy tales to read to them.

In the summer, I did that while they watched videos or played Super Mario et al., on the old Super Nintendo.

That gave me at least one hour every night in which I could write, sometimes more. Yes, I did have to help with some of their homework but having me there, typing away next to the gerbil cage seemed to keep them on track, and I did get several pages written every night.

It was all crap, but I made it sound better when I read it aloud to them.

Although I didn’t know it at the time, I was developing discipline and a work ethic in myself as well as in my children.

Two of my daughters write fiction as well as holding down jobs and raising families. All five of our kids are hardworking adults who are raising families and who also have an artistic life in music or writing or both.

Having an artistic life means you allow yourself time to create something that is meaningful to you.

The following is a list of ideas to help you carve the time to write  and still be a full participant in your family’s life.

  1. You must decide what is more important, your dream of writing or watching a television show that is someone else’s dream. Do you want to create, or do you want to be entertained?

Personally, I would say that if you didn’t like the way Game of Thrones turned out, too bad.

It was George R.R. Martin’s creation, and he did it his way. He has written more than thirteen novels, numerous short stories, novellas, and too many screenplays for me to count.

GRRM did all that by sitting down and writing every day. He is an award-winning author because he makes the time to write despite his heavy schedule as a speaker, screenwriter, and editor.

So, don’t waste your time complaining about how George did it and don’t bother searching for a replacement show. Write your own Game of Thrones and do the way you think it should have been done. Writing fan fiction is a great, time-honored way to start your writing career.

  1. You have the right to take an hour in the morning and the evening to use for your own creative outlet. Get up an hour early and write until the time you would normally get up. That will be the quietest time you will have all day. Give up that 9:00 p.m. TV show and write for one more hour. There are your 2 precious hours.

If you use those two separate hours for your stream-of-consciousness writing, you could easily get your 1,667 words written every day, possibly more. I am a slow keyboard jockey, and I can do about 1,100 wonky, misspelled words an hour during NaNoWriMo.

But they ALL count, misspelled or not.

  1. Write for five minutes here and ten minutes there all day long if that is all you can do. Every word counts toward your finished manuscript.
  2. I took my lunch to work and wrote during my lunch half-hour whenever possible.
  3. I also wrote on the bus when I didn’t own a car.

You don’t have to announce you are writing a book if you don’t wish to—I certainly didn’t feel comfortable doing so. If you want to spend your lunch time writing, politely let people know you’re handling personal business and won’t have time to chat.

Some offices will allow you to use your workstation computer for personal business, but most of my places of employment frowned on that. I brought a notebook and pen as I didn’t own a good laptop. By writing down all the thoughts and ideas I had during the day, I had a great start when I finally did get a chance to write. If your work allows, bring your laptop or your iPad/Android. So you don’t get into trouble with the boss, sit in the lunchroom (if you have one).

You can also set aside a block of time on the weekend to write, though that can be difficult, as setting aside an uninfringeable time on a weekend can become a hardship, especially if you have a young family. This is where getting up early for that one quiet hour can really keep your story flowing out of your head and into the keyboard/notebook.

Writers and other artists do have to make sacrifices for their craft.

It’s just how things are. But you don’t have to sacrifice family for it. Sacrifice one hour of sleeping in, and sacrifice something ephemeral and unimportant like one hour of TV.

By  writing in short bursts whenever you have the opportunity, you might get your first draft finished, and get that certificate that says you completed 50,000 words in 30 days.

But more importantly than any winners certificate, you will have created something special, something unique that is a piece of your soul, your intellectual child, as it were.

A novel is nothing but an idea and the discipline to sit down and write it from start to finish.

Inspiration and self-discipline—that ability to start and finish a project that began as an idea, a “what if,” is what creative writing is all about.

You can achieve your goal of 50,000 words in 30 days if you give yourself permission to create and make the time to do so.

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October 18, 2019 · 6:00 am

#FineArtFriday: The Painter’s Honeymoon by Frederic Leighton, 1st Baron Leighton ca. 1864

Artist: Frederic Leighton, 1st Baron Leighton: The Painter’s Honeymoon

Title: The Painter’s Honeymoon

Date: 1864

Medium: painting

Dimensions: 83.8 × 76.8 cm (32.9 × 30.2 ″)

What I like about this painting:

This is a real departure from Leighton’s usual precise nudes. There is a great deal of emotion and closeness depicted here. The folds of the wife’s skirt are shown with his usual vivid sharpness, as are the hands of both the painter and his wife. Their hands are portrayed as gentle and tender—and yet they are clearly defined, as they are the medium through which the painter expresses himself.

Their faces are not as distinct, as if they are still in the romantic haze of their new life together.

According to Wikipedia:

The Painter’s Honeymoon was first exhibited at the Royal Academy in 1866 – it appears that Leighton deliberately prevented it from being shown publicly in the years following its completion. As Leighton was renowned for his lack of confidence and shyness, many of his contemporaries believed he felt he had betrayed too much of his own emotion to feel comfortable exhibiting the picture.

Credits and Attributions:

The Painter’s Honeymoon by Frederic Leighton, 1st Baron Leighton [Public domain]

Wikipedia contributors, “The Painter’s Honeymoon,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=The_Painter%27s_Honeymoon&oldid=902492011 (accessed October 18, 2019).

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October 16, 2019 · 6:00 am

#NaNoWriMo2019 Prepping: Setting #amwriting

If you follow this blog and you are planning to write a novel in November, you now have the first three key elements you will need to begin:

  1. Plot: Devising a Plot in 8 Questions
  2. Outline: The Outline for Pantsers
  3. Characters: Prepping your Characters

All you need now is a world to set this story in. Prepping now will save you time when you begin the 30-day challenge.

Worlds evolve as we write the first draft, but it helps to have a solid idea of where we are setting the story at the outset.

What follows is a plan to help you lay the groundwork for the world in which your novel is set.

Picture the opening scene.

Open a new document and give it a title, such as your_book_title_worldbuilding.docx

Simple and clear labels make a good file names. You want one that clearly says “this is world building” for whatever you have titled your novel, and if you put it in the same folder as your manuscript, you will be able to easily find it.

Here is a short list of questions to help you begin the process:

  1. What is the name of the world in which the story opens? What is the name of the town/village where the protagonists are living? Place names can give the reader an idea of the sort of town or village it is set in.
  2. Does it take place on earth in a real place? If so, do the research and use Google Earth and Google maps.
  3. On earth in an alternate time/place? Make that clear at the outset
  4. Is it set on some other world entirely? The best way to make the fantasy world real is to visualize the scene clearly. Blend the real world into it and write out all the details that will never make it into your story.
  5. Where is the protagonist, indoors or out? Is it a gentle or a hostile environment? Does the environment work for or against him/her?
  6. If the setting is indoors, is it home, an office, a shop, a smithy…etc. etc. How does the protagonist fit into this place? Are they visiting, or do they live/work there? List the furniture and other objects that the characters interact with and know where it’s placed.
  7. Looking through their eyes, what emotions do they feel about the world around them? THIS DOES NOT HAVE TO GO INTO THE NARRATIVE, as this is backstory for you. It will evolve into the story organically as you write.

Now we get to the tactile parts of the setting:

  1. How does the air feel, and what scents and odors are common to that place? The smells, the sounds, the way certain doors creak are all good things to know.
  2. What is the quality of the lighting both indoors and out? Is it dark, bright, subdued, glaring, etc.?
  3. If they are out of doors, what is the weather like? Weather is crucial and impacts your characters’ ability to easily go places.

On this world-building document, write every single detail the characters see and feel, from the largest down to the insects. Keep adding to it whenever you think of something new. The act of designing this scenery builds the world in your mind. For my own work, I stick with the familiar, with some unfamiliar creatures thrown in for fun. Use all the power words you can think of to build that world.

As you write the first draft of your novel, the world you are creating will grow and evolve. I highly recommend two things:

  1. Draw a quick, simple map, such as the sample map to the right, if your characters are traveling in a fantasy world—it doesn’t have to be fancy. This way your place names and directions won’t inadvertently shift as the book progresses.
  2. Make a list of character names and place names, and any words that are unique to your world and your story. This will be your reference manual for this novel and will keep the spelling from evolving as you get further into the story.

A world is more than the environment. You should have an idea of how your society works, to ensure your characters are firmly in your mind at the outset:

  • How is your society divided? Who has wealth?
  • Who has the power? Men, women—or is it a society based on mutual respect? Is one race more entitled than another?
  • What place does religion have in this society? Is it central to the governance of the society, or is it a peripheral, perhaps nonexistent thing?
  • What passes for morality? Is sex before marriage taboo? What constitutes murder, and how is it viewed? You only need to worry about the moral dilemmas that come into your story.
  • If a character goes against society’s unwritten or moral laws, what are the consequences?

This is atmosphere. This is knowledge the characters have, but the reader does not.  The way you convey this is to show how these larger societal influences affect your character and his/her ability to resolve their situation.

Fantasy worlds often involve magic. If magic is central to your story, it is essential that you have finite rules for limiting how magic works.

Unlimited power is completely unbelievable. If magic is part of your story, rules and limitations create the tension that moves the plot forward.

  • Who has the magic, and what social power does this give them?
  • What are the limitations of his/her powers? How does this hamper them?

Each time you make limits and frameworks for your magic, you make opportunities for conflict within your fantasy world. Conflict is what drives the plot. There can be an occasional exception to the rules, but there has to be a good reason for it, and it must be clear to the reader why that sole exception is acceptable.

Spending an evening working these details out before you sit down to write will make your work go faster. Many things will change as you go along, and better ideas emerge, but having the jumping off point will get you out of the gate with confidence.

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October 14, 2019 · 6:00 am

Prepping your Characters #NaNoWriMo2019 #amwriting

November and NaNoWriMo approaches. On November 1st thousands of authors will begin the 30 day challenge. Many will fall out of the game in first few days, but an amazing number of authors will finish their novels in those 30 days.

I see on the boards at www.nanowrimo.org  that a large number of people are drawing up personnel files for their characters. They are finding pictures of actors that might look most like their characters and writing short bios. I have done this in the past, and it worked well, as far as getting the obvious things down.

But I discovered that personnel files only show us the surface of these characters. Thanks to my obsession with learning new things and going to seminars, I do things a bit differently nowadays.

A seminar by Damon Suede triggered a cascade of ideas in my mind, the things I habitually did but didn’t realize I was doing it. These aspects of characterization were in my head but never written down, and as a consequence, things sometimes got muddied up in the writing.

We form our characters out of Action and Reaction. This happens in several ways. I will use the 3 main characters in my forthcoming novel, Julian Lackland, as my examples, as they are most firmly in my mind right now.

First, we  make a simple word picture of each character. The word picture is made of a verb (action) and a noun (person, place, or thing), the two words that best describe each person.

We want to know the good things about these characters, so we assign nouns that tell us how they see themselves at the outset of the story. We also look at sub-nouns and synonyms:

Julian’s Noun is: Chivalry (Gallantry, Bravery, Daring, Courtliness, Valor, Love)

Beau’s Noun is: Bravery (Courage, Loyalty, Daring, Gallantry, Passion)

Lady Mags’s Noun is: Audacity (Daring, Courage)

The way we see ourselves is the face we present to the world. These self-conceptions color how they react but aren’t engraved in stone. By the end of the story, the way they see themselves will change because circumstances will both break and remake them.

Next, we assign a verb that describes their gut reactions, which will guide the way they react to every situation that arises. They might think one thing about themselves, but this verb is the truth and while it may evolve, it does not completely change. Again, we also look at sub-verbs and synonyms:

Julian has 2 Verbs. They are: Defend, Fight, (Preserve, Uphold, Protect)

Beau’s 2 Verbs are: Protect, Fight (Defend, Shield, Combat, Dare)

Lady Mags’s 2 Verbs are : Fight, Defy (Compete, Combat, Resist)

When I write one of these three characters, I know how they believe they will react in a given situation. Why? Because I have drawn the portrait of their soul in words:

Julian must Fight for and Defend Chivalry. Julian’s commitment to defending innocents against inhumanity ultimately breaks his mind.

Beau must Fight for and Protect Bravery. Beau’s commitment to protecting Julian and concealing his madness consumes his life.

Lady Mags must Fight for and Defy Audacity. Mags is audacious–she is determined to remain a mercenary knight, no matter what the cost. She’s at war with herself in regard to her desire for a life with Julian and Beau. That war ruins her chance at happiness.

Do you see what happened? Placing the verb before the noun describes their core conflict. It lays bare their flaws and opens the way to building new strengths.

Who they are before we meet them is important, so go ahead and make that personnel file. But their story will be built upon who they think they are and what their gut reactions are.

Our characters’ preconceptions color their experience of events, which color the readers’ view. They are unreliable witnesses. It shades their reactions when they fail to live up to their own standards. These are the watershed moments when they must honestly examine their motives.

It adds to a scene where they triumph despite their flaws, succeeding against the odds.

What two words describe the primary weaknesses of your characters, the thing that could be their ultimate ruin?

Julian Lackland: Obsession and Honor

Beau Baker: Steadfast Loyalty

Lady Mags De Leon: Stubbornness and Fear

So, when you sit down to make a personnel file for your characters, you need more than a picture of your favorite actor and bio. You also need to decide the verb (action word) and the noun (object of the action) that best represents your characters.

For me, knowing these two words about my characters make writing the story easier. Their actions and reactions unfold as if the story writes itself.

I am in the process of assigning verbs and nouns to the characters in my own projected NaNoWriMo novel. Some of my characters are difficult to get a grip on, so this exercise will help me on November 1st when I begin to write their story.

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October 11, 2019 · 6:00 am

#FineArtFriday: Road from Market by Thomas Gainsborough ca. 1768

 

Title: Road from Market by Thomas Gainsborough  (1727–1788)

Date: between 1767 and 1768

Medium: oil on canvas

Dimensions: Height: 1,213 mm (47.75 ″); Width: 1,702 mm (67 ″

What I love about this painting:

Thomas Gainsborough is one of Great Britain’s most famous portrait artists. His best-known painting is the “Blue Boy.”  But while portraits may have paid his bills (handsomely), Thomas Gainsborough loved painting landscapes and did so whenever he was able.

This painting shows us a road, and while it looks to our modern eyes to be nothing more than a dirt track fading into the forest, it was typical of the main roads one had to travel in both Great Britain and America. They were dirt tracks, barely passable at certain times. Traveling these roads while riding in a carriage was both dangerous and arduous.

Four people are depicted in this painting, three men and a woman. All but one of the farmers is seated sideways on the horses. This tells us that side-saddle was a common way for all people to ride at the time of the American Revolution, not just women.

Gainsborough did manage to romanticize the bucolic countryside in this pleasant, homey painting.

His horses are heroic, the peasants look well-fed, and even the cattle look prosperous. The fields just beyond the trees are lush and green.

Thomas Gainsborough is credited, along with Richard Wilson, as one of the originators of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy of Arts.

Credits and Attributions:

Wikimedia Commons contributors, “File:Thomas Gainsborough – Road from Market – Google Art Project.jpg,” Wikimedia Commons, the free media repository, https://commons.wikimedia.org/w/index.php?title=File:Thomas_Gainsborough_-_Road_from_Market_-_Google_Art_Project.jpg&oldid=354218025 (accessed October 11, 2019).

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October 9, 2019 · 6:00 am

The outline for pantsers #NaNoWriMo2019 amwriting

NaNoWriMo is prime “pantsing it” time. For those who don’t know that term, “pantsing” is writer-speak for “flying by the seat of your pants.” I always begin with an outline, but my story always goes in directions I never planned for.

Sill, the outline helps me stay on track.

I outline in advance because (when writing in any genre) if you are pantsing your way through a story that encompasses 75,000 to 100,000 words, it is easy to get involved in large info dumps and bunny trails to nowhere. A loose outline will tell you what must happen next to arrive at the end of the book with a logical story set in a solidly designed world.

Making an outline helps you keep your story arc moving forward.

Everything you write from the point of the inciting incident to the last page will detail that epic quest for the unobtainable something.

By the end of the book, the internal growth of the characters may have caused them to change their personal goals, but something big and important must be achieved in the final chapters.

As I said above, I’ve never yet written a story that stuck strictly to the original outline.

Characters develop lives and personalities of their own, and stuff happens that wasn’t planned for.

Screen writers have it right, so the layout of my outline is divided into acts and beats, with a brief description. So, how do we approach this little task? First, NaNoWriMo says 50,000 words is a novel. How long do you think yours might be? Divide it into manageable chunks.

Act One – not more than 25% of total words: Where does the inciting incident occur?

  • Opening scene–characters in “normal” environment–/ Hook
  1. Introduce the characters. In your outline, ask, “What does each desire?” List each character and make a note of what they want at the beginning, what stands in their way at the middle, and what they get at the end.
  2. Foreshadow the incident that takes them out of their normal environment.
  • Inciting Incident – the event that changes everything.
  1. characters are thrown out of “normal” and into new circumstances.
  • Things start to get crazy.
  1. Characters react to the inciting incident.
  2. Characters try to get control of the situation and fail.
  3. Characters regroup. They must continue, but what are they willing to risk?

Act Two takes up 50% of the novel—it is the second quarter and third quarter combined.

  • Pinch Point #1—a dangerous situation orchestrated by the antagonist.
  1. The antagonist applies pressure to your character. This demonstrates the threat presented by the antagonist and forces your character into action.
  • Midpoint
  1. Regroup, process what just happened, plan to achieve the goal. What is happening at the midpoint? Are the events of the middle section fraught with uncertainty but still moving the protagonist toward their goal? If not, cut them and insert events that propel the story forward.
  2. Move toward the next encounter.
  • Pinch Point #2—Calamity. When and where does this occur?
  1. The protagonist is thwarted and may not win the goal after all.
  2. How are their attempts to achieve the goal frustrated?
  3. Someone dear may die.
  • Crisis of faith
  1. The costs of the battle are weighed against what is gained.
  2. Faith is restored, plans are laid for next encounter

Act Three, the final 25% of the novel:

  • Climax
  1. The protagonist faces the antagonist, and the battle is on.
  • Final resolution
  1. The protagonist wins, but at what cost?
  2. Do they achieve the original goal in the end, or do their desires evolve away from that goal as the story progresses?
  3. All threads are wound up, and the book has a finite ending (NOT a cliff hanger if you are an unknown author, even if a book two is planned).

Sit down with a notebook (or if you’re like me, and Excel spreadsheet) and make a list of what events must happen in each “act.” In my outline, each chapter has a brief description of what I think will occur in each scene, such as:

Chapters 15 – 22

15 Aeddie sick – Mendric can’t heal his heart-take him to Hemsteck
16 Three days into the journey Elgar and Raj battle Thunder lizard
17 Star stone falls outside Waterston
18 Aeddie sick, nearly dies, Mendric nearly burns out gift keeping him alive
19 South of Kyran, water wraith
20 North of Kyran, a mob attack
21 Nola – inn
22 Maldon, highwaymen, and William

>>><<<

If I take the time to note all of my changes to the story line, I have a guide showing me what those changes were. I can make sure the events are foreshadowed logically and don’t appear to be a clumsy Deus Ex Machina. (Pronounced: Day-us ex Mah-kee-nah.) (God from the Machine.)

That means a plot twist that is pulled seemingly out of nowhere and used to miraculously resolve an issue. Miraculous is the key word. If you rely on this, your plot will be unbelievable.

What is the underlying theme? How does this theme affect every aspect of the protagonists’ evolution in this story? (See my post: The interpretive layer of the word-pond: Theme.)

When you assemble your outline, ask yourself these questions:

  • What will be your inciting incident? How does it relate to the theme?
  • What is the goal/objective? How does it relate to the theme?
  • At the beginning of the story, what could the hero possibly want to cause him to risk everything to acquire it?
  • How badly does he want it, and why?
  • Who is the antagonist?
  • What moral (or immoral) choice is the protagonist going to have to make in his attempt to gain that objective?
  • What happens at the first pinch point?
  • In what condition do we find the group at the midpoint?
  • Why does the antagonist have the upper hand? What happens at the turning point to change everything for the worse?
  • At the ¾ point, your protagonist should have gathered his resources and companions and should be ready to face the antagonist. How will you choreograph that meeting?

I always feel it’s necessary to have an outline of the story arc even if my novel has multiple possibilities for endings. Winging it in short bursts can be exhilarating, but my years of experience with NaNoWriMo have taught me that winging it for extended lengths of time means I might run out of fresh ideas of what to do next.

If you begin with a simple outline, you won’t become desperate at the halfway point and resort to killing off characters just to stir things up. Many times, someone must die to advance the plot or fire up the protagonist, but readers get angry with authors who kill off too many characters they have grown to like.

Besides, you might need that character later. Bringing them back from the dead is a whole different Deus Ex Machina.

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